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Yolanda, at first, is scornful of her new town. And Andrew, who never talks much, is having trouble learning to read. What he loves to do is play on the old harmonica given to him as a baby by his father to teethe on and which he's kept blowing ever since. He can imitate any sound he hears, like bacon sizzling, or express any mood he feels, like the freshness of an early morning. Yolanda understands that that's the way he "talks." She is convinced Andrew is a true genius with a great musical gift. But no one else believes it--not her mother, nor Andrew's teachers, not even wonderful Aunt Tiny in Chicago. Yolanda sets out to open up adult eyes, a task whose strategies will call on far more than her physical toughness. Her plans crystallize on a visit back to Chicago to enjoy the great annual blues festival with Aunt Tiny.
Carol Fenner, whose previous book "Randall's Wall" has reached a wide audience throughout the country, has created a daring heroine in Yolanda and a warm portrayal of an African-American family in a story that moves with mounting intensity to a dramatic, believable, and a wholly satisfying conclusion.
"Did Mama sing every day?" Caleb asks his sister Anna.
"Every-single-day," she answers. "Papa sang, too."
This Newbery Medal–winning book is the first of five books in Patricia MacLachlan's chapter book series about the Witting family. Set in the late nineteenth century and told from young Anna's point of view, Sarah, Plain and Tall tells the story of how Sarah Elisabeth Wheaton comes from Maine to the prairie to answer Papa's advertisement for a wife and mother. Before Sarah arrives, Anna and her younger brother Caleb wait and wonder. Will Sarah be nice? Will she sing? Will she stay?
This children's literature classic is perfect for fans of Laura Ingalls Wilder's Little House on the Prairie books, historical fiction, and timeless stories using rich and beautiful language. Sarah, Plain and Tall gently explores themes of abandonment, loss and love.
Supports the Common Core State Standards
Tate is overjoyed when a scrawny mutt turns up in the yard one day. She even persuades Mam and Pap to let her keep Sable, named for her dark, silky fur. But before long, the dog begins to cause trouble with the neighbors and Mam and Pap decide the dog must go. But Tate doesn't give up easily . . . and neither does Sable.
Chester and Wilson had their own way of doing things, and they did everything together. When they cut their sandwiches, it was always diagonally. When they rode their bikes, they always used hand signals. If Chester was hungry, Wilson was too. They were two of a kind, and that's the way it was - until indomitable Lilly, who had her own way of doing things, moved into the neighborhood.