New Releases by Richard Doyle

Reprint of the original, first published in 1845. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.

Experience a captivating Christmas story from the Victorian era in Charles Dickens's "The Battle of Life: A Love Story." This meticulously prepared edition brings to life a classic tale of family drama and enduring love. Within its pages, discover a world of complex relationships and emotional struggles, painted with Dickens's signature masterful prose. A heartwarming exploration of human connection set against the backdrop of a festive holiday season, "The Battle of Life" delves into themes of romance and the challenges faced within familial bonds. Immerse yourself in this timeless literary work from one of the world's most beloved storytellers, a poignant reflection on the battles we face in life and in love. This beautifully reprinted edition ensures that Dickens's enduring storytelling continues to resonate with readers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Join Princess Nobody as she sets out on a whimsical adventure through the magical land of fairies. With charming illustrations and playful prose, this book will capture the imagination of children and adults alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Richard Doyle's 'The Story of Jack and the Giants' revives the pulse of ancient folklore, vividly reimagining the Cornish classic 'Jack the Giant Killer' through an enchanting narrative tapestry. Doyle's rendition, set against a mythic backdrop of King Arthur's reign, portrays the archetypal hero Jack, a Cornish farmer's son endowed with remarkable strength and intellect. The prose exudes Doyle's adept embrace of the fairy tale's melodic resonance, maintaining the legacy of oral traditions while infusing a fresh zeal that challenges the wits of both young and mature readers. As Jack deftly ensnares the voracious giant Cormoran, the narrative blossoms with the nuance of the genre's delights and the depth of age-old storytelling techniques, such that even the most scholarly of audiences can appreciate its intricate construction within the literary canon of folklore and legend. In exploring Doyle's own legacy, one immerses into the heritage of a writer whose penchant for the fantastical is well-documented. Doyle, drawing from a rich seam of cultural narratives, may very well have been moved by his own historical context or personal inclination towards tales of cunning and valor. His commitment to rekindling the spirit of legend within a new generation testifies to his belief in the enduring power of story, and his ability to mingle antiquity with contemporary zest offers a window into his own creative odyssey. The Story of Jack and the Giants does not simply echo the voices of the past but revoices them for the now, a testament to Doyle's literary craftsmanship. The recommendation of 'The Story of Jack and the Giants' comes with a discerning nod to those who cherish the folklore's inherent wisdom and delight in the narrative's intricacies. Doyle's work beckons readers into a realm where intellect triumphs over brute force and where storytelling serves as the quintessential cultural connection between eras. Beyond entertainment, this tale serves as a conduit for the past to speak with the present, making it a treasure for enthusiasts of mythology, folklore, and readers searching for a tale that champions the astute over the formidable.

"Manners & Cvstoms of ye Englyshe" by Richard Doyle. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Why do Christians view the world differently than do secularists? Is a conclusion valid if the first step of evaluation to reach that conclusion is to reject significant factors upon which the conclusion must rest? Consider!

"An Old Fairy Tale - The Sleeping Beauty" is a 1865 poem by J. R. Planché and illustrated by The Brothers Dalziel. Based on the classic fairytale, it involves a beautiful princess, a sleeping enchantment, and a handsome prince. James Robinson Planché (1796 - 1880) was a British antiquary, dramatist, and officer of arms. Over a sixty-year period he produced, collaborated on, or adapted 176 plays over a variety of genres farce, extravaganza, comedy, burletta, opera, and melodrama. The Brothers Dalziel were a prolific firm of Victorian engravers founded by Edward Dalziel and his brother George Dalziel in 1839. Their other two brothers, John Dalziel and Thomas Dalziel also joined the firm later; all four were the sons of Alexander Dalziel of Wooler. Together, they produced a large amount of illustrations with a variety of significant Victorian artists, including Arthur Boyd Houghton, John Gilbert, John Everett Millais, and john Tenniel. Some notable works they contributed to include Edward Lear's "Book of Nonsense" (1862) and Lewis Carroll's "Alice in Wonderland" and "Through the Looking-Glass". Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration from the 1880s to the 1930s. The collection showcases classic fairy tales, children's stories, and the work of some of the most celebrated artists, illustrators and authors.

Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle’s epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle’s life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jack Meade wakes in a hospital bed. The doctors tell him he has been in the sea for two days - that he is lucky to be alive. His face is so salt ravaged he barely recognises himself. He has lost nearly all his memory. All he can remember is his name. And that is when the nightmare begins. For Jack Meade is the name of the President Elect of the United States. In Washington an exact double of Meade is preparing to take the Oath of Office, a man who thought he had killed Jack, a man who has taken his wife and fooled everyone in the country including Jack's closest associates. Meade realises he has only one option: to escape from the hospital, go to Washington and convince his wife and colleagues that he is the President. But the Usurper is now surrounded by the might of the Secret Service and America's armed forces. He has already tried to kill Jack once. Now with all the power of the Presidency behind him, he will try to silence forever the one man who knows about the deception that has tricked the world.

Whether it’s your first venture into 3D technical drawing software or you’re switching to SolidWorks from something else, you’re probably excited about what this CAD program has to offer. Chances are, you figure it’s going to take awhile to get the hang of it before you can begin cranking out those perfectly precise 3D designs. SolidWorks For Dummies, 2nd Edition, can help you dramatically shorten that get-acquainted period! SolidWorks For Dummies, 2nd Edition will help you get up and running quickly on the leading 3D technical drawing software. You’ll see how to set up SolidWorks to create the type of drawings your industry requires and how to take full advantage of its legendary 3D features. You’ll discover how to: Work with virtual prototypes Understand the user interface Use templates and sketch, assemble, and create drawings Automate the drawing process Review drawings and collaborate with other team members Define and edit sketches Create dimensions and annotations Print or plot your drawings Leverage existing designs Sample files on the bonus CD-ROM show you how to apply the latest version of SolidWorks and accomplish specific tasks. Even if you’re brand-new to CAD software, SolidWorks For Dummies, 2nd Edition will have you feeling like a pro in no time. You’ll find you’ve entered a whole new dimension. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

Looking for Love in All the Wrong Places? Here's How to End the Search! Are you stuck in a revolving door of bad dates? Or maybe you’ve given up on finding a meaningful relationship altogether. According to dating experts David Coleman and Richard Doyle, it doesn’t have to be that way. You can have that happy, healthy relationship you’ve been looking for. With eye-opening exercises, quizzes, and other self-assessment tools, the authors show you how to pinpoint specific aspects of your personality that have caused you to pick poorly, remain in bad relationships, or sabotage good ones. Once you understand the reasons why you choose a certain type of person, you can focus on how to choose and attract the right person for you. Inside, you’ll learn how to avoid: Bad Picks ·The Girdle—strives to control you ·The Dog Catcher—flees at the first sign of commitment ·The Ferrari—requires high maintenance Bad Kissers ·The Hoover—sucks out fillings, tongue—anything ·Niagara Falls—produces enough liquid for a regatta ·The Puppy—licks you all over your face Bad Break-ups ·The Western Union—ends relationship by letter, note, or e-mail ·The Freezer—turns from warm and caring to cold and callous ·The Fade Away—lets the relationship fade by avoiding conflict “Insightful and enjoyable. You’ll never approach your relationships the same way again."—Lynn Miller (aka Meg Lacey), President of Parke Media and novelist for Harlequin Books

Sixteen boldly rendered scenes, displaying the clever and imaginative work of Richard Doyle (1824-1883) display wood elves and winged creatures at play, pixies and imps nestled in the leaves of a flowering plant, fairies afloat on a lily pond, and other captivating images. The full-page designs glow with life when placed near a light source.

Victorian artist Richard Doyle (1824-1883) is famous for his charming illustrations of elves, fairies, and gnomes. For this coloring book, Marty Noble has skillfully adapted 29 of the English's artist's most delightful watercolors created for his book with Andrew Lang, The Princess Nobody: A Tale of Fairyland.

Four large temporary tattoos of wee folk astride a snail, riding a flying insect, chatting with a feathered friend, and crowning a bird.

The King and Queen of the country next to Fairyland long for a child and are finally blessed with a daughter, the Princess Niente.

What do biologists study when they study "life" today? Drawing on tools from rhetoric and poststructuralist theory, the author argues that the ascent of molecular biology, with its emphasis on molecules such as DNA rather than organisms, was enabled by crucial rhetorical "softwares." Metaphors such as the genetic "code" made possible a transformation of the very concept of life, a transformation that often casts organisms as information systems. With careful readings of key texts from the history of molecular biology—such as those of Erwin Schrödinger, George Gamow, Jacques Monod, and François Jacob—the author maps out the complex relations between the practices of rhetoric and the technoscientific triumphs they accompanied, triumphs that bolstered a "postvital" biology that increasingly elides and questions the boundary between organisms and machines. There have been many popular books, and a few academic ones, on the Human Genome Initiatives. On Beyond Living is a genealogy of these initiatives, a map of how we have come to equate human beings with "information." Melding contemporary theory with scientific discourse, it is certain to provoke discussion (and controversy) in the fields of cultural studies, theory, and science with its penetrating inquiries into the relations between rhetoric and technoscience.

Imperial 109 was one of the Empire class flying boats of Britain's Imperial Airways. From Durban in South Africa in the spring of 1939, to New York. The journey traces the passage of desert storms and mountain crossings, romance and intrigue, theft, blackmail and murder.

A dizzying tour of the ways technologies, both real and imagined, can transform humanity. The mind of the machine, the body suspended in time, organs exchanged, thought computed, genes manipulated, DNA samples abducted by aliens: the terrain between science and speculation, fraught with the possibility of technological and perhaps even evolutionary transformations, is the territory Richard Doyle explores in Wetwares. In a manner at once sober and playful, Doyle maps potentials for human transformation by new ecologies of information in the early twenty-first century. Wetwares ranges over recent research in artificial life, cloning, cryonics, computer science, organ transplantation, and alien abduction. Moving between actual technical practices, serious speculative technology, and science fiction, Doyle shows us emerging scientific paradigms where "life" becomes more a matter of information than of inner vitality--in short, becomes "wetwares" for DNA and computer networks. Viewing technologies of immortality--from cryonics to artificial life--as disciplines for welcoming a thoroughly other future, a future of neither capital, god, human, nor organism, the book offers tools for an evolutionary, transhuman mutation in the utterly unpredictable decades to come.