Best Selling Books by EDNA FERBER

"I think I ought to tell you," she began, "that I never was a minister''s daughter, and I don''t remember ever havin'' been deserted by my sweetheart when I was young and trusting. If I was to draw a picture of my life it would look like one of those charts that the weather bureau gets out-one of those high and low barometer things, all uphill and downhill like a chain of mountains in a kid''s geography." -from "Pink Tights and Ginghams" The critics of her day called her the greatest American woman novelist, and one, in 1918, called her character Emma McChesney "one of the cheeriest, truest, and most helpful characters given to American readers in recent years." Edna Ferber rose to fame, in fact, on her short stories about the adventures of Emma, a sophisticated traveling underwear saleswoman about whom the phrase "one smart cookie" might have been coined. This 1913 collection of some of those tales is an excellent introduction to Emma, and to Ferber, whose vivid prose and sharply realized characters continue to make her work among the most enjoyable in American literature. Ferber''s piercing perspective offers a keen insight on the foibles of American society, and finds the undercurrents of hypocrisy and frivolity with intelligence and humor. American novelist EDNA FERBER (1885-1968) was a member of the Algonquin Round Table, the unofficial society of New York City literary wits. She won the Pulitzer Prize in 1924 for her novel So Big; among her other works are Showboat (1926), Cimarron (1929), Giant (1952), and Ice Palace (1958).

The basis for the Academy Award-winning major motion picture starring Best Actor nominee Richard Dix and Best Actress nominee Irene Dunne. This vivid and sweeping tale of the Oklahoma Land Rush, from Pulitzer Prize winner Edna Ferber, traces the stunning challenges of settling an untamed frontier. Staking claim to their new home in Osage, Yancey Cravat, a spellbinding criminal lawyer, and his wife, well-bred Sabra, work against seemingly overwhelming odds to create a prosperous life for themselves. And as they establish themselves in this lawless land, Sabra displays a brilliant business sense and makes a success of their local newspaper, the Oklahoma Wigwam, all amidst border and land disputes, outlaws, and the discovery of oil. Originally published in 1929, and twice made into a motion picture, Cimarron brings history alive, capturing the settling of the American West in vivid detail. With a new foreword by Julie Gilbert. Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.

Originally published in 1931, this bestselling American family saga from Pulitzer Prize-winning author Edna Ferber shares the story of the Oakes family, as their relationships and property encounter numerous struggles over the course of hundreds of years. In the early 18th century, the Oakes family was one of many working to settle their land in the Connecticut Valley, facing harsh winters and land disputes. Their attempts over the years to tame the land and produce a properous tobacco farm prove more difficult than expected, and when the family takes on Polish immigrants to work the farm, cultures clash, and relationships become complicated. American Beauty follows the goings-on at the Oakes estate from 1700 through 1930, and whether in times of family turmoil or hopeful prosperity, Edna Ferber''s cast of fascinating characters and pitch-perfect take on American life rings true.

Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this second of three volumes chronicling the travels and trials of Emma McChesney, the plucky heroine trades in her traveling bag and coach tickets for an office and a position a T. A. Buck Jr.''s business partner. Along with this well-earned promotion comes the home--with a fireplace--that she had longed for during her ten years on the road. Her dashing son Jock, now twenty-one, has just entered the business world himself with the Berg, Shriner Advertising company. His colleagues believe that with his heritage he "ought to be able to sell ice to an eskimo." Indeed, Jock dazzles them with his keen business sense and exemplary work ethic, but goes overboard on the charm and ends up alienating clients, unnerving his boss, and even patronizing his business-savvy mother. When his company takes on the challenge of creating a zippy advertising campaign for T. A. Buck''s no-frills petticoats, Jock comes through, but not without a reminder that mother always knows best. In this bracingly modern novel, first published in 1914, Ferber contrasts the virtues of talent with those of experience to provide a fresh, readable, and smartly entertaining contest between a mother and her adult son.

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The door marked "MRS. MCCHESNEY" was closed. T. A. Buck, president of the Buck Featherloom Petticoat Company, coming gaily down the hall, stopped before it, dismayed, as one who, with a spicy bit of news at his tongue''s end, is met with rebuff before the first syllable is voiced. That closed door meant: "Busy. Keep out." "She''ll be reading a letter," T. A. Buck told himself grimly. Then he turned the knob and entered his partner''s office. Mrs. Emma McChesney was reading a letter. More than that, she was poring over it so that, at the interruption, she glanced up in a maddeningly half-cocked manner which conveyed the impression that, while her physical eye beheld the intruder, her mental eye was still on the letter. "I knew it," said T. A. Buck morosely. Emma McChesney put down the letter and smiled. "Sit down—now that you''re in. And if you expect me to say, ''Knew what?'' you''re doomed to disappointment." T. A. Buck remained standing, both gloved hands clasping his walking stick on which he leaned.

Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this final of three volumes chronicling the travels and trials of Emma McChesney, first published in 1915, Emma''s son, Jock, has moved to Chicago with his new wife. Struggling with a newly emptied nest, Emma dives into a whirlwind South American sales tour to prove she hasn''t lost her touch. Back in New York, Emma and her business partner, T. A. Buck Jr., try to disguise their budding romance from colleagues. After months of acting like a "captain of finance when he feels like a Romeo," T. A. convinces Emma they should marry. Emma tries to "be what the yellow novels call a doll-wife" but trades in her fancy dressing gowns for more sensible business suits and heads back to the office. With one hand writing advertising copy and the other wrapped around a pair of shears, Emma saves the company from financial peril amid the arrival of some flustering, if exciting, news from Jock. By turns sales pro, newlywed, fashion maven, and anxious grandmother, Emma symbolizes the ideal woman at the dawn of the twentieth century: sharp, capable, charming, and progressive. Emma McChesney and Co. is enhanced by the illustrations of James Montgomery Flagg, one of the most highly regarded book illustrators of the period.

(Applause Books). Edna Ferber and George S. Kaufman inebriated America during the Prohibition Twenties, then made everyone forget the Depression in the Thiries via gales of sophisticated laughter. The dynamic playwriting duo created three smash hits together: The Royal Family (1927) * Dinner at Eight (1932) * and Stage Door (1936. All three plays were promptly made by Hollywood into equally famous films Dinner at Eight with Jean Harlow; Stage Door with a young Katharine Hepburn and Lucille Ball; and the Royal Family of Broadway with Frederic March.

This volume contains all three books in Edna Ferber’s comedic Emma McChesney trilogy. Follow the titular head-strong single mother as she thrives in early 1910s America. Emma McChesney is a fiercely confident travelling saleswoman for T. A. Buck’s Featherbloom Petticoats. Having just gone through a bitter divorce, Emma is single-handedly looking after her son while balancing her busy career. Constantly taking train journeys and staying in hotels, Emma McChesney is determined to succeed in life. As the series progresses, we see romance bloom in both Emma McChesney’s life and for her son, and soon their small family begins to grow. Originally published between 1913 and 1915, Edna Ferber uses the trilogy to subvert expectations for a single mother in early twentieth-century America, presenting her protagonist as a witty, successful businesswoman. This collection would make the perfect addition to the bookshelves of Edna Ferber fans and those who love Emma McChesney’s story.

Witty, sharp, and confident, Emma McChesney is a fierce heroine. Following a bitter divorce, she sets out against all odds as a travelling saleswoman so she can support herself and her son. Roast Beef, Medium - The Business Adventures of Emma McChesney is the first book in Edna Ferber’s trilogy. It’s 1911, and our 36-year-old heroine has just struggled through an awful divorce. Now alone with her 17-year-old son, Jock, Emma McChesney becomes the only travelling saleswoman for a New York skirts and petticoats company, T. A. Buck’s Featherbloom Petticoats. Her life suddenly revolves around train journeys and dirty hotel stays. She must ward off her male colleagues’ unwanted advances while they persistently tell her that her career isn’t suitable for a woman. Strong-willed and sharp-tongued, Emma McChesney represents many hardworking single mothers in early twentieth-century America. First published in 1913, Edna Ferber’s comedic novel highlights her famous wit and is not to be missed by fans of her work.

Fanny Herself tells the story of Fanny Brandeis, a young Jewish woman living in the early 20th century. As a girl, after the death of her father, Fanny watches her single mother run a local business in her small Wisconsin hometown in order to feed Fanny and her brother, who has a potential to be violin virtuoso. After her mother passes away, Fanny moves to Chicago, along with her childhood friend Clarence, and becomes a successful buyer at a large mail-order house. Clarence believes Fanny is an artist at heart and wants her to devote herself to art, but she is driven by desire and vision to eventually become a complete woman.

Tells the story of the Thrift women -- a great aunt, a niece, and a grand niece - who live on Chicago''s South Side.

Get ready to be captivated by "Personality Plus," a dazzling tale of Emma McChesney, a stylish and savvy divorced mother who blazes her way to success in the business world. From her rise in the business world to her encounters with colorful characters and unexpected twists of fate, "Personality Plus" beautifully chronicles Emma''s triumphs and challenges with wit, charm, and style. This engaging book takes readers on a whirlwind journey through Emma''s fascinating life, filled with adventures and thrilling events.

e-artnow presents to you the world''s iconic women characters in fiction and the real-life heroines in this power-packed meticulously edited and formatted collection:_x000D_ Fiction:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d''Urbervilles (Thomas Hardy)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ A Doll''s House (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley''s Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Corbett)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)..._x000D_ Memoirs:_x000D_ Madame Vigée Lebrun _x000D_ Jane Austen _x000D_ Caroline Herschel _x000D_ Mrs. Seacole _x000D_ Elizabeth Cady Stanton_x000D_ My Own Story (Emmeline Pankhurst)_x000D_ Mother Jones_x000D_ Margaret Sanger_x000D_ Helen Keller_x000D_ Biographies:_x000D_ Lucretia_x000D_ Sappho_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Mariamne_x000D_ Julia Domna_x000D_ Zenobia_x000D_ Valeria_x000D_ Hypatia_x000D_ The Lady Rowena_x000D_ Roswitha the Nun_x000D_ Marie de France_x000D_ Laura de Sade_x000D_ Joan of Arc _x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Margaret Roper_x000D_ Mary, Queen of Scots_x000D_ The Pocahontas _x000D_ Queen Anne_x000D_ Maria Theresa_x000D_ Marie Antoinette_x000D_ Florence Nightingale _x000D_ Maria Mitchell _x000D_ Harriet Tubman_x000D_ Madame de Stael…

Early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally featured a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Edna Ferber was a 20th century American author whose novels, short stories, and plays were extremely popular during her era. She wrote the Pulitzer Prize-winning So Big, Show Boat, Cimarron, and Giant.In the words of the 1912 Book Review Digest, this consists of "A dozen stories of breadwinners, women chiefly, whose bread invariably falls with the buttered side down." There''s humor here, and now-fascinating descriptions of the details of everyday life of the time. But all is not sweetness and light. Some of the stories seem to end abruptly, leaving me wondering what the point was. Others end in infuriating ways; there aren''t a lot of happy endings here. In fact, the last story is absolutely dark. The theme seems to be, as one of Ferber''s characters says, "Most of us are where we are because we belong there, and if we didn''t, we wouldn''t be." A much different outlook on life than we have now, where there''s such an emphasis on improving oneself, and upward mobility.Despite my seeming complaints about these stories, I will be reading more Edna Ferber because, although infuriating, the characters, descriptions and stories are just plain interesting.Now to the nitty-gritty. I read the free Kindle version, ASIN B002RKSYNG, that shows a publication date of March 17, 2006. There is an active Table of Contents and the formatting for the most parts seems fine to me. There are a typo or two, but no worse than the current books I''ve bought so far. I don''t see any reason to pay for this one unless the The Works: Edna Ferber gets good reviews; then it might be worth spending the money for convenience sake. (No reviews for that collection yet, as of this writing.)

Lyric Theatre. Jed Harris presents "The Royal Family," a comedy of actors at home by George S. Kaufman and Edna Ferber. Staged by David Burton, setting by James Reynolds.