New Releases by D. H. Lawrence

Lady Chatterley''s Lover is a novel by D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia.An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies.[1] The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words. The story is said to have originated from events in Lawrence''s own unhappy domestic life, and he took inspiration for the settings of the book from Eastwood, Nottinghamshire, where he grew up. According to some critics, the fling of Lady Ottoline Morrell with "Tiger," a young stonemason who came to carve plinths for her garden statues, also influenced the story. Lawrence at one time considered calling the novel Tenderness and made significant alterations to the text and story in the process of its composition. It has been published in three versions.The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, has been paralysed from the waist down due to a Great War injury. In addition to Clifford''s physical limitations, his emotional neglect of Constance forces distance between the couple. Her sexual frustration leads her into an affair with the gamekeeper, Oliver Mellors, the novel''s title character. The class difference between the couple highlights a major motif of the novel which is the unfair dominance of intellectuals over the working class. The novel is about Constance''s realization that she cannot live with the mind alone; she must also be alive physically. This realization stems from a heightened sexual experience Constance has only felt with Mellors, suggesting that love can only happen with the element of the body, not the mind. David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence''s opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence''s fiction within the canonical "great tradition" of the English novel.

The Trespasser is the second novel written by D. H. Lawrence, published in 1912. Originally it was entitled the Saga of Siegmund and drew upon the experiences of a friend of Lawrence, Helen Corke, and her adulterous relationship with a married man that ended with his suicide. Lawrence worked from Corke''s diary, with her permission, but also urged her to publish; which she did in 1933 as Neutral Ground. Corke later wrote several biographical works on Lawrence. David Herbert Richards Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence''s opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage".At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation."Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence''s fiction within the canonical "great tradition" of the English novel. The fourth child of Arthur John Lawrence, a barely literate miner at Brinsley Colliery, and Lydia, a former pupil teacher who, owing to her family''s financial difficulties, had to do manual work in a lace factory, Lawrence spent his formative years in the coal mining town of Eastwood, Nottinghamshire. The house in which he was born, in Eastwood, 8a Victoria Street, is now the D. H. Lawrence Birthplace Museum. His working-class background and the tensions between his parents provided the raw material for a number of his early works. Lawrence would return to this locality and often wrote about nearby Underwood, calling it; "the country of my heart," as a setting for much of his fiction. Despite common misconception he is not related to T.E. Lawrence. The young Lawrence attended Beauvale Board School (now renamed Greasley Beauvale D. H. Lawrence Primary School in his honour) from 1891 until 1898, becoming the first local pupil to win a County Council scholarship to Nottingham High School in nearby Nottingham. He left in 1901, working for three months as a junior clerk at Haywood''s surgical appliances factory, but a severe bout of pneumonia ended this career. During his convalescence he often visited Hagg''s Farm, the home of the Chambers family, and began a friendship with Jessie Chambers.

Renowned author D. H. Lawrence recounts his voyage to Sardinia in this spellbinding travelogue. In January of 1921, D. H. Lawrence and his wife, Frieda, set out for unspoiled country: the pristine island of Sardinia. For the following nine days, Lawrence fixes his unflinching gaze upon the Mediterranean island, where ancient ruins collide with the detritus of a modernizing society. Blending mythology with historical fact, his account is both lyrical and shrewdly observed. With a keen awareness of the socio-political climate, Lawrence captures a Sardinia that is both timeless and of the moment. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

The first scholarly edition of the original Quetzalcoatl, an early version of the novel The Plumed Serpent.

In Aaron''s Rod, literary master D.H. Lawrence spins an engaging picaresque tale of the talented English amateur flutist Aaron Sisson and his travels. Aaron escapes a life of drudgery and a loveless marriage and journeys to Italy, crossing paths with a writer who many critics regard as an autobiographical stand-in for Lawrence himself along the way.

D.H. Lawrence finished "Lady Chatterley''s Lover" in 1928, but it was not published in an uncensored version until 1960. Many contemporary critics of D.H. Lawrence viewed the Victorian love story as vulgar, and even pornographic. It was banned immediately upon publication in both the UK and the US. The obscenity trials which followed established legal precedents for literature which still endure. At the heart, "Lady Chatterley''s Lover" is a story about the invisible bonds between lovers, companions, and husbands and wives. Against this backdrop, Lawrence also explores the relationship between physical desire and spiritual fulfillment, often using sensual and explicitly sexual language. This special edition of "Lady Chatterley''s Lover" has been restored for a modern audience, including all previously censored material. Excerpt from "Lady Chatterley''s Lover - Restored Modern Edition" Reprinted by permission. All rights reserved Supreme pleasure? she said, looking up at him. Is that sort of idiocy the supreme pleasure of the life of the mind? No, thank you! Give me the body. I believe the life of the body is a greater reality than the life of the mind: when the body is really awakened to life. But so many people, like your famous wind-machine, have only got minds tacked on to their physical corpses. He looked at her in wonder. The life of the body, he said, is just the life of the animals. And thats better than the life of professional corpses. But its not true! The human body is only just coming to real life. With the Greeks it gave a lovely flicker, then Plato and Aristotle killed it, and Jesus finished it off. But now the body is coming really to life, it is really rising from the tomb. And it will be a lovely, lovely life in the lovely universe, the life of the human body. -- Ch. 16, p. 281 He went down again into the darkness and seclusion of the wood. But he knew that the seclusion of the wood was illusory. The industrial noises broke the solitude, the sharp lights, though unseen, mocked it. A man could no longer be private and withdrawn. The world allows no hermits. And now he had taken the woman, and brought on himself a new cycle of pain and doom. For he knew by experience what it meant. It was not womans fault, nor even loves fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron. He thought with infinite tenderness of the woman. Poor forlorn thing, she was nicer than she knew, and oh! so much too nice for the tough lot she was in contact with. Poor thing, she too had some of the vulnerability of the wild hyacinths, she wasnt all tough rubber-goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in, as they do in all naturally tender life. Tender! Somewhere she was tender, tender with a tenderness of the growing hyacinths, something that has gone out of the celluloid women of today. But he would protect her with his heart for a little while. For a little while, before the insentient iron world and the Mammon of mechanized greed did them both in, her as well as him. -- Ch.10, p. 134

Landmark volume of D. H. Lawrence''s writings on American literature including major essays on Poe, Hawthorne, Melville and Whitman.

D. H. Lawrence started ''The Sisters'' in March 1913, wrote four different versions and claimed to have discarded ''quite a thousand pages'' before completing The Rainbow in May 1915. The novel was suppressed, just over a month after publication, in November 1915. Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence''s great novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in the full textual apparatus so the reader can follow the development of the novel and evaluate what outside interference might have done to it. Appendixes give the earliest, unpublished fragments from the first two versions and a newly discovered report and summary of the third. Published in two volumes.

This volume contains Lawrence''s letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence''s Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley''s Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.

Seven essays D. H. Lawrence wrote after visiting Etruscan cities in central Italy.

Edition of D. H. Lawrence''s last book, Apocalypse, along with other writings on the Revolution.

»The Rocking-Horse Winner« is a short story by D. H. Lawrence, originally published in 1926. D. H. LAWRENCE [1885-1930] was one of the greatest English writers of the 20th century. Lawrence''s depictions of erotica and sexuality led to several of his novels being banned and censored. He lived in self-imposed exile for four years due to the reception of his novels.

An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.

A multi-generational family saga that chronicles the lives of three generations of the Brangwen family on their Nottinghamshire farm—and the riveting prequel to Women in Love—from one of the greatest and most controversial writers of the 20th century. Rooted in an agrarian past, Tom and Lydia Brangwen and their descendants find themselves navigating a rapidly changing world—a world of unprecedented individualism, alienation, and liberation. Banned after an obscenity trial in 1915 for its frankness about sexuality, THE RAINBOW was most remarkable for the pathbreaking journeys of its female characters, particularly that of Ursula Brangwen, whose destiny Lawrence explored further in his next novel, Women in Love. In its surface drama, in its capacious and expansive rhythms that so resemble the rhythms of nature itself, THE RAINBOW is one of the world’s great examples of the multi-generational family saga. But the large claim that Lawrence’s masterpiece has made on the attention of readers and critics stems less from this fact than from the deeper parallel history he provides for the Brangwens—a history of the growth of their souls, moving in a great arc from sensuality to self-awareness and freedom.

Each story in Love Among the Haystacks appears in a new, authoritative text.