Most Popular Books in Science Fiction & Fantasy

Science and science fiction have become inseparable—with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think. This book fully covers the terms that collected, clarified and crystallized the futurists’ ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture. The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, “Provocative and enticing? Filled with ‘huh!’ moments and leads to great stories? That describes this volume.”

Essays on British writers of fantasy and science fiction during a time when science, technology and industrialization made increasingly impressive inroads from the Enlightenment to World War I.A gradual emphasis on social improvement, including literature, involved efforts to increase literacy through expanding material to read. During this period, publication of newspapers, penny dreadfuls and dime novels lead to pulp magazines and other popular periodicals.

Winner of a 2008 Hugo Award, this new paperback takes readers on spectacular tour of the language created by science fiction. From "Stargate" to "Force Field," this dictionary opens a fascinating window into an entire genre, through the words invented by science fiction's most talented writers, critics, and fans. Each entry includes numerous citations of the word's usage, from the earliest known appearance forward. Drawn not only from science fiction novels and stories, citations also come from fanzines, screenplays, comics, songs, and the Internet.

Militarizing Outer Space explores the dystopian and destructive dimensions of the Space Age and challenges conventional narratives of a bipolar Cold War rivalry. Concentrating on weapons, warfare and vio​lence, this provocative volume examines real and imagined endeavors of arming the skies and conquering the heavens. The third and final volume in the groundbreaking ​European Astroculture trilogy, ​Militarizing Outer Space zooms in on the interplay between security, technopolitics and knowledge from the 1920s through the 1980s. Often hailed as the site of heavenly utopias and otherworldly salvation, outer space transformed from a promised sanctuary to a present threat, where the battles of the future were to be waged. Astroculture proved instrumental in fathoming forms and functions of warfare’s futures past, both on earth and in space. The allure of dominating outer space, the book shows, was neither limited to the early twenty-first century nor to current American space force rhetorics.

An ethnographic exploration of technoscientific immortality Immortality has long been considered the domain of religion. But immortality projects have gained increasing legitimacy and power in the world of science and technology. With recent rapid advances in biology, nanotechnology, and artificial intelligence, secular immortalists hope for and work toward a future without death. On Not Dying is an anthropological, historical, and philosophical exploration of immortality as a secular and scientific category. Based on an ethnography of immortalist communities—those who believe humans can extend their personal existence indefinitely through technological means—and an examination of other institutions involved at the end of life, Abou Farman argues that secular immortalism is an important site to explore the tensions inherent in secularism: how to accept death but extend life; knowing the future is open but your future is finite; that life has meaning but the universe is meaningless. As secularism denies a soul, an afterlife, and a cosmic purpose, conflicts arise around the relationship of mind and body, individual finitude and the infinity of time and the cosmos, and the purpose of life. Immortalism today, Farman argues, is shaped by these historical and culturally situated tensions. Immortalist projects go beyond extending life, confronting dualism and cosmic alienation by imagining (and producing) informatic selves separate from the biological body but connected to a cosmic unfolding. On Not Dying interrogates the social implications of technoscientific immortalism and raises important political questions. Whose life will be extended? Will these technologies be available to all, or will they reproduce racial and geopolitical hierarchies? As human life on earth is threatened in the Anthropocene, why should life be extended, and what will that prolonged existence look like?

The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.

A bold and revolutionary perspective on the science and cultural history of menstruation Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual’s period as useless, and some doctors still believe it’s unsafe for a menstruating person to swim in the ocean wearing a tampon. Period counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science. Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges many of the myths and false assumptions that have defined the study of the uterus. There is no such a thing as a “normal” menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life. Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods.

Wherever the cutting edge of science goes, Michael Crichton is there. From dinosaur cloning to global warming, nanotechnology to time travel, animal behavior to human genetics, Crichton always takes us to the cutting edge of science and then pushes the envelope. The Science of Michael Crichton examines the amazing inventions of Crichton's books and lifts up the hood, revealing the science underneath. In intelligent and well-thought essays, scholars and experts decide what Crichton gets right and what he gets wrong. They examine which Crichton imaginings are feasible and which are just plain impossible. Scenarios examined include whether dinosaurs can be cloned, if nanotechnological particles can evolve intelligence, and if we can go back in time.

Taking up the age-old question of what our ability to tell stories reveals about language and the mind, this truly interdisciplinary project should be of interest to humanists and cognitive scientists alike.

Looks at "Star Wars" in the light of the latest scientific discoveries and research and evaluates the probability of light sabers, the "force," and alien life.

Field to Palette: Dialogues on Soil and Art in the Anthropocene is an investigation of the cultural meanings, representations, and values of soil in a time of planetary change. The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss. At the same time, the book celebrates diverse forms of resilience in the face of such challenges, beginning with its title as a way of honoring locally controlled food production methods championed by "field to plate" movements worldwide. By focusing on concepts of soil functionality, the book weaves together different disciplinary perspectives in a collection of dialogue texts between artists and scientists, interviews by the editors and invited curators, essays and poems by earth scientists and humanities scholars, soil recipes, maps, and DIY experiments. With contributions from over 100 internationally renowned researchers and practitioners, Field to Palette presents a set of visual methodologies and worldviews that expand our understanding of soil and encourage readers to develop their own interpretations of the ground beneath our feet.

Discourses and Narrations in the Biosciences investigates the forms of writing in which scientific claims are formulated and announced. Argumentative strategies, compositional rules, and figurative expressions in communication and narrativization of scientific knowledge are the focus of interdisciplinary contributions by humanities and science scholars. The first part of the book, dedicated to 'Rhetorical and Epistemological Aspects of Science Writing', addresses how scientific pursuits and methods feed into multi-level texts that generate responses within science, society, and culture. The second part, entitled 'Bioscientific Discourses and Narrations', examines popularisations and fictionalizations of science in relation to diversity, deviancy, ageing, illness, reproduction, the evolution of humankind, mathematical models of biomedical systems, and the myth of the heroic scientist. Assessing the narrative impetus and command of literary and meta-discoursive strategies shown by contemporary science writers enhances understanding of the methods and conventions through which the biosciences produce knowledge.

Genes and the Bioimaginary examines the dramatic rise and contemporary cultural apotheosis of 'the gene'. The book traces not only the genetification of modern life but is also a journey through the complex relationship between science and culture. At the heart of this book are three interlinked questions. The first concerns the paradigmatic transformations of the 'genetics revolution': how can we understand the impact of genes on social arenas as diverse as law and agriculture, politics and medicine, genealogy and jurisprudence? Second, how has the language of genes come to pervade public discourse - as much a trope of personal narrative as of the popular imaginary? And third, how can we gain critical purchase not only on the conditions and consequences of a particular science, but on its projective seductions, the terms of its persuasion, and the dilemmas and anxieties provoked in its wake? Through a series of illuminating case studies ranging from 'gay genes' to 'Jew genes', to genes for crime; from CSI to the Innocence Project, from genetics (post)racial imaginary to its phantasies of redemption, the book examines the emergence of the gene as a pre-eminent locus of both scientific and social explanation, and as a powerful object of spectacle, projective phantasy and attachment. Genes and the Bioimaginary makes a distinctive contribution to our understanding of how knowledge comes to be not only powerful, but plausible.

Home articulates a ‘critical geography of home’ in which home is understood as an emotive place and spatial imaginary that encompasses lived experiences of everyday, domestic life alongside a wider, and often contested, sense of being and belonging in the world. Engaging with the burgeoning cross-disciplinary interest in home since the first edition was published, this significantly revised and updated second edition contains new research boxes, illustrations, and contemporary examples throughout. It also adds a new chapter on ‘Home and the City’ that extends the scalar understanding of home to the urban. The book develops the conceptual and methodological underpinnings of a critical geography of home, drawing on key feminist, postcolonial, and housing thinkers as well as contemporary methodological currents in non-representational thinking and performance. The book’s chapters consider the making and unmaking of home across the domestic scale – house-as-home; the urban – city-as-home; national – nation-as-home; and homemaking in relation to transnational migration and diaspora. Each chapter includes illustrative examples from diverse geographical contexts and historical time periods. Chapters also address some of the key cross-cutting dimensions of home across these scales, including digital connectivity, art and performance, more-than-human constructions of home, and violence and dispossession. The book ends with a research agenda for home in a world of COVID-19. The book provides an understanding of home that has three intersecting dimensions: that material and imaginative geographies of home are closely intertwined; that home, power, and identity are intimately linked; and that geographies of home are multi-scalar. This framework, the examples used to illustrate it, and the intended audience of academics and students across the humanities and social sciences will together shape the field of home studies into the future.

The Theory of Special Relativity is one of the most profound discoveries of the twentieth century. Einstein's Mirror blends a simple, nonmathematical account of the theory of special relativity and gravitation with a description of the way experiments have triumphantly supported these theories. The authors explore the many applications of relativity in atomic and nuclear physics, which are many and range from satellite navigation systems, particle accelerators and nuclear power to quantum chemistry, antimatter and black holes. The book also features a superb collection of photographs and includes amusing anecdotes and biographies about the early pioneers. In the closing chapter, the authors examine the influence of Einstein's relativity on the development of science fiction. General readers with an interest in science will enjoy and benefit from this fascinating and accessible introduction to one of the most important areas of physics.

The realm of theoretical physics is teeming with abstract and beautiful concepts. And the task of imagining them is one that demands profound creativity, argues Giovanni Vignale. Explaining them is curiously akin to the craft of poets, or magical realist novelists such as Borges, and Musil, or Bulgakov's The Master and Margarita. In this unusual and sometimes poetic book, Vignale presents his own unorthodox accounts of fundamental theoretical concepts such as Newtonian mechanics, superconductivity, and Einstein's theory of relativity, showing that what may seem at first quite simple in fact turns out to be much more profound. As we delve behind now-familiar metaphors such as 'electron spin' and 'black hole', the world that we take for granted melts away, leaving a glimpse of something much stranger.

Authoritative yet accessible, the definitive undergraduate text on Russian geography and culture has now been thoroughly revised with current data and timely topics, such as the annexation of Crimea and Sevastopol and other background for understanding Russia's 2022 invasion of Ukraine. Thematic chapters provide up-to-date coverage of Russia's physical, political, cultural, and economic geography. Regional chapters focus on the country's major regions and the other 14 former Soviet republics. Written in a lucid, conversational style by a Russian-born international expert, the concise chapters interweave vivid descriptions of urban and rural landscapes, examinations of Soviet and post-Soviet life, deep knowledge of environmental and conservation issues, geopolitical insights, engaging anecdotes, and rigorous empirical data. Over 200 original maps, photographs, and other figures are also available as PowerPoint slides at the companion website, many in color. New to This Edition *Separate chapter on Ukraine and Crimea, covering events through 2019. *Timely topics--the political crisis in Ukraine and annexation of Crimea and Sevastopol; the return of Putin as president; climate change and environmental degradation; economic slowdown; political shifts in the republics; the role of Russian-backed forces in Syria, Libya, and Central African Republic; changes in Russia–United States relations; and more. *Thoroughly updated population, economic, and political data. *80 new or updated figures, tables, and maps. Pedagogical Features *End-of-chapter review questions, suggested assignments, and in-class exercises. *Within-chapter vignettes about Russian places, culture, and history. *End-of-chapter Internet resources and suggestions for further reading. *Companion website with all figures and maps from the book, many in full color.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

Does geography affect our sense of 'self'? How are social characteristics mapped out on the ground? And is there any 'authentic' sense of place now, or are we increasingly 'placeless'? Concentrating on the period between the end of the Second World War and the end of the century, this Reader argues that there is a reciprocal relationship between the constitution of places and people. What it means to be a man or a woman , to have a nationality and a sense of place, has been transformed and reinvented as our view of the world has changed. The present is perceived as a time of fear, a period in which all that is solid seems to melt into air, while the 1950s are a site of nostalgia, a period of clarity and certainty, a time when people know their place. Bringing together an interdisciplinary collection of articles for social and cultural geographers, this Reader critically examines the argument that the close associations of the 1950s between place (the home, the community and the nation state) and the social divisions (gender, class and nationality) are breaking down in the 1990s. Drawing out the oppositional movements in each decade, it seeks to show how the supposed stability of one and the mobility of the other are exaggerated.

This book focuses on the politics, discourse and actors surrounding climate change issues in China. This framework offers a new way of observing Chinese discourses around climate change. Discursive changes in coal consumption and air pollution have been raised to uncover the various motivations of China towards addressing climate issues. This book will be of interest to a variety of different stakeholders including policy-makers, non-state actors, business communities and media, and anyone who are interested in the climate governance of China.

Evolutionary Essays Evolutionary Essays are essays which I started to write at York University in Toronto, Canada and finished the FREE Draft's on 05-02-2012. They are in the genres of Philosophy, Psychology, Politic's, Economic's, Religion, Culture, History and Evolution with a good dosage of Humor and Intellect. Evolutionary Essays is what I see as positive for this Planet and what is wrong especially in the Modern Western Civilization's. This is not just pure optimism and will use sound, logical, argumentational and factual structures. This is also to dispel highly prevalent pessimisms and reveal realities, to regain constructive positivism which we have lost so many times nullifying our productivity; life is a sine wave, it is not about your success and failures but the fact you keep getting up again, it is not if you win or lose but how you fight your battles, it is not how you die but how you lived your life: Debts not paid in this one are incurred in the next one... This is to try and bring clarity and solutions from Observation and Experience, the distinct realm of Philosophy. This is a philosophical discourse, description and narration using logic, reason, reduction, deduction, facts and argumentation to provide a point of view with constructive criticism and suggestions for improvement which may be adopted and/or applied to Citizen's, Government's or Corporation's. A Philosopher's position is to ask questions, not per se answer anything or be a Guide but rather point in the correct direction of the past, present and future giving no more than a Guideline for you can only find your own will and way. Where possible, though it is highly relative, one can try and reveal Truth. Like Light versus Shadow it will always win in the end... Truth is Commonality.

THUS SPOKE EINSTEIN on LIFE and LIVING Wisdom of Albert Einstein in the Context Selected, Edited, and Commented by V. Alexander STEFAN Institute for Advanced Physics Studies Stefan University

A Gentle Conversation, Third Edition, is meant to be a student-friendly introduction to research methodology and statistics, aimed at allaying students' fears and anxieties about studying these topics. Our more conversational approach should help students feel as if the authors are standing by them, explaining concepts and procedures as they read through the text. We use examples throughout to clarify concepts and strengthen the connections between statistics, data, and research questions. The authors emphasize understanding not only the manipulation of statistical data, but also what the actual findings mean in relation to significance issues, samples, and populations. We cover effect size for all statistical inquiries, from correlation to ANOVA.

Two hundred entries offer profiles of key figures; essays on such topics as cookies, content filtering, and digital libraries; and a chronology beginning with the prehistory of the Internet from 1843-1956 and concluding with the 2004 presidential campaign.

Where do children travel when they read a story? In this collection, scholars and authors explore the imaginative geography of a wide range of places, from those of Indigenous myth to the fantasy worlds of Middle-earth, Earthsea, or Pacificus, from the semi-fantastic Wild Wood to real-world places like Canada’s North, Chicago’s World Fair, or the modern urban garden. What happens to young protagonists who explore new worlds, whether fantastic or realistic? What happens when Old World and New World myths collide? How do Indigenous myth and sense of place figure in books for the young? How do environmental or post-colonial concerns, history, memory, or even the unconscious affect an author's creation of place? How are steampunk and science fiction mythically re-enchanting for children? Imaginative geography means imaged earth writing: it creates what readers see when they enter the world of fiction. Exploring diverse genres for children, including picture books, fantasy, steampunk, and realistic novels as well as plays from Canada, the United States, the United Kingdom, and Ireland from the early nineteenth century to the present, Children’s Literature and Imaginative Geography provides new geographical perspectives on children’s literature.

This Handbook provides a comprehensive statement and reference point for theory, research and practice with regard to environment and communication, and it does this from a perspective which is both international and multi-disciplinary in scope. Offering comprehensive critical reviews of the history and state of the art of research into the key dimensions of environmental communication, the chapters of this handbook together demonstrate the strengths of multi-disciplinary and cross-disciplinary approaches to understanding the centrality of communication to how the environment is constructed, and indeed contested, socially, politically and culturally. Organised in five thematic sections, The Routledge Handbook of Environment and Communication includes contributions from internationally recognised leaders in the field. The first section looks at the history and development of the discipline from a range of theoretical perspectives. Section two considers the sources, communicators and media professionals involved in producing environmental communication. Section three examines research on news, entertainment media and cultural representations of the environment. The fourth section looks at the social and political implications of environmental communication, with the final section discussing likely future trajectories for the field. The first reference Handbook to offer a state of the art comprehensive overview of the emerging field of environmental communication research, this authoritative text is a must for scholars of environmental communication across a range of disciplines, including environmental studies, media and communication studies, cultural studies and related disciplines.

Bring science to life using 24 popular children's books. Cross-curricular activities provide theme-based units that engage students in a broad scope of science discovery. Includes activities, student worksheets, extensions, and correlation charts.

“A lucid overview of [environmental] problems and a compelling call to action.” —Publishers Weekly From two of science fiction’s most celebrated and brilliant minds—Isaac Asimov and Frederik Pohl—comes the second edition of Our Angry Earth, a comprehensive analysis of today's environmental threats and a guide on how we can heal our planet, with an introduction and afterword from New York Times bestselling author Kim Stanley Robinson. Our Angry Earth provides a candid picture of the present and many possibilities for a better, cleaner future. From the greenhouse effect and depletion of our ozone layer to nuclear waste and species extinction, Asimov and Pohl not only present accessible explanations of complex scientific processes but ways we can improve our behavior and relationship with the planet, whether it be involvement in social activism or individual lifestyle changes. Kim Stanley Robinson, author of New York Times bestsellers 2312, New York 2140, and the internationally renowned Mars trilogy, brings his decades-spanning expertise in climate change to Our Angry Earth’s introduction and afterword. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Thomas Wm. Hamilton’s latest book Astronomical Numbers provides most of the commonly referenced and used numbers in astronomy. This includes the diameters of the sun, all the planets, and major moons, distances of orbits, magnitude scales, frequency of eclipses, the five different kinds of lunar month, and more. To maximize usefulness, all values are in both English units (e.g. miles) and metric (e.g. kilometers), and provide conversions for units commonly used in astronomy, such as the astronomical unit, lightyear, and parsec. Says the author, “There is a real need for a convenient and quick reference for all this astronomical data, which is scattered and time consuming to find.”

While the historical development of symbolic power has benefitted humanity enormously, there is an insidious and seldom recognised price that goes beyond environmental degradation and cultural disintegration. With insights from both social and natural sciences, this book explores the changing character of subjectivity in contemporary life.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

This is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities faced by scholars in this field. The contributions by an international team of experts in the field, address theoretical perspectives on mediated geographies, methodological challenges and opportunities posed by geographies of media, the role and significance of different media forms and organizations in relation to socio-spatial relations, the dynamism of media in local-global relations, and in-depth case studies of mediated locales. Given the theoretical and methodological diversity of this book, it will provide an important reference for geographers and other interdisciplinary scholars working in cultural and media studies, researchers in environmental studies, sociology, visual anthropology, new technologies, and political science, who seek to understand and explore the interconnections of media, space and place through the examples of specific practices and settings.

The analysis of meat and its place in Western culture has been central to Human-Animal Studies as a field. Meat Culture brings into focus urgent critiques of hegemonic ‘meat culture’, animal farming and the wider animal industrial complex.

NEW STORIES AND ESSAYS FROM TOP AUTHORS AND EXPERT SCIENTISTS. Explorations of how interstellar travel may affect humanity by best-selling authors and scientists. The stars will change us. STELLARIS: PEOPLE OF THE STARS is a collection of original science fiction stories and nonfiction essays speculating about humanity’s far-term expansion into the universe beyond the limits of our solar system—with an emphasis on the changes humans will undergo as a species as we make this happen. Is interstellar travel so far beyond our current imaginings that it will take a fundamental transformation of humanity in order to make it possible? And, if so, will we remain Homo sapiens or become a new and unique species—Homo stellaris (the People of the Stars)? Herein are original science fiction stories by award-winning authors such as Kevin J. Anderson, William Ledbetter, Todd McCaffrey and Sarah A. Hoyt, supplemented by accessible nonfiction essays describing the science behind the fiction from people who should know—Sir Martin Rees (Astronomer Royal of the United Kingdom), Mark Shelhamer (Chief Scientist for the NASA’s Human Research Program), and more. This collection of original stories and essays was inspired by a gathering of scientists, science fiction authors, and futurists at a series of annual meetings held by the Tennessee Valley Interstellar Workshop. Let their speculations, imaginations and boundless sense of what’s possible take your own journey beyond the edge of the solar system in STELLARIS: PEOPLE OF THE STARS! Stories and Provocative Speculation from Sir Martin Rees Kevin J. Anderson Sarah A. Hoyt Mike Massa William Ledbetter Todd McCaffrey Kacey Ezell and Philip Wohlrab Dan Hoyt Les Johnson Robert E. Hampson Mark Shelhamer Brent Roeder Jim Beall Cathe Smith At the publisher's request, this title is sold without DRM (Digital Rights Management). About Stellaris: People of the Stars: [A] thought-provoking look at a selection of real-world challenges and speculative fiction solutions. . . . Readers will enjoy this collection that is as educational as it is entertaining."—Bookist About Mission to Methone by Les Johnson: "The spirit of Arthur C. Clarke and his contemporaries is alive and well in Johnson’s old-fashioned first-contact novel, set in 2068.... includes plenty of realistic detail and puts fun new spins on familiar alien concepts.... There’s a great deal here for fans of early hard SF."—Publishers Weekly "With equal parts science fiction and international intrigue....an exciting, fast-paced read that you will not want to put down."—Booklist About Rescue Mode by Ben Bova and Les Johnson: "... a suspenseful and compelling narrative of the first human spaceflight to Mars."—Booklist

Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron has spent her career discovering why these methods don’t work and coming up with a powerful alternative, based on the science behind what our brains are wired to crave in every story we read (and it’s not what you think). In Story Genius Cron takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint—including fully realized scenes—that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.

"Reference title with facts and statistics and other information about science, for kids"--

In this book, a scientist and dedicated film enthusiast discusses the portrayal of science in more than one hundred films, including science fiction, scientific biographies, and documentaries. Beginning with early films like Voyage to the Moon and Metropolis and concluding with more recent offerings like The Matrix, War of the Worlds, A Beautiful Mind, and An Inconvenient Truth, Sidney Perkowitz questions how much faith we can put into Hollywood's depiction of scientists and their work, how accurately these films capture scientific fact and theory, whether cataclysms like our collision with a comet can actually happen, and to what extent these films influence public opinion about science and the future. Bringing together history, scientific theory, and humorous observation, Hollywood Science features dozens of film stills and a list of the all-time best and worst science-fiction movies.

Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work.

An introductory guide to critical thinking identifies innate biases and traps that challenge the brain's understandings of the world, arguing that skepticism is a constructive and optimistic attitude that can alleviate susceptibility to nonsense and delusion. Original.

Drawing on examples that are international in scope, The Transparent Body examines the dissemination of medical images to a popular audience, advancing the argument that medical imaging technologies are the material embodiment of collective desires and fantasies - the most pervasive of which is the ideal of transparency itself. The Transparent Body traces the cultural context and wider social impact of such medical imaging practices as X-ray and endoscropy, ultrasound imaging of fetuses, the filming and broadcasting of surgical operations, the creation of plastinated corpses for display as art objects, and the use of digitized cadavers in anatomical study.