New Releases by Robert Crawford

Traversing the globe, Old World is a generous, playful collection about the issues facing our planet today, from a major Scots poet and biographer of T.S. Eliot ''For intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed'' Sunday Herald Mixing lyricism, play, and vulnerability, Old World explores the issues facing our planet in the twenty-first century, from European war to climate change and AI. From riddles and haikus to verse influenced by both Western and Eastern cultures, Crawford arrives at a sense of sacredness of life on earth. These poems speak both of the menaced plenitude of living beings, and of frailties associated with growing old. Part of the book is given over to voices of creatures from the non-human world, part to human voices, but boundaries between these categories become mischievously and disconcertingly unstable. ‘A poet of great importance... fluent, inventive, funny, crackling with intellectual energy, and at the very heart of our own time’ Scotsman ''In his hands, all modern life can be poetry’ Herald

Embark on a journey of spiritual growth with "Victorious Life Studies" by Robert C. McQuilkin. This timeless work, carefully prepared for republication, offers profound insights into the Christian life. Delve into devotional studies designed to enrich your understanding of biblical principles and foster a deeper connection with your faith. Explore key themes within Christian living and discover practical guidance applicable to everyday life. McQuilkin''s work serves as a valuable resource for both individual bible study and group discussions. Navigate the complexities of faith with clarity and discover pathways to a more victorious and fulfilling spiritual existence. Ideal for those seeking to deepen their religious studies and enhance their personal relationship with God. This book is a powerful tool for anyone engaged in Christian ministry or pastoral care. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Young Eliot: From St. Louis to "The Waste Land" was hailed as “exceptional” and “assiduous” (The New York Times). Robert Crawford’s meticulous, incisive scholarship continues in Eliot After "The Waste Land", an invaluable record of the revolutionary modernist, visionary poet, and troubled man. After being kept from the public for more than fifty years, the letters between T. S. Eliot and his longtime love and muse Emily Hale were unsealed in 2020. Drawing on these intimate exchanges and on countless interviews and archives, as well as on Eliot’s own poetry and prose, the award-winning biographer Robert Crawford completes the narrative he began in Young Eliot. Eliot After “The Waste Land”, the long-awaited second volume of Crawford’s magisterial, meticulous portrait of the twentieth century’s most significant poet, tells the story of the mature Eliot during his years as a world-renowned writer and intellectual, including his complex interior life. Chronicling Eliot’s time as an exhausted bank employee after the publication of The Waste Land through the emotional turmoil of the 1920s and 1930s and his years as a firewatcher in bombed wartime London, Crawford shows us the public and personal experiences that helped inspire Eliot’s later masterpieces. Crawford describes the poet’s conversion to Anglo-Catholicism, his separation from Vivien Haigh-Wood and his happy second marriage to Valerie Fletcher, his editorship at Faber and Faber, his Nobel Prize, his great work Four Quartets, and his adventures in the theater. Crawford presents this complex and remarkable man not as a literary monument but as a human being: as husband, lover, and widower; as banker, editor, playwright, and publisher; and most of all as an epoch-shaping poet struggling to make art amid personal disasters.

Drawing on a unique study of Australian advertising agencies at the dawn of the digital era, this book provides a hitherto unexplored study of the advertising industry at a point of its disruption. By exploring the dynamic interaction between this established but complacent industry, and a radically new communication medium, this book reveals how advertising agencies were forced to change fundamentally, yet as an industry helped shape the digital economy, and the platforms that dominate it. Based on contemporary reports, company archives, personal archives, and over 50 interviews with past and current advertising practitioners across the range of agency departments, this unique historical narrative reveals how power shifts between agencies, advertisers, and other media platforms forged the current models of advertiser-funded digital media. For scholars of marketing, media, communication, and contemporary history, this is an illuminating perspective on the early impact of the digital revolution and its relevance to the media landscape today.

This widely-praised book looks at the rise and fall of ''Britishness'' in literature over the last three centuries. Arguing that for much of its history the subject of ''English Literature'' has been bound up with an assumed English cultural centre, Devolving English Literature examines the literary construction and questioning of a British (rather than simply English) literary identity. Surveying eighteenth and nineteenth-century writers, including Robert Burns, James Boswell, Walter Scott and Thomas Carlyle, Robert Crawford remaps literary history. He argues that Scottish and non-metropolitan authors left a crucial legacy to American literature, to the developing subject of anthropology, and to twentieth-century Modernism. In the work of T. S. Eliot, Ezra Pound, James Joyce, Hugh MacDiarmid and other Modernists there persist vitally ''provincial'' as well as national elements. These continue to nourish the verse of sophisticated post-British ''barbarian'' poets such as Seamus Heaney, Tony Harrison, Douglas Dunn, Les Murray, and Derek Walcott. More than that, they are bound up with the contemporary literature and politics of Britain after devolution.This second edition contains a substantial new chapter, ''Waving Citizens'', which looks particularly at Scottish writing in the light of the political events that saw the establishment of a national Parliament in Edinburgh in 1999. Topics considered range from Walter Scott and European union to Trainspotting and right-wing politics. This new chapter argues for the need to read Scottish literature in ways that alert us not just to its political significance, but also to the breadth of its tonal spectrum, so that Muriel Spark and Kathleen Jamie are as much part of a redefined Scottish literary identity as are Irvine Welsh and James Kelman.Praise for the first edition:''A stunning book: original, extraordinarily wide-ranging, coherent, reflective, and strongly argued.'' - Susan Staves, Studies in

disAPPOINTED: There is always room for improvement in all of us! Your outlook and perceptions of life''s various situations determine the person you will become or have became. disAPPOINTED will help you redefine the struggles you have had in life. It will help you discover your determination to recover, and help you manifest your own strength and courage through Jesus Christ. It aids you in seeing the lesson for the blessing by reminding you when you are disAPPOINTED that God said "Didn''t I Say Appointed!"

Two Tales, Two Heroes, Two Different Centuries, One City.In "A Ghost For Christmas", we meet Scott Carson, the hero of Tatterdemalion just before the events of that epic. A routine photo portrait in the Battery by Carson''s mentor Jacob Riis uncovers a shock almost as chilling as its leading to them being chased by a serial killer. And involved in the case are legends Joseph Pulitzer, Nellie Bly and Etta Angell Wheeler.In "A Thug''s Epiphany", Joe Roman, ex Soviet-NYPD cop, is introduced. It''s Christmas eve in Brighton Beach and Roman has a mission- give his puppy Gawky away to a good home. But a call from a Russian mobster to whom he''s long owed a favor succeeds his mission for one far deadlier. His daughter is missing and Roman must go through another mob family to get her back. But as Christmas Eve wears on, Roman and his canine sidekick realize in Brighton Beach nothing is as it seems.And looming almost like a character in itself is the majestic Brooklyn Bridge that unites these two heroes even though they are separated by 129 years in time.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A biography of T. S. Eliot from his birth in St. Louis in 1888 to his publication of The Waste Land in 1922"-- Provided by publisher.

To make a testament is to attempt to pass on what matters most. In his seventh full-length collection of poems Robert Crawford writes of love, loss, belief, and commitment. Whether in intimate erotic lyrics or in a sustained engagement with the politics of Scottish independence he writes with passion, wit, and assurance about struggles to pass on values and treasures. The book opens with a sequence of love poems, and closes with ‘Testament’, a startlingly fresh gathering of deftly rhymed paraphrases based on the New Testament. Whether making versions of Cavafy or elegising fellow poet Mick Imlah, or writing how a father hands on a piece of marble to his son, Robert Crawford shows in Testament how poetry can communicate from generation to generation aspects of what makes us most vulnerably and engagingly human.

I am writing this book for the people of the world. I am hoping that you can receive the hope and inspiration that I have and that you can see that you are not alone in your struggles. You will be able to see with what is in this book all that I have encountered in my life and that I am still here. I believe that I am here to show you that there is hope and a purpose for your life.

How writers have imagined the idea of Scottish independence over 700 years Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations peacefully united in 1707. Continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. Publication coincides with the 700-year anniversary of the Battle of Bannockburn, 1314-2014. This engagingly written volume begins with an English poet-in-residence at the 1314 battle. The book then traces how that famous victory has been interpreted and reinterpreted imaginatively. It moves from vivid medieval epics in several languages through the Romantic political imagination of Robert Burns to the striking part played by twenty-first-century poets, novelists, and dramatists in creative attempts to answer the 2014 question: ''Should Scotland be an independent country?'' Here are the nationalist poetry of Hugh MacDiarmid and the gore of Braveheart and Black Watch; the Surrey novelist who celebrates Scotland''s political freedom in her international best-seller, and the bisexual Jewish American who develops a nuanced theory of Scottish nationalism in opposition to the oppressive rhetoric of fascism. Bannockburns concludes with a spirited discussion of literature and Scotland''s 2014 referendum. From The Bruce to contemporary literature and modern-day campaigning, Bannockburns is revelatory.

Edinburgh and Glasgow enjoy a famously scratchy relationship. Resembling other intercity rivalries throughout the world, from Madrid and Barcelona, to Moscow and St. Petersburg, to Beijing and Shanghai, Scotland’s sparring metropolises just happen to be much smaller and closer together—like twin stars orbiting a common axis. Yet their size belies their world-historical importance as cultural and commercial capitals of the British Empire, and the mere forty miles between their city centers does not diminish their stubbornly individual nature. Robert Crawford dares to bring both cities to life between the covers of one book. His story of the fluctuating fortunes of each city is animated by the one-upping that has been entrenched since the eighteenth century, when Edinburgh lost parliamentary sovereignty and took on its proud wistfulness, while Glasgow came into its industrial promise and defiance. Using landmarks and individuals as gateways to their character and past, this tale of two cities mixes novelty and familiarity just as Scotland’s capital and its largest city do. Crawford gives us Adam Smith and Walter Scott, the Scottish Enlightenment and the School of Art, but also tiny apartments, a poetry library, Spanish Civil War volunteers, and the nineteenth-century entrepreneur Maria Theresa Short. We see Glasgow’s best-known street through the eyes of a Victorian child, and Edinburgh University as it appeared to Charles Darwin. Crawford's lively account, drawing on a wealth of historical and literary sources, affirms what people from Glasgow and Edinburgh have long doubted—that it is possible to love both cities at the same time.

In a work of spectacular imagination and remarkable synthesis, poet Robert Crawford celebrates St Andrews, the first town in the world to have its people, buildings and natural environment thoroughly documented through photography. The Beginning and the End of the World tells the stories of several pioneering Scottish photographers, linking their work to one of the nineteenth century's most scandalous and hotly debated publications. Here is the extraordinary intellectual life of an eccentric society rich in apocalyptically-minded Victorian inventors and authors whose work has had an international impact. The protagonists include a very quarrelsome professor, a cello-playing ex-military golfer, a notorious scientist, a married couple coping with mental breakdown and a physician obsessed with sewage. In paying full attention to these people's inter-relationship, implicitly and explicitly this book suggests that their lasting legacies may have a bearing on our own arguments about environmental sustainability and the possibility of largescale extinction.

In MASCULINITY, Robert Crawford elegantly explores many aspects of that troubling concept, from imperial militarism to his own experiences as father, husband, and son. By turn affectionate and amusing, painful and self-excoriating, Crawford wryly examines, sometimes in intimate detail, what it is to be male - from awkward, unsporty and even more awkward adolescent, to husband, father of a child and, apparently, New Man. Clever, accessible, very funny and chillingly accurate, MASCULINITY is a sparklingly original collection. Star Trek Epigrams Mr Sulu, set the controls To Economy Wash. We''re about to venture Where no man has gone before. Kirk to enterprise: ''I''m going back to my cabin With a box of Kleenex. I want to experience the lonliness of Command. ''

Robert Crawford''s new collection is an exhilarating celebration of the world he lives in: his family, his fellow Scots, his country and his country''s languages. Beginning with a group of moving, renewing love poems to his wife, the book builds into a polyphonic hymn to life in all its aspects. There is a powerful sense of communion and connection in The Tip of My Tongue: while singing the Scottish part of the planet, Crawford also embraces the rhythms of the whole circumference - from Perth, Scotland, to Perth, Australia - catching ''how Kincardineshire''s sky''s/Transvaalish, Budapesty, Santa Barbaran,/Zurich on a perfect day''. These are poems that are convincingly earthed in the land and the language yet unafraid of spiritual, even religious notes; richly lyrical and passionate yet shot through with a humour and a vitality that is utterly engaging. As Liam McIlvanney wrote in the Sunday Herald, ''for intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed among recent Scottish poets''.

SPIRIT MACHINES, Robert Crawford''s fourth collection, attends imaginatively to the fusion of spiritual experience and the insistently material world. In several of the poems, emotional and religious insights merge lyrically with modern technologies of information. The title sequence deals with bereavement and memorializes the poet''s father, who died in1997, while the serio-comical catechism of ''A Life-Exam'' arises from the experience of hospitalisation. The imaginative, 360-line tour de force ''Impossibility'' presents a swirling underwater world imaging the heroic struggle of the nineteenth-century writer and mother, Margaret Oliphant. While some of the poems communicate a sense of hurt and loss, others are insuperably comic, giving the collection an ambitious range and vitality. Throughout the book, Robert Crawford''s alert sense of Scotland provides a source and sounding-board for poems -lyrics, ballads, verse narratives and prose poems - that are finely nuanced, moving, and excitingly resourceful.

Life cycle assessment enables the identification of a broad range of potential environmental impacts occurring across the entire life of a product, from its design through to its eventual disposal or reuse. The need for life cycle assessment to inform environmental design within the built environment is critical, due to the complex range of materials and processes required to construct and manage our buildings and infrastructure systems. After outlining the framework for life cycle assessment, this book uses a range of case studies to demonstrate the innovative input-output-based hybrid approach for compiling a life cycle inventory. This approach enables a comprehensive analysis of a broad range of resource requirements and environmental outputs so that the potential environmental impacts of a building or infrastructure system can be ascertained. These case studies cover a range of elements that are part of the built environment, including a residential building, a commercial office building and a wind turbine, as well as individual building components such as a residential-scale photovoltaic system. Comprehensively introducing and demonstrating the uses and benefits of life cycle assessment for built environment projects, this book will show you how to assess the environmental performance of your clients’ projects, to compare design options across their entire life and to identify opportunities for improving environmental performance.

Choices. We¿re surrounded by a million of them every day; big and small. We want to make excellent decisions, but under pressure it doesn¿t always seem that easy.This book will help you:¿Understand how minor decisions can alter your life forever ¿Master the six-steps to superior assessment skills ¿Explore the application process that will revolutionize your days for amazing results.Transform your world with the proven formula that thousands of individuals and organizations have discovered and unleashed.Laugh, cry and learn as John Robert Crawford shares real life stories and demonstrates The Incredible Power of CHOICE.

From Treasure Island to Trainspotting, Scotland''s rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland''s Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country''s history. Stretching from the medieval masterpieces of St. Columba''s Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.

No writer is more charismatic than Robert Burns. Wonderfully readable, The Bard catches Burns''s energy, brilliance, and radicalism as never before. To his international admirers he was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was "sprung . . . from raking of dung," and to his political enemies a "traitor." Drawing on a surprising number of untapped sources--from rediscovered poetry by Burns to manuscript journals, correspondence, and oratory by his contemporaries--this new biography presents the remarkable life, loves, and struggles of the great poet. Inspired by the American and French Revolutions and molded by the Scottish Enlightenment, Burns was in several senses the first of the major Romantics. With a poet''s insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world''s most popular love poet but also the controversial master poet of modern democracy. Written with accessible elan and nuanced attention to Burns''s poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive biography startlingly demonstrates why the life and work of Scotland''s greatest poet still compel the attention of the world a quarter of a millennium after his birth.

This report on the International Trade Centre (ITC) World Export Development Forum on Consumers, Ethics and Environment (October 2008), reflects on what ethical trade means, the growth in the global fair trade and ethical markets, how entrepreneurs in developing countries can break into these markets, and what trade support institutions and governments should be doing to help ethical traders. It considers the bottom line for every topic discussed: how to use ethical trade as a tool to raise standards of living for everyone involved.

Holding in balance the ecological and the technological, ancient and modern, Full Volume sings languages and cultures, people and habitats burgeoning on the brink of extinction. From revved-up battle-cry to nervous whisper, these lyrical poems praise intricate abundance. Assured in its rhymes and cadences, Full Volume is often attentive to poetry in other tongues, not least Gaelic. As their tones and forms shift from the spiritual to the wry, from haiku to brosnachadh, the poems'' resonance and music build into a sustained sounding of what it means to live, love, and listen in a world where ''Nothing is ever single''.

Addressed to all readers of poetry, this is a wide-ranging book about the poet's role throughout the last three centuries. It argues that a conception of the poets as both primitive and sophisticated emerged in the 1750s. Encouraged by the classroom when English literary works began to be studied in universities, this view continues to shape our own attitudes towards verse. Whether considering Ossian and the Romantics, Victorian scholar-gipsies, Modernist poetries of knowledge, or contemporary poetry in Britian, Ireland, and America, The Modern Poet shows how many successive generations of poets have needed to collaborate and to battle with academia.

A study that examines the way 20th-century poets identify themselves with particular territories, constructing and reconstructing territorial identities. From America to Australia, and from Scotland and England to the Caribbean, it looks in detail at the poetry of six international poets--Robert Frost, Hugh MacDiarmid, Sorley MacLean, Les Murray, John Ashbery, and Frank Kuppner--as well as discussing th Scots work of Tom Leonard, Liz Lochhead, and Edwin Morgan, and the English-language work of Peter Reading, Judith Wright, and Nobel Prize-winner Derek Walcott. Distributed by Columbia U. Press. Annotation copyright by Book News, Inc., Portland, OR