New Releases by Lois Beardslee

An exquisitely illustrated collection of poetry inspired by a traditional Anishinaabe seasonal year. Gold medalist, Midwest Book Awards! A Heartland Bookseller Award Poetry Finalist! Anishinaabe author Lois Beardslee shares how a life is lived within two cultures, revealing a worldview shaped by language and customs and expressed through verse both playful and somber. This collection of poems is a lattice of traditional wisdom, wordplay, and cunning modernity that forms a distinctive creative voice. Experiences of duality overlay an Anishinaabe annual cycle, emphasizing the practical nature of traditions and their dependence upon the landscape in which they develop over time. Poems like "Waatebagaagiizis" and "Gidanimibiisaa na" reveal the fortitude that maintains traditions against the encroaching backdrop of modernity. Others such as "Namegosag" and "Minowichige" playfully connect a moment's experience to the everyday practices that have endured, many through the author's own eyes, and others through kin spanning generations and cultures. These poems not only evoke a sense of spirit that transcends boundaries but they also bear traditional knowledge, notions of the seasons, and conceptions of how the spirit is shaped by nature.

Contemporary Native American poetry and prose that celebrate the successes, while acknowledging ongoing challenges. Words like Thunder: New and Used Anishinaabe Prayers is a collection of poetry by award-winning Ojibwe author Lois Beardslee. Much of the book centers around Native people of the Great Lakes but has a universal relevance to modern indigenous people worldwide. Beardslee tackles contemporary topics like climate change and socioeconomic equality with a grace and readability that empowers readers and celebrates the strengths of today's indigenous peoples. She transforms the mundane into the sacred. Similar in style to Nikki Giovanni, Beardslee might lure in readers with the promise of traditional cultural material, even stereotypes, before quickly pivoting toward a direction of respect for the contemporaneity and adaptability of indigenous people's tenacious hold on traditions. Made up of four sections, the book is like a piece of artwork. Parts of the word-canvas are quiet so the reader can rest and other parts lead the reader quickly from one place to another, while always maintaining eye contact. More than anything, Beardslee emphasizes the notion that indigenous peoples are competent and wonderful, worthy of praise, and whose modernity is a function of their survival. She writes unapologetically with a strong ethnic identity as a woman of color who witnessed and experienced community loss of resources that defined her culture. Her stories transcend generations, time, and geographical boundaries—varying in voice between first person or that of her elders or children—resulting in a collective appeal. Beardslee continues to break the mold and push the boundaries of contemporary Native American poetry and prose. This book will appeal to a general readership, to people who want to learn more about indigenous peoples of the Great Lakes, and to people who care about the environment and socioeconomic equality. Even young readers, especially students of color, will find parts of this book to which they can relate.

The WomenÕs Warrior Society is a remarkable gathering of characters and voices used to expose truths about Native American life. In tightly woven prose, Lois Beardslee tells stories about people from all over North America and from either side of the line between abused and abuser. Both individual and archetypal, Native and non-Native, male and female, her characters take up arms against widely accepted stereotypes about Native people. The women warriors in these tales have lived through a variety of mishaps, experiencing the consequences brought on by misinformation and the misguided efforts of institutions and individuals. Armed with this experience, they gather in unlikely ÒsweatlodgesÓÑfrom kitchen tables to public librariesÑtransforming into she-wolves who, lips curled, snarl at their own victimization and assert that hope for future generations is maintained through creativity, determination, and the preservation of traditional values. This is political writing at its most honest and creative. BeardsleeÕs style is poetic and lyrical, and her voice, shifting as it does, both grips us with terrible tone and comforts us with familiar assurance. A fierce call to action, this book reads like a song cycleÑboth singing to us and demanding that we sing in response. Beardslee creates new strategies and measures of success. Her warriors dance, bark, howl, and transform themselves in unexpected ways that invoke tears, laughter, even awe. They are, above all, driven, successful, and eternally hopeful.

Part novel and part memoire, Not Far Away recounts the life of a female Ojibwe schoolteacher in northern Michigan as she endures the most caustic forms of racism.

Rachel's Children is the true story of a contemporary Ojibwa household and the woman and her children who are at its core. As their lives unfold, we understand how traditional beliefs help Rachel's family cope as they encounter racism in rural Michigan. Beardslee writes in a style that is a combination of ethnography, theatrical script, and novel, echoing the Ojibwa style of storytelling. Her book will be valuable for instructors in Native studies, multicultural education, and anthropology. Visit our website for sample chapters!

Lies To Live By brings together two selections of stories by Ojibwe storyteller Lois Beardslee. “Lies to Live By,” a series of interdependent tales, reflects the storyteller’s role in interpreting traditional stories for contemporary audiences, while preserving traditions based not in mysticism but in pragmatism. In “Calm Days,” three generations—the narrator, her grandfather, and her son—spend a week together on a remote island during the course of which they demonstrate the continuity of Ojibwe life. Together these stories weave the contemporary and the traditional to show how cultural diversity can be preserved even as cultural boundaries are transcended.