Books by David Sedaris

In this new collection, David Sedaris reflects on what it means to be a foreigner, a brother, a lifelong friend, in essays that are “among the best of his career" (Publishers Weekly, starred review). “A welcome return to form for the much-awarded and much-loved humorist…Sedaris remains a national treasure.” —Kirkus (starred review) In The Land and Its People, Sedaris investigates what it means to be a traveler, a brother, a lifelong friend. Trying on the role of caretaker after his boyfriend Hugh’s hip-replacement surgery, he both succeeds and fails. He covers ground with his friend Dawn and challenges her to eat a truck tire. A ambivalent Duolingo bot becomes his unlikely confidante as he attempts to describe his family in a foreign language. Ever adding to his list of “Countries I Have Been To,” he rides a horse named Tequila in Guatemala, buys a bespoke priest’s cassock in Vatican City, and goes on safari in Kenya without taking a single photo. Time takes its toll: scrolling through his address book, he counts those he couldn’t bear to outlive, and realizes how many are already gone. He is bitten by a dog and insulted by a wee train passenger. A woman on the street late at night either sexually harasses him or doesn’t. It’s easy to agree with the lady waving a sign that reads, “Enough Is Enough.” And yet, life holds much to delight in: the massive testicles of a ram, a trip abroad with his sisters, a really excellent reptile video, a pair of well-made cotton underpants. Throughout these essays—at once acerbic and tender, playful and profound—Sedaris shows how much there is to marvel at when you keep your head up and your eyes open, observing with warmth and curiosity our fascinating human species and the lands we inhabit.

David Sedaris, the “champion storyteller,” (Los Angeles Times) returns with his first new collection of personal essays since the bestselling Calypso Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger’s teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone’s son. And back on the road, he discovers a battle-scarred America: people weary, storefronts empty or festooned with Help Wanted signs, walls painted with graffiti reflecting the contradictory messages of our time: Eat the Rich. Trump 2024. Black Lives Matter. In Happy-Go-Lucky, David Sedaris once again captures what is most unexpected, hilarious, and poignant about these recent upheavals, personal and public, and expresses in precise language both the misanthropy and desire for connection that drive us all. If we must live in interesting times, there is no one better to chronicle them than the incomparable David Sedaris.

If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself. With Calypso, Sedaris sets his formidable powers of observation toward middle age and mortality. Make no mistake: these stories are very, very funny - it's a book that can make you laugh 'til you snort, the way only family can. Sedaris's writing has never been sharper, and his ability to shock readers into laughter unparalleled. But much of the comedy here is born out of that vertiginous moment when your own body betrays you and you realize that the story of your life is made up of more past than future. This is beach reading for people who detest beaches, required reading for those who loathe small talk and love a good tumour joke. Calypso is simultaneously Sedaris's darkest and warmest book yet - and it just might be his very best.

"David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art," (The Christian Science Monitor) is elevated to wilder and more entertaining heights than ever in this remarkable new book. Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina. In essay after essay, Sedaris proceeds from bizarre conundrums of daily life-having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds-to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" (Seattle Times). Praise for When You Are Engulfed in Flames: "Older, wiser, smarter and meaner, Sedaris...defies the odds once again by delivering an intelligent take on the banalities of an absurd life." --Kirkus Reviews This latest collection proves that not only does Sedaris still have it, but he's also getting better....Sedaris's best stuff will still--after all this time--move, surprise, and entertain." --Booklist Table of Contents: It's Catching Keeping Up The Understudy This Old House Buddy, Can You Spare a Tie? Road Trips What I Learned That's Amore The Monster Mash In the Waiting Room Solutions to Saturday's Puzzle Adult Figures Charging Toward a Concrete Toadstool Memento Mori All the Beauty You Will Ever Need Town and Country Aerial The Man in the Hut Of Mice and Men April in Paris Crybaby Old Faithful The Smoking Section

This vibrant collection of expat essays from legendary humorist David Sedaris is a cause for jubiliation. Sedaris's move to Paris in the early aughts inspired hilarious pieces, such as "Me Talk Pretty One Day", about his attempts to learn French. His family is another inspiration—"You Cant Kill the Rooster" is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris is one of America's best-loved authors, and his biting essays on living in Paris are some of the funniest he's ever written. (At last, someone even meaner than the French!) The sort of blithely sophisticated, loopy humour that might have resulted if Dorothy Parker and James Thurber had a love child. “If you’re looking for some comic relief, look no further than David Sedaris.” ―NPR