Books by David Roberts

Roberts reveals how Gildon''s fusion of biographical study with neoclassical aesthetics and theatrical theory makes The Life an essential text for understanding early eighteenth-century performance. Charles Gildon''s The Life of Mr Thomas Betterton is a landmark text in English theatrical biography. First published in 1710, it not only commemorated the death of Thomas Betterton, the most renowned English actor of his era, but is the first major study in English to focus on an actor''s craft rather than his personal life. However, despite its pioneering nature, Gildon''s work has long been overshadowed by controversy. With one quarter of the text copied from a French oratorical treatise, many readers and scholars dismissed it as a plagiarized work. This first modern edition reassesses the value of a text that is part biography, part textbook, and part borrowed from French sources. Here, David Roberts, reframes The Life as an essential resource not only for theatre history and life writing, but also for the study of publishing practices and early theories of plagiarism. Furthermore, as in Gildon''s original publication, Roberts presents the Life with Betterton''s comedy, The Amorous Widow. In a comprehensive introduction, Roberts explores Gildon''s relationships with both his publishers and with Betterton himself, presenting the Life as a classical dialogue based on a personal knowledge of the actor. It also sheds light on how Gildon exploited early definitions of plagiarism, balancing his unacknowledged borrowings with original insights into acting theory. With old spelling and detailed annotations, this edition provides a rich foundation for understanding Gildon''s impact on theatre, publication, and the evolving standards of intellectual property.

David Roberts was Whitney Houston''s bodyguard, the real one. Roberts was hired in 1988 for Houston''s UK portion of the Moment of Truth world tour. Accustomed to working for diplomats and Fortune 500 clients, Roberts had reservations about working with a pop star. But Houston''s heart of gold won him over from the moment they met at Heathrow Airport. There''s a high bar for those who work in this business: you must be willing to die for your boss. Houston made that easy. Roberts got to travel the globe with one of the most fun-loving and generous souls he''d ever met. His memoir reveals heartwarming anecdotes of life with one of the world''s most recognizable stars, including privately shared moments such as the birth of Bobbi Kristina. But there are also shocking and heartbreaking revelations. Roberts was present for some of Houston''s most challenging ordeals. And he was helpless as he watched those who claimed to love and support her look the other way because they saw her voice box as a cash machine. His heart was ultimately shattered as he witnessed her succumb to the one threat he could not protect her from: herself.

The third instalment of Aprilynne Pike's extraordinary faerie tale of magic and mystery, romance and danger, described by Stephenie Meyer as "a remarkable debut". On the first day of Laurel's senior year there are two new arrivals. Tamani -- the electrifying faerie with whom she shares an undeniable connection -- appears, posing as a foreign exchange student. And even more disturbing is another foreign exchange student named Yuki whom Laurel quickly realises is a faerie, though the new girl doesn't seem to have any idea who or what she really is. Laurel is determined to figure out how Yuki fits into the picture, and what connection she may have to the ever-increasing threats to her family and Avalon. Meanwhile, Laurel struggles to maintain a balance between her human boyfriend David and Tamani, with whom she shares a passionate past. But balancing two worlds is becoming more and more complicated. When the threat to Avalon grows ever stronger, Laurel's illusion of control of the situation shatters and she must confront a danger even greater than the trolls.

A personal and historical exploration of the Bears Ears country and the fight to save a national monument. The Bears Ears National Monument in southeastern Utah, created by President Obama in 2016 and eviscerated by the Trump administration in 2017, contains more archaeological sites than any other region in the United States. It’s also a spectacularly beautiful landscape, a mosaic of sandstone canyons and bold mesas and buttes. This wilderness, now threatened by oil and gas drilling, unrestricted grazing, and invasion by Jeep and ATV, is at the center of the greatest environmental battle in America since the damming of the Colorado River to create Lake Powell in the 1950s. In The Bears Ears, acclaimed adventure writer David Roberts takes readers on a tour of his favorite place on earth as he unfolds the rich and contradictory human history of the 1.35 million acres of the Bears Ears domain. Weaving personal memoir with archival research, Roberts sings the praises of the outback he’s explored for the last twenty-five years.

“If you’ve run out of Saint-Exupéry and miss the eloquent power of his work, then you are ready to read David Roberts.” —Laurence Gonzales, author of Deep Survival: Who Lives, Who Dies and Why David Roberts has spent his career documenting voyages to the most extreme landscapes on earth. In Limits of the Known, he reflects on humanity’s—and his own—relationship to exploration and extreme risk. Part memoir and part history, this book tries to make sense of why so many have committed their lives to the desperate pursuit of adventure. What compelled Eric Shipton to return, five times, to the ridges of Mt. Everest, plotting the mountain’s most treacherous territory years before Hillary and Tenzing’s famous ascent? What drove Bill Stone to dive 3,000 feet underground into North America’s deepest cave? And what is the future of adventure in a world we have mapped and trodden from end to end? In the wake of his diagnosis with throat cancer, Roberts seeks answers with new urgency and “penetrating self-analysis” (Booklist).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1866 Edition.

"Gripping and superb. This book will steal the night from you." —Laurence Gonzales, author of Deep Survival On January 17, 1913, alone and near starvation, Douglas Mawson, leader of the Australasian Antarctic Expedition, was hauling a sledge to get back to base camp. The dogs were gone. Now Mawson himself plunged through a snow bridge, dangling over an abyss by the sledge harness. A line of poetry gave him the will to haul himself back to the surface. Mawson was sometimes reduced to crawling, and one night he discovered that the soles of his feet had completely detached from the flesh beneath. On February 8, when he staggered back to base, his features unrecognizably skeletal, the first teammate to reach him blurted out, "Which one are you?" This thrilling and almost unbelievable account establishes Mawson in his rightful place as one of the greatest polar explorers and expedition leaders. It is illustrated by a trove of Frank Hurley’s famous Antarctic photographs, many never before published in the United States.

The definitive biography of Everett Ruess, the artist, writer, and eloquent celebrator of the wilderness whose bold solo explorations of the American West and mysterious disappearance in the Utah desert at age twenty have earned him a large and devoted cult following. “Easily one of [Roberts’s] best . . . thoughtful and passionate . . . a compelling portrait of the Ruess myth.”—Outside Wandering alone with burros and pack horses through California and the Southwest for five years in the early 1930s, on voyages lasting as long as ten months, Ruess became friends with photographers Edward Weston and Dorothea Lange, swapped prints with Ansel Adams, took part in a Hopi ceremony, learned to speak Navajo, and was among the first "outsiders" to venture deeply into what was then (and to some extent still is) largely a little-known wilderness. When he vanished without a trace in November 1934, Ruess left behind thousands of pages of journals, letters, and poems, as well as more than a hundred watercolor paintings and blockprint engravings. Everett Ruess is hailed as a paragon of solo exploration, while the mystery of his death remains one of the greatest riddles in the annals of American adventure. David Roberts began probing the life and death of Everett Ruess for National Geographic Adventure magazine in 1998. Finding Everett Ruess is the result of his personal journeys into the remote areas explored by Ruess, his interviews with oldtimers who encountered the young vagabond and with Ruess’s closest living relatives, and his deep immersion in Ruess’s writings and artwork. More than seventy-five years after his vanishing, Ruess stirs the kinds of passion and speculation accorded such legendary doomed American adventurers as Into the Wild’s Chris McCandless and Amelia Earhart.

An exuberant, hands-on fly-on-the-wall account that combines the thrill of canyoneering and rock climbing with the intellectual sleuthing of archaeology to explore the Anasazi. David Roberts describes the culture of the Anasazi—the name means “enemy ancestors” in Navajo—who once inhabited the Colorado Plateau and whose modern descendants are the Hopi Indians of Arizona. Archaeologists, Roberts writes, have been puzzling over the Anasazi for more than a century, trying to determine the environmental and cultural stresses that caused their society to collapse 700 years ago. He guides us through controversies in the historical record, among them the haunting question of whether the Anasazi committed acts of cannibalism. Roberts’s book is full of up-to-date thinking on the culture of the ancient people who lived in the harsh desert country of the Southwest.

These handsome portfolios in a special new gift edition format contain ten fine art prints each of David Roberts''s superb nineteenth-century lithographs of Egypt, ancient and modern. Between 1842 and 1849, on the basis of sketches made on the spot and aided by his excellent memory, David Roberts produced the drawings that Louis Haghe turned into prints published by Francis Graham Moon. These lithographs appeared in the original hand-painted deluxe edition. Published here on high-quality paper and suitable for framing, they reproduce architectural details, landscapes, and street scenes with an accuracy that today would be called photographic. These high-quality collections of prints celebrate the epic grandeur and fine detail of Roberts''s views, in a format that complements his extraordinary artistic achievements.

In 1856, 3,000 Mormons, most of them impoverished immigrants, trudged from Iowa to Utah. More than 220 of them perished along the way. Roberts offers the dramatic story of this disaster--a catastrophe, the author contends, that Brigham Young might have easily prevented.

What compels mountain climbers to take the risks that they do? Is it the thrill in the physical accomplishment, in managing to defy the odds, or both -- and why do they continue to do what they do in the face of such great danger? In On the Ridge Between Life and Death, David Roberts confronts these questions head-on as he recounts the exhilarating highs and desperate lows of his climbing career. By the time he was twenty-two, Roberts had already been involved in three fatal mountain climbing accidents and had escaped death himself by the sheerest of luck. And yet, as he acknowledges, few things have brought him more joy than climbing. In a famous essay on the subject written more than twenty years ago, Roberts judged climbing to be "worth the risk." He continues to climb to this day, and several of his challenging routes in Alaska have never been climbed since. But in reassessing the emotional costs to himself and to loved ones, he reaches a different conclusion, one that is sure to cause controversy not only in climbing circles, but among adventurers of all kinds. Candid and unflinching, On the Ridge Between Life and Death is a compelling examination of the risks we take in order to feel more alive.

"Roberts intertwines McGregor''s corporate, civic, and personal lives to trace his pioneering role in the automobile industry. Some themes from McGregor''s career that are considered here include company growth, the technical and cultural concept of the automobile, the impact of automotive transportation, technological reliance on Detroit, parent-branch relations, the effects of border proximity, industrial and political lobbying, labor relations, secondary manufacturing, public involvement, and the Great War. In addition, Roberts probes McGregor''s often-subservient relationship with the enigmatic Henry Ford and examines how McGregor drew praise and political ire in calling for regional governance in the "Border Cities" opposite Detroit. In the years before his premature death, McGregor and his company dominated and defined the growing automotive industry in Windsor-Detroit, and their story deserves to be more widely known.".

Jean Stafford burst on the literary scene in 1944, when, at the age of twenty-nine, she published her bestselling novel, Boston Adventure. Three years later, Life magazine hailed her as the "most brilliant of the new fiction writers." Bafflingly, for the rest of her life, Stafford would struggle--and fail--to capitalize on that early promise. David Roberts'' compelling biography examines Stafford''s disastrous marriages, including her first marriage to the volatile poet Robert Lowell, which culminated for her in a lengthy stay in a psychiatric hospital. Beautiful and gifted, Stafford squandered her health as well as her talent, ending her life embittered and alone.