New Releases by Kimberly Blaeser

The bold and genre-defying prose debut by the prize winning poet that incorporates social, historical, and supernatural elements to create a collection that is both contemporary and timeless, communal and deeply intimate Kimberly Blaeser’s singular stories center Anishinaabe characters who bring traditional tribal stories into contemporary experiences that break the stereotypes too often used to portray them. Here we experience an Indigenous America inhabited by fancy dog contests, social protests, tree doctors, monsters, mosquitos, and facial recognition software; all while blending in the most exciting ways the genre elements of magical realism, humor, horror, and speculative literary fiction. At the heart of the collection is the story “Red Ants,” which opens on the rez between a jump rope chant and a test proctor’s smile, where two girls learn how easily a life can be reduced to numbers, and how quickly those numbers can tilt ordinary days into something mythic, unsettling, and deeply human. Blaeser delves into the complexities of kinship and survival, exploring how the smallest moments of cruelty or tenderness can shape generations. Speaking to larger issues of race, culture, and history, Red Ants explores alienation, displacement, and loneliness elevated through the precision of the language, fierce emotional intelligence, and the haunting sense of place that permeates every page.

Elegiac and powerful, Ancient Light uses lyric, narrative, and concrete poems to give voice to some of the most pressing ecological and social issues of our time. With vision and resilience, Kimberly Blaeser’s poetry layers together past, present, and futures. Against a backdrop of pandemic loss and injustice, MMIW (Missing and Murdered Indigenous Women), hidden graves at Native American boarding schools, and destructive environmental practices, Blaeser’s innovative poems trace pathways of kinship, healing, and renewal. They celebrate the solace of natural spaces through sense-laden geo-poetry and picto-poems. With an Anishinaabe sensibility, her words and images invoke an ancient belonging and voice the deep relatedness she experiences in her familiar watery regions of Minnesota. The collection invites readers to see with a new intimacy the worlds they inhabit. Blaeser brings readers to the brink, immerses them in the darkest regions of the Anthropocene, in the dangerous fallacies of capitalism, and then seeds hope. Ultimately, as the poems enact survivance, they reclaim Indigenous stories and lifeways.

Copper Yearning invests itself in a compassionate dual vision—bearing witness to the lush beauty of our intricately woven environments and to the historical and contemporary perils that threaten them. Kimberly Blaeser’s fourth collection of poetry deftly reflects her Indigenous perspective and a global awareness. Through vividly rendered images, the poems dwell among watery geographies, alive to each natural nuance, alive also to the uncanny. Set in fishing boats, in dreams, in prisons, in memory, or in far flung countries like Bahrain, the pieces sing of mythic truths and of the poignant everyday injustices. But, whether resisting threats to effigy mounds or inhabiting the otherness of river otter, ultimately they voice a universal longing for a place of balance, a way of being in the world—for the ineffable.

Absentee Indians and Other Poems evokes personal yet universal experiences of the places that Native Americans call home, their family and national histories, and the emotional forces that help forge Native American identities. These are poems of exile, loss, and the celebration of that which remains. Anchored in the physical landscape, Blaeser’s poetry finds the sacred in those ordinary actions that bind a community together. As Blaeser turns to the mysterious passage from sleeping to wakefulness, or from nature to spirit, she reveals not merely the movement from one age or place to another, but the movement from experience to vision.