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Starved and mistreated, empty bowl in hand, the young hero musters the courage to approach his master, saying, "Please, sir, I want some more." Oliver Twist's famous cry of the heart has resounded with readers since the novel's initial appearance in 1837, and the book remains a popular favorite with fans of all ages.Dickens was no stranger to the pain of hunger and the degradation of poverty. He poured his own youthful experience of Victorian London's unspeakable squalor into this realistic depiction of the link between destitution and crime. Oliver escapes his miserable servitude by running away to London, where he unwillingly but inevitably joins a scabrous gang of thieves. Masterminded by the loathsome Fagin, the underworld crew features some of Dickens' most memorable characters, including the juvenile pickpocket known as the Artful Dodger, the vicious Bill Sikes, and gentle Nancy, an angel of self-sacrifice.A profound social critic, Dickens introduced genteel readers to the problems of the poor in a way that had rarely been attempted before. This tale of the struggle between hope and cruelty continues to speak to modern audiences.
In this celebrated work, his only novel, Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.
Regarded as the preeminent prose satirist in the English language, Jonathan Swift (1667–1745) intended this masterpiece, as he once wrote Alexander Pope, to "vex the world rather than divert it." Savagely ironic, it portrays man as foolish at best, and at worst, not much more than an ape.The direct and unadorned narrative describes four remarkable journies of ship's surgeon Lemuel Gulliver, among them, one to the land of Lilliput, where six-inch-high inhabitants bicker over trivialities; and another to Brobdingnag, a land where giants reduce man to insignificance.Written with disarming simplicity and careful attention to detail, this classic is diverse in its appeal: for children, it remains an enchanting fantasy. For adults, it is a witty parody of political life in Swift's time and a scathing send-up of manners and morals in 18th-century England.
In September of 1884, Robert Louis Stevenson, then in his mid-thirties, moved with his family to Bournemouth, a resort on the southern coast of England, where in the brief span of 23 months he revised A Child's Garden of Verses and wrote the novels Kidnapped and The Strange Case of Dr. Jekyll and Mr. Hyde.An intriguing combination of fantast thriller and moral allegory, The Strange Case of Dr. Jekyll and Mr. Hyde depicts the gripping struggle of two opposing personalities — one essentially good, the other evil — for the soul of one man. Its tingling suspense and intelligent and sensitive portrayal of man's dual nature reveals Stevenson as a writer of great skill and originality, whose power to terrify and move us remains, over a century later, undiminished.
Like much of James Joyce's work, A Portrait of the Artist as a Young Man is a fictional re-creation of the Irish writer's own life and early environment. The experiences of the novel's young hero, Stephen Dedalus, unfold in astonishingly vivid scenes that seem freshly recalled from life and provide a powerful portrait of the coming of age of a young man of unusual intelligence, sensitivity, and character.The interest of the novel is deepened by Joyce's telling portrayals of an Irish upbringing and schooling, the Catholic Church and its priesthood, Parnell and Irish politics, encounters with the conflicting roles of art and morality (problems that would follow Joyce throughout his life), sexual experimentation and its aftermath, and the decision to leave Ireland.Rich in details that offer vital insights into Joyce's art, this masterpiece of semiautobiographical fiction remains essential reading in any program of study in modern literature.
"Aldous Huxley is the greatest 20th century writer in English." —Chicago Tribune
Aldous Huxley is rightly considered a prophetic genius and one of the most important literary and philosophical voices of the 20th Century, and Brave New World is his masterpiece. From the author of The Doors of Perception, Island, and countless other works of fiction, non-fiction, philosophy, and poetry, comes this powerful work of speculative fiction that has enthralled and terrified readers for generations. Brave New World remains absolutely relevant to this day as both a cautionary dystopian tale in the vein of the George Orwell classic 1984, and as thought-provoking, thoroughly satisfying entertainment.
A delightfully comic tale of mistaken identities, Twelfth Night revolves around the physical likeness between Sebastian and his twin sister, Viola, each of whom, when separated after a shipwreck, believes the other to be dead. The theatrical romp begins when Viola assumes the identity of Cesario, a page in the household of the Duke of Orsino. The Duke is enamored of the Countess Olivia, who spurns him for the newly arrived young page. The comical machinations of Malvolio, Sir Toby Belch, the maid Maria, and Sir Andrew Aguecheek add to the ensuing confusion — all of which is pleasantly resolved when Viola and Sebastian meet once again. Filled with some of the finest comedic scenes in the English language, this entertaining masterpiece remains one of Shakespeare's most popular and most performed comedies.
A young Swiss student discovers the secret of animating lifeless matter and, by assembling body parts, creates a monster who vows revenge on his creator after being rejected from society.
This is a classic tale of humanity awash in totalitarianism. A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. First published during the epoch of Stalinist Russia, today it is clear that wherever and whenever freedom is attacked, and under whatever banner, the cutting clarity and savage comedy of Orwell's masterpiece is a message still ferociously fresh.
Written in 1948, 1984 was George Orwell's chilling prophecy about the future. And while 1984 has come and gone, Orwell's narrative is more timely that ever. 1984 presents a "negative utopia," that is at once a startling and haunting vision of the world—so powerful that it is completely convincing from start to finish. No one can deny the power of this novel, its hold on the imaginations of entire generations of readers, or the resiliency of its admonitions—a legacy that seems to grow, not lessen, with the passage of time.
In this unflaggingly suspenseful story of aspirations and moral redemption, humble, orphaned Pip, a ward of his short-tempered older sister and her husband, Joe, is apprenticed to the dirty work of the forge but dares to dream of becoming a gentleman. And, indeed, it seems as though that dream is destined to come to pass — because one day, under sudden and enigmatic circumstances, he finds himself in possession of "great expectations." In telling Pip's story, Dickens traces a boy's path from a hardscrabble rural life to the teeming streets of 19th-century London, unfolding a gripping tale of crime and guilt, revenge and reward, and love and loss. Its compelling characters include Magwitch, the fearful and fearsome convict; Estella, whose beauty is excelled only by her haughtiness; and the embittered Miss Havisham, an eccentric jilted bride.Written in the last decade of Dickens' life, Great Expectations was praised widely and universally admired. It was his last great novel, and many critics believe it to be his finest. Readers and critics alike praised it for its masterful plot, which rises above the melodrama of some of his earlier works, and for its three-dimensional, psychologically realistic characters — characters much deeper and more interesting than the one-note caricatures of earlier novels. "In none of his other works," wrote the reviewer in the 1861 Atlantic, "does he evince a shrewder insight into real life, and a cheaper perception and knowledge of what is called the world." To Swinburne, the novel was unparalleled in all of English fiction, with defects "as nearly imperceptible as spots on the sun or shadows on a sunlit sea." Shaw found it Dickens' "most completely perfect book." Now this inexpensive edition invites modern readers to savor this timeless masterpiece, teeming with colorful characters, unexpected plot twists, and Dickens' vivid rendering of the vast tapestry of mid-Victorian England.