New Release Books by Arkady Strugatsky

When Maxim Kammerer, a young space explorer from twenty-second-century Earth, crash-lands on an uncharted world, he thinks of himself as a latter-day Robinson Crusoe. Eager to establish first contact with the planet's humanlike inhabitants, he finds himself increasingly entangled in their primitive way of life. After his experiences in their nightmarish military, criminal justice, and mental health systems, Maxim begins to realize that his sojourn on this radioactive and war-scarred world will not be a walk in the park. The Inhabited Island is one of the Strugatsky brothers' most popular and acclaimed novels, yet the only previous English-language edition (Prisoners of Power) was based on a version heavily censored by Soviet authorities. Now, in a sparkling new edition by award-winning translator Andrew Bromfield, this landmark novel can be newly appreciated by both longtime Strugatsky fans and new explorers of the Russian science fiction masters' astonishingly rich body of work.

Today, Arkady and Boris Strugatsky are counted among the best science fiction writers of the twentieth century, but their relationship with the late-Soviet literary establishment in their home country of Russia was often fraught. Acclaimed during the brief Khrushchev Thaw, the Strugatskys began to fall from grace in the late 1960s as publishers became increasingly reluctant to release their works. The authors' inability to publish, however, diminished neither their productivity nor their popularity among readers. Their novels and short stories, retyped by hand, circulated widely through unofficial channels within the Soviet Union and occasionally turned up abroad in unauthorized translation. The nested novels Ugly Swans and Lame Fate offer insight into this period of enforced silence. Never before translated into English, Lame Fate is the first-person account of middle-aged author Felix Sorokin. When the Soviet Writers' Union asks him to submit a writing sample to a newfangled machine that can supposedly evaluate the "objective value" of any literary work, he faces a dilemma. Should he present something establishment-approved but middling, or risk sharing his unpublished masterpiece, which has languished in his desk drawer for years? Sorokin's masterwork is Ugly Swans, previously published in English as a standalone work but presented here in an authoritative new translation. Ugly Swans chronicles the travails of disgraced literary celebrity Victor Banev, who returns to his provincial hometown to find it haunted by the mysterious clammies—black-masked men residing in a former leper colony. Possessing supernatural talents, including the ability to control the weather, the clammies terrify the town's adult population but enthrall its teenagers, including Banev's daughter Irma. Together, Lame Fate and Ugly Swans illuminate some of the Strugatskys' favorite themes—the (im)possibility of political progress, the role of the individual in society, the nature of honor and courage, and the enduring value of art—in consummately entertaining fashion. By turns chilling, uproarious and moving, these intertwining stories are sure to delight readers from all walks of life.

ENTER THE ADMINISTRATION Peretz spends his days navigating the bureaucracy of the Administration, the institute tasked with governing the Forest below. Except no one ever seems to go there, and his attempts only trap him further within the workings of this strange organisation. ENTER THE FOREST Candide cannot remember how he got to the Forest, and he is certain he belongs somewhere else. Determined to escape, he finds that all paths lead him round strange bends and into encounters with bizarre creatures. NOTHING IS AS IT SEEMS This classic SF novel sees Boris and Arkady Strugatsky meditate on how little man can understand of the wider world, and in doing so produce one of the great literary works to come out of Soviet Russia.

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-size mosquito—along with a variety of wizards (including Merlin), vampires, and officers. First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world's greatest science-fiction writers.

Red Schuhart is a stalker, one of those strange misfits who are compelled by some unknown force to venture illegally into the Zone and, in spite of the extreme danger, collect the mysterious artefacts that the alien visitors left scattered around. His life is dominated by the Zone and the thriving black market in the alien products. Even the nature of his daughter has been determined by the Zone. And it is for her that Red makes his last, tragic foray into the hazardous and hostile depths.

'A beautiful book' Ursula K. Le Guin This mordantly funny and provocative tale from Soviet Russia's leading science fiction writers is the story of astrophysicist Dmitri Malianov. As he reaches a major breakthrough, he finds himself plagued by interruptions, from a mysterious crate of vodka to a glamorous woman on his doorstep. Is the Universe trying to tell him something? 'On putting down one of their books, you feel a cold breeze still lifting the hairs on the back of your neck' The New York Times

Arkady and Boris Strugatsky are widely considered the greatest of Russian science fiction masters, and their most famous work, Roadside Picnic, has enjoyed great popularity worldwide. Yet the novel that was their own favorite, and that readers worldwide have acclaimed as their magnum opus, has never before been published in English. The Doomed City was so politically risky that the Strugatsky brothers kept its existence a complete secret even from their best friends for sixteen years after its completion in 1972. It was only published in Russia in the late 1980s, the last of their works to see publication. It was translated into a host of major European languages, and now appears in English in a major new translation by acclaimed translator Andrew Bromfield. The Doomed City is set in an experimental city bordered by an abyss on one side and an impossibly high wall on the other. Its sole inhabitants are people who were plucked from Earth's history and left to govern themselves under conditions established by Mentors whose purpose seems inscrutable. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a diehard believer in the Experiment, even though he's now a garbage collector. And as increasingly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.

A hilarious spoof on the classic country-house murder mystery, from the Russian masters of sci-fi—never before translated When Inspector Peter Glebsky arrives at the remote ski chalet on vacation, the last thing he intends to do is get involved in any police work. He’s there to ski, drink brandy, and loaf around in blissful solitude. But he hadn’t counted on the other vacationers, an eccentric bunch including a famous hypnotist, a physicist with a penchant for gymnastic feats, a sulky teenager of indeterminate gender, and the mysterious Mr. and Mrs. Moses. And as the chalet fills up, strange things start happening—things that seem to indicate the presence of another, unseen guest. Is there a ghost on the premises? A prankster? Something more sinister? And then an avalanche blocks the mountain pass, and they’re stuck. Which is just about when they find the corpse. Meaning that Glebksy’s vacation is over and he’s embarked on the most unusual investigation he’s ever been involved with. In fact, the further he looks into it, the more Glebsky realizes that the victim may not even be human. In this late novel from the legendary Russian sci-fi duo—here in its first-ever English translation—the Strugatskys gleefully upend the plot of many a Hercule Poirot mystery—and the result is much funnier, and much stranger, than anything Agatha Christie ever wrote.

It is a mysterious city whose sun is switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. This is life in the Experiment. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. As increasingly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.

Arkady and Boris Strugatsky are widely known as the greatest Russian writers of science fiction, and their 1964 novel Hard to Be a God is considered one of the greatest of their works. It tells the story of Don Rumata, who is sent from Earth to the medieval kingdom of Arkanar with instructions to observe and to influence, but never to directly interfere. Masquerading as an arrogant nobleman, a dueler and a brawler, Don Rumata is never defeated but can never kill. With his doubt and compassion, and his deep love for a local girl named Kira, Rumata wants to save the kingdom from the machinations of Don Reba, the First Minister to the king. But given his orders, what role can he play? Hard to Be a God has inspired a computer role-playing game and two movies, including Aleksei German's long-awaited swan song. Yet until now the only English version (out of print for over thirty years) was based on a German translation, and was full of errors, infelicities, and misunderstandings. This new edition—translated by Olena Bormashenko, whose translation of the authors' Roadside Picnic has received widespread acclaim, and supplemented with a new foreword by Hari Kunzru and an afterword by Boris Strugatsky, both of which supply much-needed context—reintroduces one of the most profound Soviet-era novels to an eager audience.

In its first-ever unexpurgated edition, a sci-fi landmark that's a comic and suspenseful tour-de-force, and puts distraction in a whole new light: It's not you, it's the universe! Boris and Arkady Strugatsky were the greatest science fiction writers of the Soviet era: their books were intellectually provocative and riotously funny, full of boldly imagined scenarios and veiled—but clear—social criticism. Which may be why Definitely Maybe has never before been available in an uncensored edition, let alone in English. It tells the story of astrophysicist Dmitri Malianov, who has sent his wife and son off to her mother’s house in Odessa so that he can work, free from distractions, on the project he’s sure will win him the Nobel Prize. But he’d have an easier time making progress if he wasn’t being interrupted all the time: First, it’s the unexpected delivery of a crate of vodka and caviar. Then a beautiful young woman in an unnervingly short skirt shows up at his door. Then several of his friends—also scientists—drop by, saying they all felt they were on the verge of a major discovery when they got . . . distracted . . . Is there an ominous force that doesn’t want knowledge to progress? Or could it be something more . . . natural? In this nail-bitingly suspenseful book, the Strugatsky brothers bravely and brilliantly question authority: an authority that starts with crates of vodka, but has lightning bolts in store for humans who refuse to be cowed.

"We all know what Rainbow is," began Lamondois. "Rainbow is a planet colonized by science and designed for physical experiments." "The Far Rainbow was written at one breath, it is full of dynamics and genuine dramatism." - Literary Gazette "Science-fiction stories by the Strugatsky brothers are philosophical pieces. They are full of action but each action is clearly imbued with speculation."- Neva Magazine "Take the Far Rainbow, for instance. 'Authentic' is the word, and this is rather unusual where science fiction is concerned." - The Young Guard Magazine The brothers Boris and Arkady Strugatsky have chosen different careers. Arkady is a linguist and Boris an astronomer. Perhaps it is this divergence of interest which has helped them to describe the world of the far future so vividly. The brothers Strugatsky are among the most prominent Soviet science-fiction writers. They have written a number of works in the genre.

When space explorers encounter an unexpected civilization, Max Kammerer, an agent of COMCON 2 sends Toiva Glumov to investigate the possibility of time crossovers