New Releases by David

Fresh for the holidays, this hilarious and warm-hearted review of the top holiday stories of the last two millennia (with a special focus on Christmas Present) sparkles with dozens of shiny, new Christmas tales and tidbits, including vital stats on eating, shopping and other manifestations of the Christmas spirit, the Santa controversy, and much more.

David Wenham has returned with new vigor to the old question of the relationship of Pauline thought to the life and teachings of Jesus -- back cover.

In a well-reasoned, extensively researched analysis, David Korten exposes the harmful effects of economic globalization; sets out the underlying causes of today''s social, economic, environmental, and political crises; and outlines a strategy for creating localized economics that empower people and communities within a system of global cooperation.

THE STORY: A young boy, John, comes downstairs to tell about his upcoming trip with his dad to the family friend, Dell. Mother, Donnie, is in the kitchen making tea. Soon the three are discussing the excitement of the trip, why John can''t sleep, an

Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.

''Stalin and the Bomb'' represents a comprehensive history of Soviet nuclear policy, from developments in physics in the 1920s to the emergence of nuclear deterrence in the 1950s. The author looks at how the bombs were built, and the role that espionage played.

It''s nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone''s wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer''s brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop''s origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright "badness" over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis''s Kind of Blue, Charles Mingus''s Mingus Ah Um, Thelonious Monk''s Brilliant Corners, Horace Silver''s Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America''s great musical epochs.

Los dos grandes territorios que Epston y White exploran para nosotros en este libro son los siguientes: por un lado, el asunto de la externalizacion del problema; por otro, y consecuentemente, la variedad de formas en que podemos usar terapeuticamente la palabra escrita. De este modo, y a traves de numerosos ejemplos, el lector puede elegir entre una gran variedad de nuevas intervenciones y cosechar asi los frutos de un nuevo terreno que ya ha sido cuidadosamente arado, regado y sembrado para nosotros. Al final, Epston y White nos invitan a preguntarnos: ?como podemos hacer posible la escritura de relatos personales y colectivos que liberen y curen, cuando los relatos dominantes estan tan saturados de problemas? Al publicar este libro, los autores estan compartiendo algunos de sus descubrimientos en relacion con este interrogante. ?Cual es la disposicion del profesional a unirse a ellos en esta exploracion y a dotarse de habilidades en el uso de medios literarios para reanimar la vida de sus clientes y de sus familias?

This book studies the changing ways in which American industrial workers mobilised concerted action in their own interests between the abolition of slavery and the end of open immigration from Europe and Asia. Sustained class conflict between 1916 and 1922 reshaped governmental and business policies, but left labour largely unorganised and in retreat. The House of Labor, so arduously erected by working-class activists during the preceeding generation, did not collapse, but ossified, so that when labour activism was reinvigorated after 1933, the movement split in two. These developments are analysed here in ways which stress the links between migration, neighbourhood life, racial subjugation, business reform, the state, and the daily experience of work itself.

This study of British and American poetry from the mid-1920s to the recent past, clarifies the complex interrelations of individuals, groups, and movements, and the contexts in which the poets worked.

Gunn sets out his aim in this book to foster a fresh understanding of the narrative about David in 2 Samuel and 1 Kings, commonly known as the ''Succession Narrative,'' by arguing for its fuller appreciation of its nature as a story. Gunn reviews the different hypotheses on the genre of the so-called Court History/Succession Narrative and concludes that the purpose of this story is to entertain. The work is to be considered primarily artistic and literary, and the rhetorical devices in the story are reliant on traditional motifs and devices.