Best Selling Books by Edwidge Danticat

Food - how it''s grown, how it''s shared - makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind''s first task: "The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed" (Gen. 2:8). The desire to get one''s hands dirty raising one''s own food, then, doesn''t just come from modern romanticism, but is built into human nature. The title, "The Welcome Table," comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible''s closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited - a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come. Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus'' message into practice and find common cause with others.

Whose lives count as fully human? The answer matters for everyone, disabled or not. The ancient Greek ideal linked physical wholeness to moral wholeness - the virtuous citizen was "beautiful and good." It''s an ideal that has all too often turned deadly, casting those who do not measure up as less than human. In the pre-Christian era, infants with disabilities were left on the rocks; in modern times, they have been targeted by eugenics. Much has changed, thanks to the tenacious advocacy of the disability rights movement. Yesteryear''s hellish institutions have given way to customized educational programs and assisted living centers. Public spaces have been reconfigured to improve access. Therapies and medical technology have advanced rapidly in sophistication and effectiveness. Protections for people with disabilities have been enshrined in many countries'' antidiscrimination laws. But these victories, impressive as they are, mask other realities that collide awkwardly with society''s avowals of equality. Why are parents choosing to abort a baby likely to have a disability? Why does Belgian law allow for euthanasia in cases of disability, even absent a terminal diagnosis or physical pain? Why, when ventilators were in short supply during the first Covid wave, did some states list disability as a reason to deny care? On this theme: - Heonju Lee tells how his son with Down syndrome saved another child''s life. - Molly McCully Brown and Victoria Reynolds Farmer recount their personal experiences with disability. - Amy Julia Becker says meritocracies fail because they value the wrong things. - Maureen Swinger asks six mothers around the world about raising a child with disabilities. - Joe Keiderling documents the unfinished struggle for disability rights. - Isaac T. Soon wonders if Saint Paul''s "thorn in the flesh" was a disability. - Leah Libresco Sargeant reviews What Can a Body Do? and Making Disability Modern. - Sarah C. Williams says testing for fetal abnormalities is not a neutral practice. Also in the issue: - Ross Douthat is brought low by intractable Lyme disease. - Edwidge Danticat flees an active shooter in a packed mall. - Eugene Vodolazkin finds comic relief at funerals, including his own father''s. - Kelsey Osgood discovers that being an Orthodox Jew is strange, even in Brooklyn. - Christian Wiman pens three new poems. - Susannah Black profiles Flannery O''Conner. - Our writers review Eyal Press''s Dirty Work, Steve Coll''s Directorate S, and Millennial Nuns by the Daughters of Saint Paul. Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

A Villa Rose, un petit village côtier au Sud de Port-au-Prince, tout le monde se connaît. Une embarcation de pêcheur vient d’être emportée par une gigantesque vague et une enfant, Claire, a disparu. Elle venait d’avoir sept ans et de comprendre que son père envisageait de se séparer d’elle, qu’il aimait plus que tout au monde et qu’il élevait seul depuis la mort de la mère en couches, pour la confier à une femme aisée... Le destin est sans pitié pour les plus pauvres, comme en témoigne cette première histoire d’une série de récits enchâssés où alternent passé et présent, portraits nostalgiques d’un paysage paisible et scènes hallucinées de la violence qui ravage Haïti – celle des hommes comme de la nature : à la misère, aux fantômes et aux gangs font écho une chaleur qui fait éclater les grenouilles, des rivières qui sortent de leur lit et des arbres qui pourrissent sur pied... Villa Rose rappelle le Macondo de Gabriel Garcia Marquez, où il faut chaque jour faire triompher la vie sur la mort.

Op de dag dat Edwidge ontdekt dat ze zwanger is, hoort ze dat haar vader ongeneeslijk ziek is. Ze neemt direct contact op met de broer van haar vader in Haïti. Oom Joseph is als een tweede vader voor Edwidge: ze woonde jarenlang bij hem in huis, tot ze op haar twaalfde herenigd kon worden met haar ouders in New York. Vol compassie en ontzag vertelt Edwidge het levensverhaal van de twee broers. Hoe oom Joseph haar opvoedde en hoe hij op een dag zijn stem verloor, waardoor hij niet meer kon preken in de kerk die hij zelf had gebouwd. En hoe haar ouders een nieuw leven begonnen in Amerika, waar ze voortdurend vreesden voor de veiligheid van familie en vrienden die in Haïti achterbleven. Edwidge Danticat schreef met Vaarwel, broer een diep ontroerend familierelaas over de levens en de dood van twee broers, en haar liefde voor hen beiden.

"McSweeney''s three-time National Magazine Award-winning quarterly returns with a subjective and selective group of manifestos, all from the twentieth century and onward, all roaring with outrage and plans for a better world. Featuring life- and history-changing works from André Breton, Bertrand Russell, Valerie Solanas, Huey Newton, John Lee Clark, Dadaists, Futurists, Communists, Personists, and many more past and future -ists, plus brand-new work from brilliant radical thinkers Eileen Myles and James Hannaham. Let this incendiary collection light your whole world on fire."--Publisher''s website.

Als een Haitiaans meisje op haar twaalfde naar New York verhuist krijgt zij te maken met grote culturele verschillen.