New Releases by Edith Wharton

I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story. If you know Starkfield, Massachusetts, you know the post-office. If you know the post-office you must have seen Ethan Frome drive up to it, drop the reins on his hollow-backed bay and drag himself across the brick pavement to the white colonnade: and you must have asked who he was. It was there that, several years ago, I saw him for the first time; and the sight pulled me up sharp. Even then he was the most striking figure in Starkfield, though he was but the ruin of a man. It was not so much his great height that marked him, for the "natives" were easily singled out by their lank longitude from the stockier foreign breed: it was the careless powerful look he had, in spite of a lameness checking each step like the jerk of a chain. There was something bleak and unapproachable in his face, and he was so stiffened and grizzled that I took him for an old man and was surprised to hear that he was not more than fifty-two. I had this from Harmon Gow, who had driven the stage from Bettsbridge to Starkfield in pre-trolley days and knew the chronicle of all the families on his line.

"As the scion of one of New York''s leading families, Newland Archer has been born into a life of sumptuous privilege and strict duty. Sensitive and intelligent, he respects the rigid social codes of his class, and is thankful that his forthcoming marriage to May Welland is to ''one of his own kind''. But the arrival of the Countess Olenska, a free spirit who breathes clouds of European sophistication, makes him question the path on which his upbringing has set him. As his fascination with her grows he discovers how difficult it is to escape the bounds of the society that has shaped him. Wharton''s Pulitzer Prize-winning novel is at once a poignant story of frustrated love and an extraordinarily vivid, delightfully satirical portrait of a vanished world."--Publisher''s website.

From first to last, poetry was part of Edith Wharton''s writing life. Whilerarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. "Poetry was important to Wharton," writeseditor Louis Auchincloss, "because it enabled her to express the deeply emotional side of her nature that she kept under such tight control, not only in her life but in the ordered sweep of her fiction." In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of Symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton''s significant poetry, including much work previously uncollected or unpublished.

These carefully chosen selections from Edith Wharton''s travel writing convey the writer''s control of her craft. Wharton disliked the generality of guidebooks and focused instead on the "parentheses of travel"--the undiscovered hidden corners of Europe, Morocco, and the Mediterranean. Included is an excerpt from Wharton''s unpublished memoir, The Cruise of Vanadis, as well as front line depictions of Lorraine and the Vosges during World War I. Photos.