New Releases by Christopher Hitchens

"An extended spa treatment that stretches tired brains and unkinks the usual habitual responses where Hitchens is concerned." --James Wolcott in his introduction An outstanding new collection, A HITCH IN TIME is a must have for Hitchens completists and the perfect starting point for understanding one of the most brilliant essayists of all time. Anthologized here for the first time, A HITCH IN TIME is a choice selection of Christopher Hitchens's finest reviews, diary entries and essays - along with a smattering of ferocious letters. Familiar bêtes noires--Kennedy, Nixon, Kissinger, Clinton--rub shoulders with lesser-known preoccupations: P.G. Wodehouse, Princess Margaret and, magisterially, Isaiah Berlin. A HITCH IN TIME is a banquet of entertaining stories ranging from his thoughts on Salman Rushdie to being spanked by Margaret Thatcher in The House of Lords and the night he took his son to the Oscars. The broad scope and high caliber of Hitchens' essays allows his work to transcend the occasion for which it was written and continues to be essential reading. Along with an introduction by James Wolcott, A HITCH IN TIME recaptures the brilliance of Hitchens - barnstorming, cauterizing, and ultimately uncontainable.

Kommer vi någonsin att hitta svaret på de stora existentiella frågorna? Är vårt slutgiltiga öde att lämnas ensamma och förlora alla vi älskar? Är religion alltid problematisk? År 2007 filmades ett möte mellan Christopher Hitchens, Richard Dawkins, Sam Harris, och Daniel Dennett. Dessa ”fyra ryttare”, som de kommit att kallas, diskuterade den kvällen den nya ateistiska rörelsen över ett antal cocktails. Resultatet blev en intellektuellt spänstig diskussion, där den moderna ateismen framträder i all sin färgglada variation. Filmklippet blev blixtsnabbt viralt på Youtube, och plötsligt hade de fyra ryttarna satt igång en ateistisk revolution. För första gången kommer det banbrytande samtalet i en tryckt version, ackompanjerad av nya essäer skrivna av de nu levande tänkarna och ett unikt förord av Stephen Fry.

In 2007, Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett filmed a landmark discussion about modern atheism. The video went viral. Now in print for the first time, the transcript of their conversation is illuminated by new essays from three of the original participants and an introduction by Stephen Fry. At the dawn of the new atheist movement, the thinkers who became known as “the four horsemen,” the heralds of religion's unraveling—Christopher Hitchens, Richard Dawkins, Sam Harris, and Daniel Dennett—sat down together over cocktails. What followed was a rigorous, pathbreaking, and enthralling exchange, which has been viewed millions of times since it was first posted on YouTube. This is intellectual inquiry at its best: exhilarating, funny, and unpredictable, sincere and probing, reminding us just how varied and colorful the threads of modern atheism are. Here is the transcript of that conversation, in print for the first time, augmented by material from the living participants: Dawkins, Harris, and Dennett. These new essays, introduced by Stephen Fry, mark the evolution of their thinking and highlight particularly resonant aspects of this epic exchange. Each man contends with the most fundamental questions of human existence while challenging the others to articulate their own stance on God and religion, cultural criticism, spirituality, debate with people of faith, and the components of a truly ethical life. Praise for The Four Horsemen “This bracing exchange of ideas crackles with energy. It’s fascinating to watch four first-class minds explore a rugged intellectual terrain. . . . The text affords a different, more reflective way of processing the truly vital exchange of ideas. . . . I commend the book to those seeking an honest reckoning with their religion—and those curious about how the world looks from a rigorously naturalistic and atheistic point of view.”—Pittsburgh Post-Gazette “The full, electrifying transcript of the one and only conversation between the quartet of luminaries dubbed the ‘four horsemen’ of the New Atheism, which took place in Washington, D.C., in 2007. Among the vast range of ideas and questions they discuss: Is it ever possible to win a war of ideas? Is spirituality the preserve of the religious? And, are there any truths you would rather not know?”—The Bookseller (UK) (starred review)

This selection of interviews showcases the remarkable career of one of this generation’s greatest and most divisive thinkers—featuring a foreword by Stephen Fry. “ . . . pulls together some of Hitchens’s greatest dialogues, each sparkling with intelligence and wit.” —New York Times Book Review If someone says I’m doing this out of faith, I say, Why don’t you do it out of conviction? One of his generation’s greatest public intellectuals, and perhaps its fiercest, Christopher Hitchens was a brilliant interview subject. This collection—which spans from his early prominence as a hero of the Left to his controversial support for the wars in Iraq and Afghanistan toward the end of his life—showcases Hitch’s trademark wit on subjects as diverse as his mistrust of the media, his love of literature, his dislike of the Clintons, and his condemnation of all things religious. Beginning with an introduction and tribute from his longtime friend Stephen Fry, this collection culminates in Hitchens’s fearless final interview with Richard Dawkins, which shows a man as unafraid of death as he was of everything in life.

"This collection of essays brings together some of the finest pieces Hitchens published over the last two decades for the first time in one book, addressing with characteristic wit and erudition the subjects he is best known for, including: the case against God, faith and religious observance; the case for intervention in Iraq; indictments of towering political figures like Bill and Hillary Clinton, Tony Blair, and Henry Kissinger; and celebrations of the writers and thinkers whose work meant most to him"--

On June 8, 2010, while on a book tour for his bestselling memoir, Hitch-22, Christopher Hitchens was stricken in his New York hotel room with excruciating pain in his chest and thorax. As he would later write in the first of a series of award-winning columns for Vanity Fair, he suddenly found himself being deported "from the country of the well across the stark frontier that marks off the land of malady." Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis. Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this riveting account of his affliction, Hitchens poignantly describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of death. Mortality is the exemplary story of one man's refusal to cower in the face of the unknown, as well as a searching look at the human predicament. Crisp and vivid, veined throughout with penetrating intelligence, Hitchens's testament is a courageous and lucid work of literature, an affirmation of the dignity and worth of man.

As the Duke and Duchess of Sussex bring renewed focus to the monarchy, now is the perfect time to re-examine Christopher Hitchens’s powerful polemic. In this scathing essay, Christopher Hitchens looks at the relationship of the press and the public to the royal family, unpacking the tautology and contradictory arguments that prop it up. In his inimitable style, Hitchens argues that our desire not to profane or disturb the monarchy is a failure of reason and a confusion of reality. Fealty to the magic of monarchy stops us looking objectively at our own history and hinders open-minded criticism of our present. It is time we outgrew it. With the recent birth of royal baby Archie, during a time of austerity and national inequality, Hitchens’s 10,000-word critique is even more relevant today than when it was first published in 1990. 'Christopher is one of the most terrifying rhetoricians that the world has yet seen' Martin Amis

"Just as the necessary qualification for a good liar is a good memory, so the essential equipment of a would-be lie detector is a good timeline, and a decent archive." In No One Left to Lie To, a New York Times bestseller, Christopher Hitchens casts an unflinching eye on the Clinton political machine and offers a searing indictment of a president who sought to hold power at any cost. With blistering wit and meticulous documentation, Hitchens masterfully deconstructs Clinton's abject propensity for pandering to the Left while delivering to the Right, and he argues that the president's personal transgressions were ultimately inseparable from his political corruption. Hitchens questions the president's refusals to deny accusations of rape by reputable women and lambasts, among numerous impostures, his insistence on playing the race card, the shortsightedness of his welfare bill, his ludicrous war on drugs, and his abandonment of homosexuals in the form of the Defense of Marriage Act. Opportunistic statecraft, crony capitalism, "divide and rule" identity politics, and populist manipulations-these are perhaps Clinton's greatest and most enduring legacies.

"All first-rate criticism first defines what we are confronting," the late, great jazz critic Whitney Balliett once wrote. By that measure, the essays of Christopher Hitchens are in the first tier. For nearly four decades, Hitchens has been telling us, in pitch-perfect prose, what we confront when we grapple with first principles-the principles of reason and tolerance and skepticism that define and inform the foundations of our civilization-principles that, to endure, must be defended anew by every generation. "A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts. Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan. Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.

The acid, hilarious, confessional, provocative bestselling memoirs of our greatest contrarian, and the author of god Is Not Great . In this long-awaited and candid memoir, Hitchens re-traced the footsteps of his life to date, from his childhood in Portsmouth, with his adoring, tragic mother and reserved Naval officer father; to his life in Washington DC, the base from which from he would launch fierce attacks on tyranny of all kinds. Along the way, he recalled the girls, boys and booze; the friendships and the feuds; the grand struggles and lost causes; and the mistakes and misgivings that have characterised his life. Hitch-22 is, by turns, moving and funny, charming and infuriating, enraging and inspiring. It is an indispensable companion to the life and thought of our pre-eminent political writer.

A "brief but potent" appreciation of one of the most influential and revolutionary works of political thought "mixing biography, criticism and philosophy" ( Los Angeles Times). Christopher Hitchens, the #1 New York Times–bestselling author of God Is Not Great, has been called a Tom Paine for our times. In this addition to the Books that Changed the World Series, Hitchens vividly introduces Paine and his Declaration of the Rights of Man, the world's foremost defense of democracy. An outraged response to Edmund Burke's attack on the French Revolution, Paine's immortal text is a passionate defense of man's inalienable rights, and the key to his reputation. Ever since the day of its publication in 1791, Declaration of the Rights of Man has been celebrated, criticized, maligned, suppressed, and co-opted. But in Thomas Paine's Rights of Man, Hitchens marvels at its forethought and revels in its contentiousness. Famous as a polemicist and provocative commentator, Hitchens himself is a political descendant of the great pamphleteer. Here, he demonstrates how Paine's book became the philosophical cornerstone of the United States of America, and how "in a time when both rights and reason are under several kinds of open and covert attack, the life and writing of Thomas Paine will always be part of the arsenal on which we shall need to depend." Enlivened by Hitchens's extraordinary prose, this "elegant and useful primer . . . ought still to engage us all" ( The Guardian). "Paine, as Hitchens notes in this lucid and fast-moving appreciation, has no proper memorial anywhere; this slender book makes a good start." — Kirkus Reviews

"Hitchens presents a George Orwell fit for the twenty-first century." --Boston Globe In this widely acclaimed biographical essay, the masterful polemicist Christopher Hitchens assesses the life, the achievements, and the myth of the great political writer and participant George Orwell. True to his contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture toward which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the seven decades since his death. Combining the best of Hitchens' polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world.

"This debate appeared originally in Christianity today, and is re-printed in this format with permission"--T.p. verso.

Uiteenzetting waarin religie als een kwaadaardig fenomeen naar voren komt.

Christopher Hitchens takes on his biggest subject yet - the increasingly dangerous role of religion in the world. He makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope's awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

In this unique biography of Thomas Jefferson, leading journalist and social critic Christopher Hitchens offers a startlingly new and provocative interpretation of our Founding Father. Situating Jefferson within the context of America's evolution and tracing his legacy over the past two hundred years, Hitchens brings the character of Jefferson to life as a man of his time and also as a symbolic figure beyond it. Conflicted by power, Jefferson wrote the Declaration of Independence and acted as Minister to France yet yearned for a quieter career in the Virginia legislature. Predicting that slavery would shape the future of America's development, this professed proponent of emancipation elided the issue in the Declaration and continued to own human property. An eloquent writer, he was an awkward public speaker; a reluctant candidate, he left an indelible presidential legacy. Jefferson's statesmanship enabled him to negotiate the Louisiana Purchase with France, doubling the size of the nation, and he authorized the Lewis and Clark expedition, opening up the American frontier for exploration and settlement. Hitchens also analyzes Jefferson's handling of the Barbary War, a lesser-known chapter of his political career, when his attempt to end the kidnapping and bribery of Americans by the Barbary states, and the subsequent war with Tripoli, led to the building of the U.S. navy and the fortification of America's reputation regarding national defense. In the background of this sophisticated analysis is a large historical drama: the fledgling nation's struggle for independence, formed in the crucible of the eighteenth-century Enlightenment, and, in its shadow, the deformation of that struggle in the excesses of the French Revolution. This artful portrait of a formative figure and a turbulent era poses a challenge to anyone interested in American history -- or in the ambiguities of human nature.

In the book that he was born to write, provocateur and best-selling author Christopher Hitchens inspires future generations of radicals, gadflies, mavericks, rebels, angry young (wo)men, and dissidents. Who better to speak to that person who finds him or herself in a contrarian position than Hitchens, who has made a career of disagreeing in profound and entertaining ways.This book explores the entire range of "contrary positions"-from noble dissident to gratuitous pain in the butt. In an age of overly polite debate bending over backward to reach a happy consensus within an increasingly centrist political dialogue, Hitchens pointedly pitches himself in contrast. He bemoans the loss of the skills of dialectical thinking evident in contemporary society. He understands the importance of disagreement-to personal integrity, to informed discussion, to true progress-heck, to democracy itself. Epigrammatic, spunky, witty, in your face, timeless and timely, this book is everything you would expect from a mentoring contrarian.

Christopher Hitchens se dirige y alienta a futuras generaciones de radicales, inconformistas, rebeldes, disidentes y, en resumen, hombres y mujeres airados. En este libro explora la gama completa de ±posiciones opuestas e invoca a mentores que van desde Zola a Vaclav Havel. Hitchens subraya la importancia de discrepar tanto para la integridad personal como para el debate informado, el auténtico progreso y, finalmente, la propia democracia. Un libro cuyo faro son Cartas a un joven poeta de Rilke y que persigue la misma fecunda emulación.

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be. Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?