New Releases by Daniel Brown

The Unity of Scripture is different from any other book on the Bible. It is divided into three distinct sections (Origins, Symbolism, and Prophecy). Understanding each of these, in context, is necessary for a correct understanding of the Bible. This book shows how these three aspects interconnect. Daniel Brown takes a rational approach concerning the Bible without diminishing its authority or questioning its correctness. There are many diagrams and illustrations which very effectively clarify the author''s assertions. The author''s ability to graphically diagram scriptural passages in order to compare them to other biblical passages is unique and makes their interconnectedness more readily apparent. This book also illuminates many of the mysteries in the Bible in a simple and understandable way. The Unity of Scripture will inspire awe at the perfection demonstrated by the Word of God. Topics include: The creation week, The Tabernacle of Moses, The ancient calendar, The Holy days, and the lineage of Jesus, The timing of the crucifixion, The prophecies of Daniel, Revelation and Jesus and the theories of Einstein.

"From its opening lines, Daniel Brown''s Taking the Occasion sounds a new note in poetry. In poem after poem, Mr. Brown plays urban speech rhythms across the back-beat of meter and rhyme. Distinctive in matter as well as in manner, Taking the Occasion addresses topics ranging from baseball to the birth of God. In a time when subjects are viewed by many poets as suspect, Mr. Brown demonstrates the abiding power of an arresting premise. His work repeatedly sounds emotional or philosophical depths yet isn''t above eliciting a laugh in the process. If contemporary poetry has lost the large and enthusiastic audience a vital art requires, the pleasure-giving profundity of Taking the Occasion just may help forge a reconnection."--BOOK JACKET.

This volume offers a glimpse at what Providence citizens found important, funny, and poignant during the early 20th century, when postcards were a popular medium of communication. Within Providence, people frolic during Old Home Week and enjoy the entertainment of the WJAR Kiddie Revue. Important landmarks like the Brown & Sharpe and Gorham companies stand proudly when they were the largest toolmaker and silver maker, respectively, on the planet. Views of buildings long gone but fondly remembered, such as the Outlet Store and the E. F. Albee Theater, are also displayed. Through stunning postcards, readers will delight in seeing more than 200 fantastic views of this fascinating city.

Written in an engaging style, this text introduces students not just to what Muslims believe and practise, but also to the history and development of Islamic studies as a discipline. Provides a thought-provoking account of the origins, major features and lasting impact of the Islamic tradition. Introduces students to the history and development of Islamic studies as a discipline. Examines how monotheism in the Near East produced a unique and brilliant intellectual and religious tradition spanning the fields of Islamic law, theology, philosophy and mysticism. Surveys the ways in which Islamic tradition has enriched the world and in turn been enriched by interaction with other civilizations, from the Mongols to the modern West. Considers the opportunities and challenges facing Muslims today. Includes detailed chronologies, tables summarizing key information, and useful maps and diagrams.

In this book the author walks the reader through the nature of the arts, the nature of Christian faith, and the historical factors which have brought us to our current crises of faith and imagination. There is a connection between religious faith and artistic expression which rests in the archetypal images of human culture. In our era, that connection seems to be more of a disjunction. Current artistic expressions do not seem to project the same images as religious faith confesses. This is especially true in Western civilization. Both the arts and religious faith (specifically Christianity) are approached as manifestations of the activity of human beings. Only later do these activities become intellectualized in aesthetics and theology. Understanding the artist and the believer as existing human beings, the perceived disjunction can be eclipsed when we grasp the context in which the human artist and the human believer in this century find themselves at odds. The crux of the disjunction is not so much the artists'' disbelief (as religious believers seem to assume) as it is the failure of traditional expressions of belief in meeting human needs and a concurrent tightening of the grip by believers on the traditional metaphors of their faith. Perhaps the resolution will come in the new metaphors of the artists and a simultaneous turning by believers to give attention to the attempts of artists to speak mystery anew.

The arts have the power to reach our innermost feelings. We can harness this healing power to foster self-development, increase confidence and work towards greater happiness.