New Releases by Margaret Atwood

The author of “The Handmaid’s Tale” connects moments from her life to the books she has written.

NATIONAL BESTSELLER • From the bestselling, award-winning author of The Handmaid''s Tale and The Testaments, a dazzling collection of short stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life together "If you consider yourself an Atwood fan and have only read her novels: Get your act together. You’ve been missing out.” —The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after. Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

The collection of a lifetime from the prodigious novelist and poet, now available as a paperback. By turns moving, playful, and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens, and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment. Before she became one of the world’s most important and loved novelists, Atwood was a poet. Dearly, her first collection in over a decade, brings together many of her most recognizable and celebrated themes, but distilled—from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend. It is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy, and humour. “Margaret Atwood has always been a poet; her poetry collections make visible the taproot of the wry, wise metaphysic that runs through her fiction and essays, and in a precarious time her new collection, Dearly, is a source of uncompromising elemental warmth.” —Ali Smith, Observer

Atwood aims her constant curiosity and impish humour at our world and reports back to us on what she finds, in this frank, generous gift of a book. In it she seeks answers to Burning Questions such as: Why do people everywhere, in all cultures, tell stories? How can we live on our planet? What do zombies have to do with authoritarianism? The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better questioner of the many and varied mysteries of our human universe. INCLUDES NEW MATERIAL FOR PAPERBACK ‘A wonderfully written insight into everything from zombies to the climate crisis’ Stylist ‘The mighty Margaret Atwood writes about everything from granola to Trump'' The Times

**For centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages.** In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats’ affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion’s complacency; and Hemingway—a famous cat-lover—wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can’t turn down a stray despite the trouble they cause him, and admits he has no idea what they’re thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, “one cat leads to another.” The book features six black-and-white cat portraits by photographer Elliot Ross.

Contains: [Young Goodman Brown](https://openlibrary.org/works/OL455569W) / Nathaniel Hawthorne -- [The cask of Amontillado](https://openlibrary.org/works/OL41016W) / Edgar Allan Poe -- [An occurrence at owl creek bridge](https://openlibrary.org/works/OL14863196W)/ Ambrose Bierce -- [The story of an hour](https://openlibrary.org/works/OL20078864W) / Kate Chopin -- The lady with the dog / Anton Chekhov -- The yellow wallpaper / Charlotte Perkins Gilman -- [Araby](https://openlibrary.org/works/OL20570121W) / James Joyce -- Kew gardens / Virginia Woolf -- A hunger artist / Franz Kafka -- Miss Brill / Katherine Mansfield -- [A rose for Emily](https://openlibrary.org/works/OL82884W) / William Faulkner -- Hills like white elephants / Ernest Hemingway -- I stand here ironing / Tillie Olsen -- The swimmer / John Cheever-- Battle royal / Ralph Ellison -- The lottery / Shirley Jackson -- Sonny's blues / James Baldwin -- A good man is hard to find / Flannery O'Connor -- A very old man with enormous wings / Gabriel García Márquez -- Cathedral / Raymond Carver -- Where are you going, where have you been? / Joyce Carol Oates -- The lesson / Toni Cade Bambara -- Happy endings / Margaret Atwood -- Everyday use / Alice Walker -- The things they carried / Tim O'Brien -- The man to send rain clouds / Leslie Marmon Silko -- Girl / Jamaica -- The house on Mango Street / Sandra Cisneros -- The red convertible / Louise Erdich -- Sticks / George Sanders -- The great Silence / Ted Chang -- Brownies / ZZ Packer -- Echo Ave. / Adrian Tomine -- Birdsong / Chimamanda Ngozi Adichie -- At the round earth's imagined corners / Lauren Groff -- You can find love now / Ramona Ausubel -- Vampires in the lemon grove / Karen Russell -- If you see me, don't say hi / Neel Patel -- A modern marriage / Grace Oluseyi -- The suitcase / Meron Hadero.

Volatile social dissonance in America’s urban landscape is the backdrop as Valerie A. Miles-Tribble examines tensions in ecclesiology and public theology, focusing on theoethical dilemmas that complicate churches’ public justice witness as prophetic change agents. She attributes churches’ reticence to confront unjust disparities to conflicting views, for example, of Black Lives Matter protests as “mere politics,” and disparities in leader and congregant preparation for public justice roles. As a practical theologian with experience in organizational leadership, Miles-Tribble applies adaptive change theory, public justice theory, and a womanist communitarian perspective, engaging Emilie Townes’s construct of cultural evil as she presents a model of social reform activism re-envisioned as public discipleship. She contends that urban churches are urgently needed to embrace active prophetic roles and thus increase public justice witness. “Black Lives Matter times” compel churches to connect faith with public roles as spiritual catalysts of change.

15 years after the sons of Jacob seized power in the USA and became Gilead. The story is told from three female viewpoints; Daisy, Agnes and Lydia. Daisy struggles with coming to the realization of her past and who she really is, Agnes tells her story and life in Gilead, and Lydia contemplates her life and decisions made. When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her--freedom, prison or death. With The Testaments, the wait is over. Margaret Atwood's sequel picks up the story more than fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead. In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades. "Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in." --Margaret Atwood

For sixteen years, Angela Merkel was Chancellor of Germany and at the forefront of European and international politics. In her memoir, she looks back on her life in two German states―East Germany until 1990, and reunified Germany thereafter. How did she, coming from the East, rise to the top of the Christian Democratic Union to become the first woman to hold the office of chancellor? And how did she then become one of the most powerful heads of government in the Western world? What guided her? In Freedom, Angela Merkel recounts daily life in the chancellor’s office as well as the dramatic days and nights when she made far-reaching decisions in Berlin, Brussels, and beyond. She traces the long lines of change in international cooperation and reveals the pressure politicians face when seeking solutions to complex problems in a globalized world. Here, she takes us behind the scenes of international politics, demonstrating both the importance of personal conversations and, crucially, their limits. Reflecting on politics in a time of increasing confrontation and division, Angela Merkel’s memoir offers a unique insight into the inner workings of power―and is a determined and timely plea for freedom.

The bestselling author of The Handmaid''s Tale and The Testaments "uses her powerful gifts of language and observation to delineate both the misunderstandings between men and women and the everyday sadnesses and comforts of love” (The New York Times). In each of these stories Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity.

A book of fifty lucid, urgent poems from internationally acclaimed, award-winning, bestselling author Margaret Atwood. In The Door, Margaret Atwood investigates the mysterious writing of poetry itself as well as the passage of time and our shared sense of mortality. The Door ranges in tone from lyric to ironic to meditative to prophetic, and touches on subjects both personal and political. Brave and compassionate, this collection interrogates the certainties that we build our lives on and reminds us once again of Atwood''s unique accomplishments as one of the finest and most celebrated writers of our time.

From the bestselling author of The Handmaid''s Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.

""I don''t mind being ''interviewed'' any more than I mind Viennese waltzing--that is, my response will depend on the agility and grace and attitude and intelligence of the other person. Some do it well, some clumsily, some step on your toes by accident, and some aim for them.""--Margaret Atwood This gathering of 21 interviews with Margaret Atwood covers a broad spectrum of topics. Beginning with Graeme Gibson''s "Dissecting the Way a Writer Works" (1972), the conversations provide a forum for Atwood to talk about her own work, her career as a writer, feminism, and Canadian cultural nationalism, and to refute the autobiographical fallacy. These conversations offer what Earl Ingersoll calls "a kind of ''biography'' of Margaret Atwood--the only kind of biography she is likely to sanction." Enlivened by Atwood''s unfailing sense of humor, the interviews present an invaluable view of a distinguished contemporary writer at work. From the Interviews: ""Let''s not pretend that the interview will necessarily result in any absolute and blinding revelations. Interviews too are an art form; that is to say, they indulge in the science of illusion." "I don''t think you ever know how to write a book. You never know ahead of time. You start every time at zero. A former success doesn''t mean that you''re not going to make the most colossal failure the next time.""

One of the most powerful and most widely read novels of our time in display-worthy hardcover: A gripping vision of our society radically overturned by a theocratic revolution—from “the patron saint of feminist dystopian fiction” (The New York Times) The sixth and final season of the award-winning Hulu series starring Elisabeth Moss is streaming soon In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid''s Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant. With an introduction by Valerie Martin. Everyman''s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author''s life and times.

“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.

A decade and a half has passed since Grace was locked up, at the age of 16, for the cold-blooded murders of her employer Thomas Kinnear and his housekeeper/lover Nancy Montgomery. Her alleged accomplice, James McDermot, was hanged in 1843. Dr Simon Jordan attempts to uncover the truth.