Best Selling Books in Science Fiction & Fantasy

Science and science fiction have become inseparable—with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think. This book fully covers the terms that collected, clarified and crystallized the futurists’ ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture. The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, “Provocative and enticing? Filled with ‘huh!’ moments and leads to great stories? That describes this volume.”

Publisher description

Winner of a 2008 Hugo Award, this new paperback takes readers on spectacular tour of the language created by science fiction. From "Stargate" to "Force Field," this dictionary opens a fascinating window into an entire genre, through the words invented by science fiction''s most talented writers, critics, and fans. Each entry includes numerous citations of the word''s usage, from the earliest known appearance forward. Drawn not only from science fiction novels and stories, citations also come from fanzines, screenplays, comics, songs, and the Internet.

Essays on British writers of fantasy and science fiction during a time when science, technology and industrialization made increasingly impressive inroads from the Enlightenment to World War I.A gradual emphasis on social improvement, including literature, involved efforts to increase literacy through expanding material to read. During this period, publication of newspapers, penny dreadfuls and dime novels lead to pulp magazines and other popular periodicals.

Strap yourself in and teach today''s lesson with insight from some exciting futures as envisioned by the best classic and contemporary authors.

An ethnographic exploration of technoscientific immortality Immortality has long been considered the domain of religion. But immortality projects have gained increasing legitimacy and power in the world of science and technology. With recent rapid advances in biology, nanotechnology, and artificial intelligence, secular immortalists hope for and work toward a future without death. On Not Dying is an anthropological, historical, and philosophical exploration of immortality as a secular and scientific category. Based on an ethnography of immortalist communities—those who believe humans can extend their personal existence indefinitely through technological means—and an examination of other institutions involved at the end of life, Abou Farman argues that secular immortalism is an important site to explore the tensions inherent in secularism: how to accept death but extend life; knowing the future is open but your future is finite; that life has meaning but the universe is meaningless. As secularism denies a soul, an afterlife, and a cosmic purpose, conflicts arise around the relationship of mind and body, individual finitude and the infinity of time and the cosmos, and the purpose of life. Immortalism today, Farman argues, is shaped by these historical and culturally situated tensions. Immortalist projects go beyond extending life, confronting dualism and cosmic alienation by imagining (and producing) informatic selves separate from the biological body but connected to a cosmic unfolding. On Not Dying interrogates the social implications of technoscientific immortalism and raises important political questions. Whose life will be extended? Will these technologies be available to all, or will they reproduce racial and geopolitical hierarchies? As human life on earth is threatened in the Anthropocene, why should life be extended, and what will that prolonged existence look like?

The purpose of writing this work was to inform people that the new age of science is upon us. That we are now more than ever before responsible for the out come of every mission and event.

Militarizing Outer Space explores the dystopian and destructive dimensions of the Space Age and challenges conventional narratives of a bipolar Cold War rivalry. Concentrating on weapons, warfare and viou200blence, this provocative volume examines real and imagined endeavors of arming the skies and conquering the heavens. The third and final volume in the groundbreaking u200bEuropean Astroculture trilogy, u200bMilitarizing Outer Space zooms in on the interplay between security, technopolitics and knowledge from the 1920s through the 1980s. Often hailed as the site of heavenly utopias and otherworldly salvation, outer space transformed from a promised sanctuary to a present threat, where the battles of the future were to be waged. Astroculture proved instrumental in fathoming forms and functions of warfare’s futures past, both on earth and in space. The allure of dominating outer space, the book shows, was neither limited to the early twenty-first century nor to current American space force rhetorics.

This book liberates evolution from misrepresentative scientific myths to find a more nuanced vision of life that shows how advantages persist, trust is beneficial, and the diversity of species emerges.

The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.

A bold and revolutionary perspective on the science and cultural history of menstruation Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual’s period as useless, and some doctors still believe it’s unsafe for a menstruating person to swim in the ocean wearing a tampon. Period counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science. Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges many of the myths and false assumptions that have defined the study of the uterus. There is no such a thing as a “normal” menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life. Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods.

DIE REIHE: LITERATUR- UND NATURWISSENSCHAFTEN entsteht unter Federführung des Erlanger Forschungszentrums für Literatur- und Naturwissenschaften (ELINAS). Experten unterschiedlicher Fachkulturen führen darin ihre Methoden zusammen und fragen sowohl nach den Funktionen der Sprache in der naturwissenschaftlichen Forschung als auch nach den Verfahren der Modellierung naturwissenschaftlicher Erkenntnisse in der Literatur. Die Reihe versteht sich als ein interdisziplinäres Forum zur Reflexion der kulturellen Bedeutung natur- und literaturwissenschaftlicher Forschung sowie zur Ethik und Rhetorik wissenschaftlicher Argumentation.

Wherever the cutting edge of science goes, Michael Crichton is there. From dinosaur cloning to global warming, nanotechnology to time travel, animal behavior to human genetics, Crichton always takes us to the cutting edge of science and then pushes the envelope. The Science of Michael Crichton examines the amazing inventions of Crichton''s books and lifts up the hood, revealing the science underneath. In intelligent and well-thought essays, scholars and experts decide what Crichton gets right and what he gets wrong. They examine which Crichton imaginings are feasible and which are just plain impossible. Scenarios examined include whether dinosaurs can be cloned, if nanotechnological particles can evolve intelligence, and if we can go back in time.

Taking up the age-old question of what our ability to tell stories reveals about language and the mind, this truly interdisciplinary project should be of interest to humanists and cognitive scientists alike.

Looks at "Star Wars" in the light of the latest scientific discoveries and research and evaluates the probability of light sabers, the "force," and alien life.

With detailed essays on the Arctic''s environment, wildlife, climate, history, exploration, resources, economics, politics, indigenous cultures and languages, conservation initiatives and more, this Encyclopedia is the only major work and comprehensive reference on this vast, complex, changing, and increasingly important part of the globe. Including 305 maps. This Encyclopedia is not only an interdisciplinary work of reference for all those involved in teaching or researching Arctic issues, but a fascinating and comprehensive resource for residents of the Arctic, and all those concerned with global environmental issues, sustainability, science, and human interactions with the environment.

Field to Palette: Dialogues on Soil and Art in the Anthropocene is an investigation of the cultural meanings, representations, and values of soil in a time of planetary change. The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss. At the same time, the book celebrates diverse forms of resilience in the face of such challenges, beginning with its title as a way of honoring locally controlled food production methods championed by "field to plate" movements worldwide. By focusing on concepts of soil functionality, the book weaves together different disciplinary perspectives in a collection of dialogue texts between artists and scientists, interviews by the editors and invited curators, essays and poems by earth scientists and humanities scholars, soil recipes, maps, and DIY experiments. With contributions from over 100 internationally renowned researchers and practitioners, Field to Palette presents a set of visual methodologies and worldviews that expand our understanding of soil and encourage readers to develop their own interpretations of the ground beneath our feet.

Discourses and Narrations in the Biosciences investigates the forms of writing in which scientific claims are formulated and announced. Argumentative strategies, compositional rules, and figurative expressions in communication and narrativization of scientific knowledge are the focus of interdisciplinary contributions by humanities and science scholars. The first part of the book, dedicated to ''Rhetorical and Epistemological Aspects of Science Writing'', addresses how scientific pursuits and methods feed into multi-level texts that generate responses within science, society, and culture. The second part, entitled ''Bioscientific Discourses and Narrations'', examines popularisations and fictionalizations of science in relation to diversity, deviancy, ageing, illness, reproduction, the evolution of humankind, mathematical models of biomedical systems, and the myth of the heroic scientist. Assessing the narrative impetus and command of literary and meta-discoursive strategies shown by contemporary science writers enhances understanding of the methods and conventions through which the biosciences produce knowledge.

"This reference defines the rapidly emerging interdisciplinary field of literature and science. An introductory essay traces the history of the field, its growing reputation, and the current state of research. Broad in scope, the volume covers world literature from its beginnings to the present and illuminates the role of science in literature and literary studies. Included are more than 650 alphabetically arranged entries on topics, themes, writers, scientists, works, theories and methodologies. A wide range of experts contributed entries, each ending with a brief bibliography. The entire volume closes with a list of works for further reading."--BOOK JACKET.

Lighthearted, quirky, and upbeat, this book explores the portrayal of science and technology on both the big and little screen -- and how Hollywood is actually doing a better job of getting it right than ever before. Grounded in the real-word, and often cutting-edge, science and technology that inspires fictional science, the authors survey Hollywood depictions of topics such as quantum mechanics, parallel universes, and alien worlds. Including material from interviews with over two dozen writers, producers, and directors of acclaimed science-themed productions -- as well as scientists, science fiction authors, and science advisors -- Hollyweird Science examines screen science fiction from the sometimes-conflicting vantage points of storytellers, researchers, and viewers. Including a foreword by Eureka co-creator and executive producer Jaime Paglia, and an afterword by astronomer and science fiction author Michael Brotherton, Ph.D., this book is accessible to all readers from the layperson to the armchair expert to the professional scientist, and will delight all of them equally.

Home articulates a ‘critical geography of home’ in which home is understood as an emotive place and spatial imaginary that encompasses lived experiences of everyday, domestic life alongside a wider, and often contested, sense of being and belonging in the world. Engaging with the burgeoning cross-disciplinary interest in home since the first edition was published, this significantly revised and updated second edition contains new research boxes, illustrations, and contemporary examples throughout. It also adds a new chapter on ‘Home and the City’ that extends the scalar understanding of home to the urban. The book develops the conceptual and methodological underpinnings of a critical geography of home, drawing on key feminist, postcolonial, and housing thinkers as well as contemporary methodological currents in non-representational thinking and performance. The book’s chapters consider the making and unmaking of home across the domestic scale – house-as-home; the urban – city-as-home; national – nation-as-home; and homemaking in relation to transnational migration and diaspora. Each chapter includes illustrative examples from diverse geographical contexts and historical time periods. Chapters also address some of the key cross-cutting dimensions of home across these scales, including digital connectivity, art and performance, more-than-human constructions of home, and violence and dispossession. The book ends with a research agenda for home in a world of COVID-19. The book provides an understanding of home that has three intersecting dimensions: that material and imaginative geographies of home are closely intertwined; that home, power, and identity are intimately linked; and that geographies of home are multi-scalar. This framework, the examples used to illustrate it, and the intended audience of academics and students across the humanities and social sciences will together shape the field of home studies into the future.

Lavishly illustrated, fascinating and accessible introduction to Einstein''s relativity for general readers, school students and undergraduates.

The realm of theoretical physics is teeming with abstract and beautiful concepts. And the task of imagining them is one that demands profound creativity, argues Giovanni Vignale. Explaining them is curiously akin to the craft of poets, or magical realist novelists such as Borges, and Musil, or Bulgakov''s The Master and Margarita. In this unusual and sometimes poetic book, Vignale presents his own unorthodox accounts of fundamental theoretical concepts such as Newtonian mechanics, superconductivity, and Einstein''s theory of relativity, showing that what may seem at first quite simple in fact turns out to be much more profound. As we delve behind now-familiar metaphors such as ''electron spin'' and ''black hole'', the world that we take for granted melts away, leaving a glimpse of something much stranger.

Authoritative yet accessible, the definitive undergraduate text on Russian geography and culture has now been thoroughly revised with current data and timely topics, such as the annexation of Crimea and Sevastopol and other background for understanding Russia''s 2022 invasion of Ukraine. Thematic chapters provide up-to-date coverage of Russia''s physical, political, cultural, and economic geography. Regional chapters focus on the country''s major regions and the other 14 former Soviet republics. Written in a lucid, conversational style by a Russian-born international expert, the concise chapters interweave vivid descriptions of urban and rural landscapes, examinations of Soviet and post-Soviet life, deep knowledge of environmental and conservation issues, geopolitical insights, engaging anecdotes, and rigorous empirical data. Over 200 original maps, photographs, and other figures are also available as PowerPoint slides at the companion website, many in color. New to This Edition *Separate chapter on Ukraine and Crimea, covering events through 2019. *Timely topics--the political crisis in Ukraine and annexation of Crimea and Sevastopol; the return of Putin as president; climate change and environmental degradation; economic slowdown; political shifts in the republics; the role of Russian-backed forces in Syria, Libya, and Central African Republic; changes in Russia–United States relations; and more. *Thoroughly updated population, economic, and political data. *80 new or updated figures, tables, and maps. Pedagogical Features *End-of-chapter review questions, suggested assignments, and in-class exercises. *Within-chapter vignettes about Russian places, culture, and history. *End-of-chapter internet resources and suggestions for further reading. *Companion website with all figures and maps from the book, many in full color.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

Genes and the Bioimaginary examines the dramatic rise and contemporary cultural apotheosis of ''the gene''. The book traces not only the genetification of modern life but is also a journey through the complex relationship between science and culture. At the heart of this book are three interlinked questions. The first concerns the paradigmatic transformations of the ''genetics revolution'': how can we understand the impact of genes on social arenas as diverse as law and agriculture, politics and medicine, genealogy and jurisprudence? Second, how has the language of genes come to pervade public discourse - as much a trope of personal narrative as of the popular imaginary? And third, how can we gain critical purchase not only on the conditions and consequences of a particular science, but on its projective seductions, the terms of its persuasion, and the dilemmas and anxieties provoked in its wake? Through a series of illuminating case studies ranging from ''gay genes'' to ''Jew genes'', to genes for crime; from CSI to the Innocence Project, from genetics (post)racial imaginary to its phantasies of redemption, the book examines the emergence of the gene as a pre-eminent locus of both scientific and social explanation, and as a powerful object of spectacle, projective phantasy and attachment. Genes and the Bioimaginary makes a distinctive contribution to our understanding of how knowledge comes to be not only powerful, but plausible.

Does geography affect our sense of ''self''? How are social characteristics mapped out on the ground? And is there any ''authentic'' sense of place now, or are we increasingly ''placeless''? Concentrating on the period between the end of the Second World War and the end of the century, this Reader argues that there is a reciprocal relationship between the constitution of places and people. What it means to be a man or a woman , to have a nationality and a sense of place, has been transformed and reinvented as our view of the world has changed. The present is perceived as a time of fear, a period in which all that is solid seems to melt into air, while the 1950s are a site of nostalgia, a period of clarity and certainty, a time when people know their place. Bringing together an interdisciplinary collection of articles for social and cultural geographers, this Reader critically examines the argument that the close associations of the 1950s between place (the home, the community and the nation state) and the social divisions (gender, class and nationality) are breaking down in the 1990s. Drawing out the oppositional movements in each decade, it seeks to show how the supposed stability of one and the mobility of the other are exaggerated.

This book focuses on the politics, discourse and actors surrounding climate change issues in China. This framework offers a new way of observing Chinese discourses around climate change. Discursive changes in coal consumption and air pollution have been raised to uncover the various motivations of China towards addressing climate issues. This book will be of interest to a variety of different stakeholders including policy-makers, non-state actors, business communities and media, and anyone who are interested in the climate governance of China.

Evolutionary Essays Evolutionary Essays are essays which I started to write at York University in Toronto, Canada and finished the FREE Draft''s on 05-02-2012. They are in the genres of Philosophy, Psychology, Politic''s, Economic''s, Religion, Culture, History and Evolution with a good dosage of Humor and Intellect. Evolutionary Essays is what I see as positive for this Planet and what is wrong especially in the Modern Western Civilization''s. This is not just pure optimism and will use sound, logical, argumentational and factual structures. This is also to dispel highly prevalent pessimisms and reveal realities, to regain constructive positivism which we have lost so many times nullifying our productivity; life is a sine wave, it is not about your success and failures but the fact you keep getting up again, it is not if you win or lose but how you fight your battles, it is not how you die but how you lived your life: Debts not paid in this one are incurred in the next one... This is to try and bring clarity and solutions from Observation and Experience, the distinct realm of Philosophy. This is a philosophical discourse, description and narration using logic, reason, reduction, deduction, facts and argumentation to provide a point of view with constructive criticism and suggestions for improvement which may be adopted and/or applied to Citizen''s, Government''s or Corporation''s. A Philosopher''s position is to ask questions, not per se answer anything or be a Guide but rather point in the correct direction of the past, present and future giving no more than a Guideline for you can only find your own will and way. Where possible, though it is highly relative, one can try and reveal Truth. Like Light versus Shadow it will always win in the end... Truth is Commonality.

THUS SPOKE EINSTEIN on LIFE and LIVING Wisdom of Albert Einstein in the Context Selected, Edited, and Commented by V. Alexander STEFAN Institute for Advanced Physics Studies Stefan University

A Gentle Conversation, Third Edition, is meant to be a student-friendly introduction to research methodology and statistics, aimed at allaying students'' fears and anxieties about studying these topics. Our more conversational approach should help students feel as if the authors are standing by them, explaining concepts and procedures as they read through the text. We use examples throughout to clarify concepts and strengthen the connections between statistics, data, and research questions. The authors emphasize understanding not only the manipulation of statistical data, but also what the actual findings mean in relation to significance issues, samples, and populations. We cover effect size for all statistical inquiries, from correlation to ANOVA.

Justin O’Connor and Lily Kong The cultural and creative industries have become increasingly prominent in many policy agendas in recent years. Not only have governments identified the growing consumer potential for cultural/creative industry products in the home market, they have also seen the creative industry agenda as central to the growth of external m- kets. This agenda stresses creativity, innovation, small business growth, and access to global markets – all central to a wider agenda of moving from cheap manufacture towards high value-added products and services. The increasing importance of cultural and creative industries in national and city policy agendas is evident in Hong Kong, Singapore, Taiwan, South Korea, Beijing, Shanghai and Guangzhou, Australia, and New Zealand, and in more nascent ways in cities such as Chongqing and Wuhan. Much of the thinking in these cities/ countries has derived from the European and North American policy landscape. Policy debate in Europe and North America has been marked by ambiguities and tensions around the connections between cultural and economic policy which the creative industry agenda posits. These become more marked because the key dr- ers of the creative economy are the larger metropolitan areas, so that cultural and economic policy also then intersect with urban planning, policy and governance.

Where do children travel when they read a story? In this collection, scholars and authors explore the imaginative geography of a wide range of places, from those of Indigenous myth to the fantasy worlds of Middle-earth, Earthsea, or Pacificus, from the semi-fantastic Wild Wood to real-world places like Canada’s North, Chicago’s World Fair, or the modern urban garden. What happens to young protagonists who explore new worlds, whether fantastic or realistic? What happens when Old World and New World myths collide? How do Indigenous myth and sense of place figure in books for the young? How do environmental or post-colonial concerns, history, memory, or even the unconscious affect an author''s creation of place? How are steampunk and science fiction mythically re-enchanting for children? Imaginative geography means imaged earth writing: it creates what readers see when they enter the world of fiction. Exploring diverse genres for children, including picture books, fantasy, steampunk, and realistic novels as well as plays from Canada, the United States, the United Kingdom, and Ireland from the early nineteenth century to the present, Children’s Literature and Imaginative Geography provides new geographical perspectives on children’s literature.

Bring science to life using 24 popular children''s books. Cross-curricular activities provide theme-based units that engage students in a broad scope of science discovery. Includes activities, student worksheets, extensions, and correlation charts.

“A lucid overview of [environmental] problems and a compelling call to action.” —Publishers Weekly From two of science fiction’s most celebrated and brilliant minds—Isaac Asimov and Frederik Pohl—comes the second edition of Our Angry Earth, a comprehensive analysis of today''s environmental threats and a guide on how we can heal our planet, with an introduction and afterword from New York Times bestselling author Kim Stanley Robinson. Our Angry Earth provides a candid picture of the present and many possibilities for a better, cleaner future. From the greenhouse effect and depletion of our ozone layer to nuclear waste and species extinction, Asimov and Pohl not only present accessible explanations of complex scientific processes but ways we can improve our behavior and relationship with the planet, whether it be involvement in social activism or individual lifestyle changes. Kim Stanley Robinson, author of New York Times bestsellers 2312, New York 2140, and the internationally renowned Mars trilogy, brings his decades-spanning expertise in climate change to Our Angry Earth’s introduction and afterword. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Thomas Wm. Hamilton’s latest book Astronomical Numbers provides most of the commonly referenced and used numbers in astronomy. This includes the diameters of the sun, all the planets, and major moons, distances of orbits, magnitude scales, frequency of eclipses, the five different kinds of lunar month, and more. To maximize usefulness, all values are in both English units (e.g. miles) and metric (e.g. kilometers), and provide conversions for units commonly used in astronomy, such as the astronomical unit, lightyear, and parsec. Says the author, “There is a real need for a convenient and quick reference for all this astronomical data, which is scattered and time consuming to find.”

While the historical development of symbolic power has benefitted humanity enormously, there is an insidious and seldom recognised price that goes beyond environmental degradation and cultural disintegration. With insights from both social and natural sciences, this book explores the changing character of subjectivity in contemporary life.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

This is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities faced by scholars in this field. The contributions by an international team of experts in the field, address theoretical perspectives on mediated geographies, methodological challenges and opportunities posed by geographies of media, the role and significance of different media forms and organizations in relation to socio-spatial relations, the dynamism of media in local-global relations, and in-depth case studies of mediated locales. Given the theoretical and methodological diversity of this book, it will provide an important reference for geographers and other interdisciplinary scholars working in cultural and media studies, researchers in environmental studies, sociology, visual anthropology, new technologies, and political science, who seek to understand and explore the interconnections of media, space and place through the examples of specific practices and settings.

This book introduces the beginning student to the major concepts, materials and tools of the discipline of geography. While it presents geographic theory, as whole and for each of its parts, the chief emphasis is on concrete analysis and example rather than on abstraction, an approach which has proven more successful for undergraduate courses than those with a more heavily theoretical bias. The text was extensively re-written for the third edition, which enhanced its clarity and effectiveness, with expanded cartographic coverage.