Best Selling Books by E. KNIGHT

Since the early 1960s, James Turrell has used light and space as his primary mediums. His site-specific artworks, from the ambitious and on-going Roden Crater, a natural cinder volcano situated in the Arizona desert which Turrell is transforming into a naked-eye observatory, to his Skyspace series, make manifest the physical presence of light and heighten the viewer''s visual perception. This unique, limited edition, case-bound publication, signed by the artist, printed on archival paper, and with 14 individual color plates suitable for framing, provides an overview of both of these projects as well as Turrell''s room-size light works in which forms seem to float in air and spaces gradually fill with mysterious light. The color and materials used to fabricate James Turrell: Infinite Light reflect the natural texture and palette of Roden Crater, and iconic symbols related to the crater''s underground chambers are embossed and die-cut into the folios of each section.

The contemporary globalized world is full of wicked problems. A wicked problem is difficult to resolve, complex, and solving one aspect of a problem may create other problems. Wicked problems are shaped by invisible forces and flows. Landscape architects are uniquely poised to address wicked problems with their skills and capacity to think across systems and scales in spatio-temporal, ecological, and cultural dimensions. Landscape architects also communicate through visually-accessible methods which tell a story. Storytelling in landscape architecture seeks to reveal, connect, and tie together relationships and processes of the past and present to inform future possibilities of a place. Methods of storytelling can be used to address wicked problems because of their utility in inquiry and ideation. Developed through an original methodology using maps, diagrams, photomontage, and photographs, this project creates a storytelling framework which iteratively uses inquiry and representation to identify dilemmas, pose questions, and address issues as a means to reveal the impacts of forces on a wicked problem. The site selected to test this proposed methodology is the Athabasca oil sands in northern Alberta, Canada. Visible from space, the potential minable area of the oil sands spans an area the size of New York State. The world''s quest for oil has placed this landscape and its people on center stage. Billions of dollars'' worth of industry investment has put the landscape and people under siege through ever-shifting visible and invisible forces and flows. Dilemmas created by the region''s mining industry not only directly impact local people and landscape, but the greater world as well. Hampered with environmental, social, political, and economic issues, the future of this region is largely unknown, as there are few formal plans and regulations to ensure landscape reclamation and guide urban development. To tell the story of the oil sands, four themes--oil, infrastructure, environment, and people were analyzed. These themes--referred to as "ghost ecologies" because of their inconspicuous nature--when considered together, reveal key regional dilemmas and highlight new opportunities for future directions. Analysis inspired thinking toward future scenarios that imagine a series of new, highly productive and programmatically-integrated futures for the oil sands and its people. The unique process of inquiry and discovery led to a final project framework that identified methods for landscape architects to use in addressing wicked problems. A variety of audiences can consume this work to address the challenges of the Athabasca oil sands and other wicked problems in the world. To the public, the work serves as an evocative display of critical dilemmas worthy of future consideration. For professional and student landscape architects, the work reveals methods of inquiry to address wicked problems through the discipline.

From the instant the game is dropped, this book will take you through the steps to a tasty, satisfying meal.