New Release Books by Adam Marek

SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.

Featuring leading scientists acting as consultants on the stories, and writing scientific afterwords, bringing the theory featured in the stories to life, including Prof. Sarah Bridle (Jodrell Bank), Prof. Jonathan Wolff and Prof. Frank Jackson (the inventor of the 'Mary's Room' thought experiment). Science is always telling stories. Whether in the creation myths of evolution or the Big Bang, or in the eureka moments of science history, narrative – just as much as metaphor – is a key tool in the scientist’s surprisingly literary toolkit. Perhaps the most interesting use of story is the thought experiment, the intuition pump, that draws on the most instinctive parts of the imagination to crack otherwise perplexing problems. From Newton's Bucket, to Maxwell’s Demon, from Einstein's Lift to Schrödinger’s Cat – all are examples of 'fiction' being used at the highest level, not just to explain, but to deduce, to prove. In this unique anthology, authors have collaborated with leading scientists, to bounce literary, human narratives against purely theoretical ones, alloying together real stories with abstract ones, to produce truly extraordinary results. Full list of thought experiments: The Twin Paradox, The Grandfather Paradox, Maxwell's Demon, Laplace's Demon, Mary's Room, The Chinese Room, Schrödinger's Cat, Galileo's Boat, The Infinite Monkey Typing Pool, Einstein in a LIft, Einstein Chasing a Beam of Light, Newton's Bucket, Olber's Paradox.

The relationship between sleep and storytelling is an ancient one. For centuries, sleep has provided writers with a magical ingredient – a passage of time during which great changes miraculously occur, an Orpheus-like voyage through the subconscious daubed with the fantastic. But over the last ten years, our scientific understanding of sleep has been revolutionised. No longer is sleep viewed as a time of simple rest and recuperation. Instead, it is proving to be an intensely dynamic period of brain activity: a vital stage in the re-wiring of memories, the learning of new skills, and the processing of problems and emotions. How will storytelling respond to this new and emerging science of sleep? Here, 14 authors have been invited to work with key scientists to explore various aspects of sleep research: from the possibilities of ‘sleep engineering’ and ‘overnight therapies’, to future-tech ways of harnessing sleep’s problem-solving powers, to the challenges posed by our increasingly 24-hour lifestyles. Just as new hypotheses are being put forward, old hunches are also being confirmed (there’s now a scientific basis for the time-worn advice ‘to sleep on a problem’). As these responses show, sleep and the spinning of stories are still very much entwined. Featuring scientific contributions from: Prof Russell G. Foster, Isabel Hutchison, Dr. Simon Kyle, Dr. Penny Lewis, Dr. Paul Reading, Stephanie Romiszewski, Prof Robert Stickgold, Prof Manuel Schabus, Prof Ed Watkins, Prof Adam Zeman, Dr. Thomas Wehr. This project was supported by the Wellcome Trust.

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem's essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem's legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem's fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It's time we caught up.

'Highly engaging and fascinating... this thought-provoking collection reminded me why I used to like science fiction so much... Eventually, one hopes, science fiction will regain its rightful place - as once again stranger than science.' - The Guardian, 20 Dec 09. 'All hit, no miss... thought-provoking at worst, and stunning at best... shows that science can inspire anyone and everyone.' – New Scientist, 5 Dec 09. 'Inspiring' – THE, 19 Nov 09. 'A diamond of compression.' – Financial Times, 20 Dec 09. When It Changed is an attempt to put authors and scientists back in touch with each other, to re-introduce research ideas with literary concerns, and to re-forge the alloy that once made SF great. Composed collaboratively – through a series of visits and conversations between leading authors and practicing scientists – it offers fictionalised glimpses into the far corners of current research fields, be they in nanotechnology, invertebrate physiology, particle physics, or software archaeology. From Planck's Length (the smallest indivisible distance) to Plankton (potential saviours of the Earth's ecosystem), from virtual encounters between Witgenstein and Turing, to future civilisations torn asunder by different readings of the Standard Model, together these stories represent a literary 'experiment' in the true sense of the word, and endeavour to isolate a whole new strain of the SF bug. * * Featuring Sara Maitland's 'Moss Witch' - Runner Up in the BBC National Short Story Prize 2009.* *

***WINNER of the 2011 Arts Foundation Fellowship in Short Story Writing*** **Short-Listed for the 2010 Sunday Times EFG Private Bank Short Story Award** *Long-listed for the Frank O'Connor International Short Story Prize* Robotic insects, in-growing cutlery, flesh-serving waiters in a zombie cafe... Welcome to the surreal, misshapen universe of Adam Marek’s first collection; a bestiary of hybrids from the techno-crazed future and mythical past; a users’ guide to the seemingly obvious (and the world of illogic implicit within it). Whether fantastical or everyday in setting, Marek’s stories lead us down to the engine room just beneath modern consciousness, a place of both atavism and familiarity, where the body is fluid, the spirit mechanised, and beasts often tell us more about our humanity than anything we can teach ourselves.

Intelligent clothing, superhero dictators, contagion-carrying computer games, cross-species reproduction... Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions and scientifically-grounded superpowers a place where the absurd and the mundane are not merely bedfellows, but interbreed. Pulsing at the core of Adam Marek's much-anticipated second collection is a single, unifying theme: a parent s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future, or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, only the fantastically illogical can steel us against what ordinary life threatens.

The tale of a son forced into the role of conservationist by his father, while dreaming of happier times with his mother.