Best Selling Books by Albert Camus

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release date: Mar 13, 1989
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The Stranger
Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.
release date: May 07, 1991
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The Myth of Sisyphus and Other Essays
One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.
release date: May 07, 1991
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The Plague
A haunting tale of human resilience in the face of unrelieved horror, Camus' novel about a bubonic plague ravaging the people of a North African coastal town is a classic of twentieth-century literature.
release date: Jan 01, 1992
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The Rebel: An Essay on Man in Revolt
By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. As old regimes throughout the world collapse, The Rebel resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.

Translated from the French by Anthony Bower.
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L'étranger (Collection Folio, no. 2) (French Edition)
L'Etranger est un roman d Albert Camus, paru en 1942. Il prend place dans la trilogie que Camus nommera « cycle de l absurde » qui d'ecrit les fondements de la philosophie camusienne : l absurde. Cette trilogie comprend également l essai philosophique intitulé Le Mythe de Sisyphe ainsi que les deux pièces de théâtre Caligula et Le Malentendu. Le roman a été traduit en quarante langues et une adaptation cinématographique a été réalisée par Luchino Visconti en 1967.
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release date: May 07, 1991
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The Fall
Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.
release date: Aug 17, 2004
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The Plague, The Fall, Exile and the Kingdom, and Selected Essays (Everyman's Library)
(Book Jacket Status: Jacketed)

From one of the most brilliant and influential thinkers of the twentieth century–two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913—1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning.

The Plague–written in 1947 and still profoundly relevant–is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters–from a renegade missionary to an adulterous wife –at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.
release date: Aug 29, 1995
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Resistance, Rebellion, and Death: Essays
In the speech he gave upon accepting the Nobel Prize for Literature in 1957, Albert Camus said that a writer "cannot serve today those who make history; he must serve those who are subject to it." And in these twenty-three political essays, he demonstrates his commitment to history's victims, from the fallen maquis of the French Resistance to the casualties of the Cold War.

Resistance, Rebellion and Death displays Camus' rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel, and The Myth of Sisyphus.
release date: Aug 29, 1995
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A Happy Death
In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time.

Translated from the French by Richard Howard
release date: Jun 13, 2016
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The Stranger
Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd."
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