Books by J R R Tolkien

The village of Wootton Major is well-known around the countryside for its annual festivals, which are particularly famous for their culinary delights. The biggest festival of them all is the Feast of Good Children. This festival is celebrated only once every twenty-four years, and the celebrations take the form of a party to which twenty-four children of the village are invited. The highpoint of the party is the Great Cake, which is remarkable for its hidden magical ingredients. Whoever swallows one of these is given the rare gift of an entry into the Land of Faery. This year the magic star hidden inside the Great Cake was eaten by a blacksmith's son. The boy did not feel any of its magical properties at once but on the morning of his tenth birthday the star fixed itself on his forehead and marked him as one intimate with the Faeryfolk. This boy grew up to be a blacksmith like his father, but in his free time he roamed into the Land of Faery. The star on his forehead protected him from the evils threatening mortals in that land, and the Folk called him Starbrow and told him about their land and its hidden beauties and dangers. The years passed and it was now time for another Feast of Good Children. Smith had had his precious gift for most of his life now and the time had come for it to be passed on to some other child. So he gave up the star, and the mysterious new Master Cook baked it into the festive cake once more. Funny, frightening and always fascinating, the book is in part dominated by the character of the earlier Master Cook, a shallow, sly and lazy man called Nokes. He is the foremost among the non-believers, and dismisses all things magical as mere dreams and fancies. In the end it is he who meets the King of Faery and who is told off by him for his greed and indolence.

J.R.R. Tolkien's The Lord of the Rings meets Edward Gorey's The Gashlycrumb Tinies in this darkly satirical illustrated parody of the Tolkien universe: ‘A is for Arwen broken by sorrows; B is for Boromir punctured by arrows. C is for Celebrimbor hung out to dry; D is for Denethor...'

Fairy-stories are not just for children, as anyone who has read Tolkien will know. In his essay 'On Fairy-Stories', Tolkien discusses the nature of fairy-tales and fantasy and rescues the genre from those who would relegate it to juvenilia. This is aptly and elegantly illustrated in the haunting short story, 'Leaf by Niggle', which recounts the story of the artist, Niggle, who has 'a long journey' to make and is seen as an allegory of Tolkien 's life. The poem Mythopoeia relates an argument between two unforgettable characters as they discuss the making of myths. Written in the same period when 'The Lord of the Rings' was beginning to take shape, these two works show Tolkien's mastery and understanding of the art of sub-creation, the power to give fantasy the inner consistency of reality. Tree and Leaf is an eclectic, amusing, provocative and entertaining collection of works which reveals the diversity of J.R.R. Tolkien's imagination, the depth of his knowledge of English history, and the breadth of his talent as a creator of fantastic fiction.

World first publication of the collected poems of J.R.R. Tolkien, spanning almost seven decades of the author's life and presented in an elegant three-volume hardcover boxed set. J.R.R. Tolkien aspired to be a poet in the first instance, and poetry was part of his creative life no less than his prose, his languages, and his art. Although Tolkien's readers are aware that he wrote poetry, if only from verses in The Hobbit and The Lord of the Rings, its extent is not well known, and its qualities are underappreciated. Within his larger works of fiction, poems help to establish character and place as well as further the story; as individual works, they delight with words and rhyme. They express his love of nature and the seasons, of landscape and music, and of words. They convey his humor and his sense of wonder. The earliest work in this collection, written for his beloved, is dated to 1910, when Tolkien was eighteen. More poems would follow during his years at Oxford, some of them very elaborate and eccentric. Those he composed during the First World War, in which he served in France, tend to be concerned not with trenches and battle, but with life, loss, faith, and friendship, his longing for England and the wife he left behind. Beginning in 1914, elements of his legendarium, "The Silmarillion," began to appear, and the "Matter of Middle-earth" would inspire much of Tolkien's verse for the rest of his life. Within The Collected Poems of J.R.R. Tolkien almost 200 works are presented across three volumes, including more than 60 that have never before been seen. The poems are deftly woven together with commentary and notes by world-renowned Tolkien scholars Christina Scull & Wayne G. Hammond, placing them in the context of Tolkien's life and literary accomplishments and creating a poetical biography that is a unique and revealing celebration of J.R.R. Tolkien.

Contains: - [Hobbit](https://openlibrary.org/works/OL262758W) - [The Fellowship of the Ring](https://openlibrary.org/works/OL15331214W/The_Fellowship_of_the_Ring) - [The Two Towers](https://openlibrary.org/works/OL262757W/The_Two_Towers) - [The Return of the King](https://openlibrary.org/works/OL27516W/The_Return_of_the_King)

Originally published from 1954 through 1956, J.R.R. Tolkien's richly complex series ushered in a new age of epic adventure storytelling. A philologist and illustrator who took inspiration from his work, Tolkien invented the modern heroic quest novel from the ground up, creating not just a world, but a domain, not just a lexicon, but a language, that would spawn countless imitators and lead to the inception of the epic fantasy genre. Today, THE LORD OF THE RINGS is considered "the most influential fantasy novel ever written." (THE ENCYCLOPEDIA OF FANTASY) During his travels across Middle-earth, the hobbit Bilbo Baggins had found the Ring. But the simple band of gold was far from ordinary; it was in fact the One Ring - the greatest of the ancient Rings of Power. Sauron, the Dark Lord, had infused it with his own evil magic, and when it was lost, he was forced to flee into hiding. But now Sauron's exile has ended and his power is spreading anew, fueled by the knowledge that his treasure has been found. He has gathered all the Great Rings to him, and will stop at nothing to reclaim the One that will complete his dominion. The only way to stop him is to cast the Ruling Ring deep into the Fire-Mountain at the heart of the land of Mordor--Sauron's dark realm. Fate has placed the burden in the hands of Frodo Baggins, Bilbo's heir...and he is resolved to bear it to its end. Or his own. --- **Contains** - [The Fellowship of the Ring](https://openlibrary.org/works/OL14933414W/The_Fellowship_of_the_Ring) - [The Two Towers](https://openlibrary.org/works/OL27479W/The_Two_Towers) - [The Return of the King](https://openlibrary.org/works/OL27516W/The_Return_of_the_King) - [The Lord of the Rings \[2/2\]](https://openlibrary.org/works/OL27306128W) - [The Lord of the Rings \[1/6\]](https://openlibrary.org/works/OL24170898W) - [The Lord of the Rings \[1/9\]](https://openlibrary.org/works/OL27305953W) - [The Lord of the Rings \[2/9\]](https://openlibrary.org/works/OL27305892W) - [The Lord of the Rings \[3/9\]](https://openlibrary.org/works/OL27306048W)