New Releases by Henry Shaw

This is a comprehensive treatise on the historical and cultural significance of the vine and its role in the development of human civilisation. Written by renowned botanist Henry Shaw, this book covers a broad range of topics including the history of wine-making, the cultural and religious significance of the vine in different societies, and the science of viticulture. With its engaging style and rich illustrations, this book is a must-read for anyone interested in the historical and cultural significance of one of the world's most beloved fruits. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Henry Shaw Wyllie, an author and artist, lived in India and recorded his memories of that time through pictures and the writing of Memories of Assam, India.

Prior to President Harry Truman''s 1948 declaration of intent to end segregation in the U.S. Armed Forces, blacks who served most often did so in segregated units or under a quota system designed to limit their number. In time of war, the need for men usually required the recruitment or drafting of blacks; in peacetime the number of black servicemen dwindled. In large part, the situation of blacks in uniform was a reflection of their status in society, particularly that part of American society which practiced racial segregation and discrimination. During the American Revolution blacks served in small numbers in both the Continental and state navies and armies. According to surviving muster and pay rolls, there were at least three blacks in the ranks of the Continental Marines and ten others who served as Marines on ships of the Connecticut, Massachusetts, and Pennsylvania navies.'' It is probable that more blacks served as Marines in the Revolution who were not identified as such in the rolls. The first recorded black Marine in the Continental service was John Martin or "Keto," a slave of William Marshall of Wilmington, Delaware, who was recruited without Marshall''s knowledge or permission by Marine Captain Miles Pennington in April 1776. Martin served on board the Continental brig Reprisal until October 1777 when the ship foundered off the Newfoundland Banks. All of her crew except the cook were lost. . . . And so the history begins.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Widely praised for the meticulous rendering of its plates, this 1842 compilation features a broad range of Gothic Revival decorations: architectural ornaments, stained glass, wood carvings, tapestry designs, and much more.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Examines the manner of dress and the design of the Middle Ages through biographies of the most prominent monarchs of the time.

A good reprint of Shaw''s Alphabets, numerals and devices of the Middle Ages, 1845. Partly in color, this is a charming book and a bargain. Annotation copyright Book News, Inc. Portland, Or.

"In the same vein, Beckwith comments: the first of many British 19th-century studies of illuminated manuscripts, such books opened the public''s eyes to the aesthetic and historical value of manuscript arts. The format was a model for 19th-century studies of the history and methods of illumination, a landmark in the diffusion of information about manuscript arts and their history and made a significant contribution to Victorian bibliomania. This may in fact be the very first book on illumination and its history to have color plates, and can certainly be said to have had a profound influence on early Victorian taste in and appreciation of illuminated manuscripts."--Abebooks.