New Releases by David Adams Richards

From one of Canada's most celebrated and controversial novelists comes a tale of dark aspirations, betrayal and murder. When Colonel Musselman is found dead from an apparent self-inflicted gunshot wound, a rumour soon surfaces that he was murdered by his own teenage son, Jamie. As weeks, months and years pass, Jamie—shy and withdrawn but brilliant—continues to maintain his innocence. Yet few others, besides his fiancée, Gertie, believe him. Suspected, harassed and questioned, Jamie is finally tried and convicted of the crime. But nothing is as it seems. Before the murder, unlikely alliances between a self-styled revolutionary recently expelled from university, a young man claiming Indigenous heritage, and Gertie’s own hapless father had long ago set the stage for intrigue and bloodletting. As the aftermath of this crime threatens to destroy both the innocent and the guilty, it is left to a few citizens who have been dismissed and overlooked to solve what the others, blinded by their arrogance and personal vanity, refuse to admit. Richly conceived and utterly fearless in its examination of morality, justice, prejudice and corruption, Songs of Love on a December Night is an epic exploration of the self-betrayal that we are capable of, and of the redemption we so often aspire to.

Literary legend David Adams Richards follows the epic Miramichi Trilogy with a startling standalone novel of concentrated power. The Raskin brothers were once proud to be producers of a much sought-after material of great benefit to society—asbestos. But now their mine is under close scientific scrutiny, with reports of serious illness linked to the place. The world is changing, no doubt for the better . . . But in the shadow of the mine, the values of a whole community are transforming, in more sinister ways. The Raskins' nephew Byron, a war hero and man of wealth, urges the brothers to look for other, less toxic minerals to extract. But meanwhile his own world is unravelling in ways that are unlikely ever to be fixed. His wife Carmel, whom he vaingloriously believed he was rescuing with his marriage proposal, has become an intellectual and political poseur. She and her son Albert are contemptuous of the values of Byron and his kind, while still finding use for his wealth and property. Carmel and Albert, it seems, are heralds of a new world addicted to mimicry and empty self-promotion, to delusions and temptations. Its victims are growing in number: a college professor in town is falsely accused of sexual harassment; a young woman is slipped a hallucinogen at a party with appalling consequences for her and two boys. And what of poor, naive Eva Mott, the captivating beauty who wished to be like her talented cousin Clara? Her story and the book that bears her name will haunt you. The Tragedy of Eva Mott has all the power and brilliance—and many flashes of wry humour—of David Adams Richards at the very top of his form. It will attract controversy but its fierce authenticity cannot be denied.

It was night, It was winter In the heavy window frost I saw falling angels splinter In this collection of deeply personal poetry, David Adams Richards offers readers both his searing observations of and profound sympathy for those he writes of, be they his own family or animals, like the "dry doe" who will soon be at the mercy of the coyotes. He captures the soul of winter in a crisp, evocative description: it is a time when "the snow begins to fall at four, / And a dead cold has entered in the bones." Equally, though differently, captured is a snapshot of life at fourteen, when he and his friends were "Young lonesome firebrands / Cigarettes aglow in the summer weather." Here, too, are indictments of war and comments on Catholicism and faith, as well as retrospective examinations of his own past, of past relationships, and moments lost in time. Richards comments unflinchingly on the poet's life (the poet as soldier, as gunslinger), of his origins in Newcastle, New Brunswick, and his love for Peg at seventeen. In each poem, he crafts a vision and carefully cradles emotion in his writer?s hands for the reader to feel and hold themselves. Ultimately, Richards assures us, our soul will be free and will "sing for eternity."

A thrilling, revelatory collection from one of the most provocative and original literary voices in Canada today. David Adams Richards is one of Canada's greatest writers, his place in the pantheon ensured by seventeen novels of consistent power and vision. He is also the author of four marvelous non-fiction ruminations on religious faith, hockey, hunting and fishing and their roles in his and the nation's identities. His loyal readers may feel they know him well. But they also know that this is a writer who never fails to surprise. This new collection of essays--his first in a quarter-century--is rich with revelations and insights, deepening our appreciation for this major talent and offering a provoking thought on every page. Murder is one of David's great subjects. In his novels, in the Russian classics he loves and in his life, murder has been a shaping force. The title of this volume refers to a suite of essays on the subject: a hitchhiker with whom David strikes up an unnerving philosophical debate; the killers of the Miramichi and their victims; Caligula; the villains of Russian literature; and, forever in David's mind as he examines this grim topic, the self-deception involved in the allure of evil. But in this wide-ranging collection there is much to delight in too: married love; family; travel; the beauty of the natural world; even Wayne Gretzky is invited to the party. David's principled outlook and spirituality inform his thinking thoroughout. And he draws many of his favourite writers into the discussion--from Tolstoy to Dostoevsky, Mary Shelley to Alden Nowlan--revelling in their work, as we do in David's, as sources of ideas, inspiration and sheer literary pleasure. As a considerable bonus, the book also contains at its midpoint a literary debut: a slim but substantial collection of David's poetry.

A fresh new novel from a Canadian literary legend--this time with an extraordinary and unforgettable woman protagonist who is sure to become one of the great characters in our literature. Mary Cyr opens in Mexico, just as a disaster strikes a small town: a coal-mine has collapsed, with thirteen men trapped inside. Less than forty-eight hours later, the authorities summarily decide to abandon all hope of finding survivors and seal up the mine entrance--willfully oblivious to the half-dozen souls still breathing below ground. Shortly after that, a thirteen-year-old Mexican boy, Victor, is discovered dead in the hotel room of a Canadian visitor--a 45-year-old woman, and heiress to a vast fortune, who goes by the name Mary Cyr. Thus begins this shocking, brilliant and compelling novel--a late-career tour de force by one of our most unique and powerful writers. In his last couple of novels, David Adams Richards has widened the scope of his vision and his world, taking us into far-flung countries and lives even as his beloved territory of New Brunswick's Miramichi remains his touchstone, the spot to which all his stories return. In Mary Cyr, the unwinding tale will take us from a harsh jail cell in Mexico, where Mary Cyr is imprisoned, deep into Canadian police officer John Delano's past, and even further into the murky depths of a wealthy New Brunswick family whose ties to mining, newspapers and a host of other interests lead to the highest corridors of power. At the heart of this maelstrom lies a woman who is compromised and confused, but also poignant, wounded and well-intentioned: the beautiful and tragic Mary Cyr.

A brilliant, heartbreaking novel from a Canadian icon that tackles the theme of debt, and what we owe each other, through three unforgettable characters. This is Richards' best and most complex work since his Giller-winning Mercy Among the Children, and a fitting companion to that novel. Howard, Evan and Ian are inseparable as boys--so much so that one night, abandoned in the forest by the careless adults around them, and raging against society and the uncaring gods others worship, they seal their undying brotherhood with a blood bond. But soon after, a horrific accident scars each of them in a different way, testing their bonds and leaving each with a debt to be paid. As adults, seeking to rise above debt and advance in life, each man decides upon a very different path--but over time, all three discover they are tied to each other in intricately tangled, sometimes violent, and surprising ways that none of them has been wise enough to foresee. In Crimes Against My Brother, literary legend David Adams Richards is at his finest, reprising some of his most complex and beloved characters (such as Sydney Henderson from Mercy Among the Children), introducing unforgettable new ones (such as the beautiful but fatally foolish Annette Brideau; and the wily, charming, money-hungry manipulator Lonnie Sullivan), and weaving a tale of such force, gravitas, complexity, universality, and compassionate understanding that he reaffirms his status as a master storyteller who has, book by book, used his rare genius to create an entire, teeming universe alongside a river in a small northern part of the world.

David Adams Richards takes us behind his gun and into the Canadian forest for his most powerful work of non-fiction yet. In his brilliant non-fiction, David Adams Richards - first and foremost one of Canada's greatest and best-beloved novelists - has been writing a kind of memoir by other means. Like his previous titles Lines On Water, about his pursuit of angling, and Hockey Dreams, about the game his disabled body prevented him from playing, Facing the Hunter explores the meaning of a sport and the way in which it touches lives, not least that of the author. And as with God Is, his recent book about his faith, it is also an impassioned defence of a set of values and a way of life that Richards believes are under attack. Lovers of David Adams Richards' novels will be fascinated and enlightened to note the interplay between his former life as a keen hunter - he hunts less and less these days, as he explains - and the narratives and characters of his fiction. But this is also a perfect starting point for anyone coming new to Richards. The storytelling in this book, the evocation of the Canadian wild and those who venture into it, the sheer power of the prose, show a great writer at the height of his powers.

For David Adams Richards, blood ties is not merely a figure of speech, but an assertion of the reality of life in small-town Canada, where blood ties people in countless, almost unknowable ways to friends, community, and landscape. The lives of three generations of MacDurmots form a Miramichi Valley family portrait that is beguiling, insightful, witty, and tender. Employing dazzling angles of vision and fast-shifting perspectives, Richards captures the inner lives of his characters with sympathy and understanding.

David Adams Richards finds universal truths in the very particular setting of New Brunswick’s Miramichi Valley. This, his first novel, provides a window upon a world that is as unsettling, as uncontrollable, and as inescapably authentic as a sudden brawl. The frustrations of the community are brought into focus in the plights of 20-year-old Kevin Dulse, his family, and especially his wild young friends. An intensely realistic story, it stands firm upon its engaging, unaffected characters and the raw talent of its then 22-year-old author.

With a voice as Canadian as winter, David Adams Richards reflects on the place of hockey in the Canadian soul. The lyrical narrative of Hockey Dreams flows from Richards' boyhood games on the Miramichi to heated debates with university professors who dare to back the wrong team. It examines the globalization of hockey, and how Canadians react to the threat of foreigners beating us at "our" game. Part memoir, part essay on national identity, part hockey history, Hockey Dreams is a meditation by one of Canada's finest writers on the essence of the game that helps define our nation.

In this invaluable contribution to the continuing debate about religious belief, David Adams Richards offers an exhilaratingly fresh perspective and a voice more impassioned, heartfelt, and sometimes furious, than anything written about God by an atheist. David Adams Richards, one of Canada’s most beloved and celebrated authors, has been wrestling with questions of morality, faith, and religion ever since he was a child. They have always informed his fiction. Now he examines their role in his own life and spells out his own belief, in what is his most self-revealing work to date. With characteristic honesty, Richards charts his rocky relationship with his cradle Catholicism, his battles with personal demons, his encounters with men who were proud to be murderers, and the many times in his life when he has been witness to what he unapologetically calls miracles. In this subtly argued, highly personal polemic, David Adams Richards insists that the presence of God cannot be denied, and that many of those who espouse atheism also know that presence, though they would not admit it to anyone—including themselves. Every follower of today’s battle between faith and atheism, and every lover of David Adams Richards’ superb fiction, will find God Is revelatory. “I believe that all of us, even those who are atheists, seek God—or at the very least not one of us would be unhappy if God appeared and told us that the universe was actually His creation. Oh, we might put Him on trial for making it so hard, and get angry at Him, too, but we would be very happy that He is here. Well, He is.” Questions of faith, morality, the role of unseen forces in our destinies, have been central to the fiction of David Adams Richards. Now he directly addresses what these questions have meant to him in his own life, and what he has come firmly to believe. He has always been a courageous and uncompromisingly honest writer—but never more so than here.

David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. This book is the first in Richards’ acclaimed Miramichi trilogy. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’ unforgettable characters are linked together in conflict, and in inarticulate love and understanding. Their plight as human beings is one we share.

A suspenseful and moving novel which has at its centre one of Richards’ most memorable and haunting characters. It is the fall of 1989 in a small Miramichi mill town. Jerry Bines is acquitted of murder and returns home to his estranged wife and young son, with hopes for a new beginning. But when he learns that Gary Percy Rils has escaped from prison, he has good reason to fear for his own safety and that of others. In his attempts to protect his family from Rils by taking him under his wing, Bines sets in motion a series of events that ultimately leads to tragedy. The story of what happens unfolds piece by piece, as related by police reports, interviews, and by a man to a boy. Vivid in its sense of place, this penetrating chronicle of lives is both dark and redemptive, devastating and comic. This novel was made into a Gemini Award-winning film of the same name.

Cindi and Ivan Basterache have been married only twenty months. There is a disagreement over a loan, and rumours of violence in the ensuing quarrel begin to spread throughout the northern New Brunswick mill town in which they live, setting in motion a series of events and misunderstandings. As Ivan struggles to reconcile with Cindi, the community turns against him, fuelled by his father’s self-deluded lies and misguided attempts to set things right, exposing the other side of good intentions and leading to the novel’s powerful conclusion. Disturbing, tender-hearted, and at times darkly humorous, Evening Snow Will Bring Such Peace reveals the strange unrecognized power in us all to shape one another’s destinies.

At war with his great-uncle James, a man known as "The tyrant", for twenty years, Alex Chapman sees a chance for revenge when a local auto mechanic says he has just given James a winning lottery ticket

Abandoned by her pre-Depression community for marrying outside the faith, Irish Catholic Janie McCleary supports her family by opening one of North America's first movie theaters and achieving success that both furthers her ostracism and shapes the lives of her offspring.

sible."--BOOK JACKET.

David Adams Richards explores man's relationship with nature: whether fishing salmon on the Miramichi, hunting moose or deer, losing your way in the woods, or sneaking away from a bear. This book is about hunters and fishermen, about history and memory. Richards weaves together the tales that have informed his life as a fisherman. He has learned his skill from the guides and the poachers, the sports and the city slickers who have all fished the Miramichi. He learns about perseverance and respecting nature, and he reflects on the changes that the modern world has brought to the great river. Lines on the Water abounds with lore and wisdom, humor, and most of all, passion. -- Publisher's description.

At the age of twelve, Sidney Henderson, in a moment of anger, pushes his friend Connie Devlin off the roof of a local church. Looking down on Connie's motionless body, Sidney believes he is dead. Let Connie live and I will never harm another soul, Sidney vows. At that moment, Connie stands up and, laughing, walks away. In the years that follow, the brilliant, self-educated, ever-gentle Sidney keeps his promise, even in the face of the hatred and persecution of his insular, rural community, which sees his pacifism as an opportunity to exploit and abuse him. Sidney's son Lyle, however, witnessing his family's suffering with growing resentment and anger, comes to reject both God and his father and assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own, violent hands in an effort to protect the only people he loves: his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent, beatific brother, Percy. In the end, no one but Lyle can determine the legacy his family's tragedy will hold.