Best Selling Books by Antonia Fraser

A biography of Charles II, 17th century British king whose reign after Cromwell''s death brought about a return to peace and order.

400 years ago this November the most ambitious and extraordinary plot ever conceived in this country came close to success: the attempt by Guy Fawkes and his fellow conspirators to destroy in a single, annihilating blast the entire British ruling class and royal family. This book draws on the expertise of different writers to bring to life the immense implications of the Plot and the strange way they have echoed down to us over four centuries in what remains the quintessential English festival. Pauline Croft writes about the amazing plot itself and the anxious, unstable world of Jacobean Britain, Antonia Fraser imagines a world in which the plot had succeeded, Justin Champion dramatizes the national emergency that followed the plot''s discovery and its savage anti-Catholicism, David Cressy traces how Bonfire Night has been celebrated since its inception as a holiday, Mike Jay focuses on the most famous and enduring rituals held each year at Lewes and Brenda Buchanan offers a wonderful history of fireworks in Britain.

In the eighteenth century, the Catholics of England lacked many basic freedoms under the law: they could not serve in political office, buy or inherit land, or be married by the rites of their own religion. So virulent was the sentiment against Catholics that, in 1780, violent riots erupted in London—incited by the anti-Papist Lord George Gordon—in response to the Act for Relief that had been passed to loosen some of these restrictions. The Gordon Riots marked a crucial turning point in the fight for Catholic emancipation. Over the next fifty years, factions battled to reform the laws of the land. Kings George III and George IV refused to address the “Catholic Question,” even when pressed by their prime ministers. But in 1829, through the dogged work of charismatic Irish lawyer Daniel O’Connell and the support of the great Duke of Wellington, the watershed Roman Catholic Relief Act finally passed, opening the door to the radical transformation of the Victorian age. Gripping, spirited, and incisive, The King and the Catholics is character-driven narrative history at its best, reflecting the dire consequences of state-sanctioned oppression—and showing how sustained political action can triumph over injustice.

A Jemima Shore Mystery.

Award-winning historian Antonia Fraser brilliantly portrays a courageous and compassionate woman who refused to be curbed by the personal and political constraints of her time. Caroline Norton dazzled nineteenth-century society with her vivacity, her intelligence, her poetry, and in her role as an artist''s muse. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his ''Criminal Conversation'' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result—acquittal—Norton was still able to legally deny Caroline access to her three children, all under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.

Antonia Fraser''s Perilous Question is a dazzling re-creation of the tempestuous two-year period in Britain''s history leading up to the passing of the Great Reform Bill in 1832, a narrative which at times reads like a political thriller. The era, beginning with the accession of William IV, is evoked in the novels of Trollope and Thackeray, and described by the young Charles Dickens as a cub reporter. It is lit with notable characters. The reforming heroes are the Whig aristocrats led by Lord Grey, members of the richest and most landed cabinet in history yet determined to bring liberty, which would whittle away their own power, to the country. The all-too-conservative opposition was headed by the Duke of Wellington, supported by the intransigent Queen Adelaide, with hereditary memories of the French Revolution. Finally, there were revolutionaries, like William Cobbett, the author of Rural Rides, the radical tailor Francis Place, and Thomas Attwood of Birmingham, the charismatic orator. The contest often grew violent. There were urban riots put down by soldiers and agricultural riots led by the mythical Captain Swing. The underlying grievance was the fate of the many disfranchised people. They were ignored by a medieval system of electoral representation that gave, for example, no votes to those who lived in the new industrial cities of Manchester, Leeds, Sheffield, and Birmingham, while allocating two parliamentary representatives to a village long since fallen into the sea and, most notoriously, Old Sarum, a green mound in a field. Lord John Russell, a Whig minister, said long afterwards that it was the only period when he genuinely felt popular revolution threatened the country. The Duke of Wellington declared intractably in November 1830 that "The beginning of reform is the beginning of revolution." So it seemed that disaster must fall on the British Parliament, or the monarchy, or both. The question was: Could a rotten system reform itself in time? On June 7, 1832, the date of the extremely reluctant royal assent by William IV to the Great Reform Bill, it did. These events led to a total change in the way Britain was governed, and set the stage for its growth as the world''s most successful industrial power; admired, among other things, for its traditions of good governance -- a two-year revolution that Antonia Fraser brings to vivid dramatic life.

The acclaimed English biographer Lady Antonia Fraser is also a talented mystery writer whose QUIET AS A NUN was filmed for the "Mystery" series on public television. Now back in print, Fraser''s third Jemima Shore mystery presents the intrepid and glamorous detective confronting sinister doings in a Bloomsbury penthouse.

The body of a young man has been found floating in a pool on a remote island in the Scottish Highlands. It just happens to be the island that TV reporter Jemima Shore has rented for a holiday - a holiday that is rapidly falling apart.

''As he turned ...he had the extraordinary impression of a man in full armour rearing up in front of him ...It was the last thing he saw, before he hurtled downwards to a certain death'' An untimely death and the reappearance of a ghost lead television reporter Jemima Shore into a mysterious case of sex, violence and the supernatural. When the butler plummets from the battlements of Lackland Court, it becomes clear that the ghost of the legendary Civil War poet and soldier, Decimus Meredith, is not the only suspect. Jemima must look to history and delve deep into the ancient hall''s past to solve yet another baffling mystery.

The six wives of Henry VIII have become defined in a popular sense not so much by their lives as by the way these lives ended. But, as Antonia Fraser conclusively proves, they were rich and feisty characters. They may have been victims of Henry''s obsession with a male heir, but they displayed considerable strength and intelligence at a time when their sex supposedly possessed little of either. Inevitably there was great rivalry and jealously between them. The story Antonia Fraser tells is romantic and cruel, funny and sad, dramatic and enthralling.

''Love and Louis XIV'' centres around the Sun King and his relationships with numerous women. Divided into five parts, this work brings to life the vast edifice of Louis XIV''s court - the magnificence, artistic splendour, elaborate ritual and in some cases, absurdity and misery.