Best Selling Books by Anne Brown

Undercover as a small-town dairy farmer, Special Agent Cheese Wedge loves the Wisconsin way of life. He is hard-working and down-to-earth and enjoys all the best Wisconsin has to offer, from playing cards to football games.When he needs help, he calls on a favorite local and national hero, whose natural leadership draws out the core spirit of Wisconsin, in hopes of preserving the beautiful "state" of Wisconsin!Created by a 10-year old and his Mom, Cheese Wedge amuses all ages while promoting our Wisconsin heritage and valuable lessons. We hope to accomplish the following:-Provide fun reading and activities and moral lessons for all ages-Foster quality interaction between kids and adults-Promote all Wisconsin has to offer and appreciation for it-Raise funds for local charities and build communityWARNING! You must have a sense of humor to enjoy this book! Our goal is to bring a smile to your face, certainly not to offend anyone. Please realize we are poking fun at common encounters in Wisconsin out of a sense of pride. We wish all the best to everyone, regardless of where they''re from or what their lifestyle is. Our differences are what make us beautifully unique!WisconsinCheeseWedge.com

This book consists of a series of assessments designed for professionals working with mentally disordered offenders and clients with challenging behaviours. It is written for psychiatrists, psychologists, nurses, social workers, probation officers and professionals involved in court diversion schemes and is for use both before and after admission. Clearly laid out, and taking a holistic approach, each section focuses on a specific topic, giving the practitioner a tool that will capture essential and relevant information and enabling care teams to develop a comprehensive and consistent management strategy. Comprehensive in scope, users can select from the more specific sections those appropriate for use with particular clients. Forensic issues are covered as well as those for general use. This is a practical and user-friendly book; it contains the detail to ensure an accurate, objective assessment and is designed to adapt to each user''s particular needs. The format allows and encourages additions to give a complete picture of the individual. Already extensively tested, this material is in current use.

A simple missionary story of a Papuan girl.

150 Sudoku puzzles to pass the time on a long journey50 x Easy 50 x Medium 50 x ChallengingWith solutions

Johann Georgius Rahn was born 21 March 1700/1701 in Napratten, Prussia. His parents were Simon Rahn and Catherina. Anna Elizabetha Birkelin in 1715/1716. They had five children. They emigrated in 1737 and settled in Pennsylvania. Ancestors, descendants and relatives lived mainly in Prussia, Holland, Pennsylvania, Virginia, Massachusetts, Connecticut, Michigan and Montana.

This research aims to present a critique of New Zealand''s colonial period literature as a corollary with contemporary art discourse. The source text Sensorium (2006) written by American art theorist Caroline Jones presents a commentary on the state of modern art and consumer culture in contemporary American society which is considered to be relevant also to early New Zealand settlement. The novels chosen for the contextualising of sight of ''sight, or, the ocular'' occur within the ''Pioneer Period'' of New Zealand''s early literature. Each of the following novels is categorised according to a general theme of settlement: Distant Homes: Or, the Graham Family in New Zealand (1862.) Isabella J. Aylmer; The Counterfeit Seal: A Tale of Otago''s First Settlers (1897) - R.N. Adams; Vicissitudes of Bush Life in Australia and New Zealand (1891) - Dugald Ferguson; The Toll of the Bush (1905) - William Satchell;, Ena, or, the Ancient Maori (1874) - George Wilson; and Wheat in the Ear (1898) - Louisa Baker. These novels are also works belonging to the British nineteenth-century social diaspora. Hence the thesis aims to offer historical meaning its due significance in considering the fictional settler''s response as a ''subject'' of colonisation to the social and natural environment. As a text of the senses Sensorium represents a focus upon the human eye or ''sight'' as a mediating principle. Jones'' art enquiry examines the mediation of art and technology as a phenomenon of the late twentieth-century. The dimension of contemporary art is now, she asserts, a techno-art experience that allows for ''altered states'' (Jones 5). I argue that a discourse of sense experience can evoke narrative subjectivities within the colonial context as constructions or destabilisations of identity. The mediating of ''sight'' will occur through the language component; emphasising three of Jones'' terms of reference: visual ''hegemony'' (7), ''sensory histories'' (18), and ''simulation'' (5) or artifice. For a cross-disciplinary discussion between art language and fictional writing these terms are to provide the critical interface for considering the contingencies or predicaments affecting the colonist emigrants of New Zealand''s historic Wakefieldian settlement period from 1849 and their representation within the plots and characterisations of the novel.

Emotion recognition through facial expression plays a critical role in communication. Review of studies investigating individuals with traumatic brain injury (TBI) and emotion recognition indicates significantly poorer performance compared to controls. The purpose of the study was to determine the effects of different media presentation on emotion recognition in individuals with TBI, and if results differ depending on severity of TBI. Adults with and without TBI participated in the study and were assessed using the The Awareness of Social Inferences Test: Emotion Evaluation Test (TASIT:EET) and the Facial Expressions of Emotion-Stimuli and Tests (FEEST) The Ekman 60 Faces Test (E-60-FT). Results indicated that individuals with TBI perform significantly more poorly on emotion recognition tasks compared to age and education matched controls. Additionally, emotion recognition abilities greatly differ between mild and severe TBI groups, and TBI participants performed better with the static presentation compared to dynamic presentation.