Most Popular Books by Elena

This is a translation into Russian of the famous work by Anton LaVey entitled "The Satanic Bible."

Part of the bestselling saga about childhood friends following different paths by "one of the great novelists of our time" ( The New York Times). In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that "shows off Ferrante''s strong storytelling ability and will leave readers eager for the final volume of the series" ( Library Journal). "One of modern fiction''s richest portraits of a friendship." —NPR

A novel in the bestselling quartet about two very different women and their complex friendship: "Everyone should read anything with Ferrante''s name on it" ( The Boston Globe). The follow-up to My Brilliant Friend, The Story of a New Name continues the epic New York Times–bestselling literary quartet that has inspired an HBO series, and returns us to the world of Lila and Elena, who grew up together in post-WWII Naples, Italy. In The Story of a New Name, Lila has recently married and made her entrée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and a source of strength in the face of life''s challenges. In these Neapolitan Novels, Elena Ferrante, "one of the great novelists of our time" ( The New York Times), gives us a poignant and universal story about friendship and belonging, a meditation on love and jealousy, freedom and commitment—at once a masterfully plotted page-turner and an intense, generous-hearted family saga. "Imagine if Jane Austen got angry and you''ll have some idea of how explosive these works are." — The Australian "Brilliant . . . captivating and insightful . . . the richness of her storytelling is likely to please fans of Sara Gruen and Silvia Avallone." — Booklist (starred review)

One of The Guardian''s Best Books of the Year: Personal writings by the anonymous author who became a literary phenomenon with My Brilliant Friend. The writer known as Elena Ferrante has taken pains to hide her identity in the hope that readers would focus on her body of work. But in this volume, she invites us into Elena Ferrante''s workshop and offers a glimpse into the drawers of her writing desk—those drawers from which emerged her three early standalone novels and the four installments of the Neapolitan Novels, the New York Times–bestselling "enduring masterpiece" ( The Atlantic). Consisting of over twenty years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages, Ferrante answers many of her readers'' questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn''t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work. "Everyone should read anything with Ferrante''s name on it." — The Boston Globe

NEW YORK TIMES BESTSELLER A Most Anticipated Book of 2022 by Cosmopolitan, Goodreads, PopSugar, and more! From the author of the Goodreads Choice Award winner The Spanish Love Deception, the eagerly anticipated follow-up featuring Rosie Graham and Lucas Martín, who are forced to share a New York apartment. Rosie Graham has a problem. A few, actually. She just quit her well paid job to focus on her secret career as a romance writer. She hasn’t told her family and now has terrible writer’s block. Then, the ceiling of her New York apartment literally crumbles on her. Luckily she has her best friend Lina’s spare key while she’s out of town. But Rosie doesn’t know that Lina has already lent her apartment to her cousin Lucas, who Rosie has been stalking—for lack of a better word—on Instagram for the last few months. Lucas seems intent on coming to her rescue like a Spanish knight in shining armor. Only this one strolls around the place in a towel, has a distracting grin, and an irresistible accent. Oh, and he cooks. Lucas offers to let Rosie stay with him, at least until she can find some affordable temporary housing. And then he proposes an outrageous experiment to bring back her literary muse and meet her deadline: He’ll take her on a series of experimental dates meant to jump-start her romantic inspiration. Rosie has nothing to lose. Her silly, online crush is totally under control—but Lucas’s time in New York has an expiration date, and six weeks may not be enough, for either her or her deadline.

Here then is the fruit of Elena Kuz''mina''s life-long quest for the Indo-Iranians. Already its predecessor (Otkuda prishli indoarii?, published in 1994) was considered the most comprehensive analysis of the origins of the Indo-Iranians ever published, but in this new, significantly expanded edition (edited by J.P. Mallory) we find an encyclopaedic account of the Andronovo culture of Eurasia. Taking its evidence from archaeology, linguistics, ethnology, mythology, and physical anthropology pertaining to Indo-Iranian origins and expansions, it comprehensively covers the relationships of this culture with neighboring areas and cultures, and its role in the foundation of the Indo-Iranian peoples.

"The first full-length study in English of zidishu, an important storytelling and performance genre rooted in the hybrid, popular culture of Qing dynasty Beijing, which was associated with the culture of the Qing bannermen--the Manchu''s military and administrative personnel. Argues that zidishu employed cultural hybridization as a way of performing and thereby perpetuating Manchu identity"--

A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.

"Moyano''s life exemplifies the overwhelming obstacles that poor barrio women experience not only in Peru but also in other third world countries. This autobiographical book adds important information to several different disciplines: Latin American politics, feminism, sociology, and current Peruvian history. . . . Edmisten''s expertise is obvious in the scholarly introduction and readable translation."--Mary H. Wilgus, Campbellsville University Using María Elena Moyano''s own words, the editor of this poignant story has re-created the voice of the martyred Peruvian activist. In 1992, at age 33, Moyano was assassinated by guerrillas of the revolutionary movement Sendero Luminoso (Shining Path). Her murder--a warning to others in the women''s movement--galvanized the Peruvian people against Sendero Luminoso and its leader, Abimael Guzmán Reynosa. In part 1 of this work, Moyano traces the struggle of poor women in Peru and how they developed survival organizations such as the Vaso de Leche (Glass of Milk) and the communal kitchen feeding program to cope with poverty made worse by government austerity adjustments. Like other women, Moyano honed her leadership skills in these programs. She condemned the terrorist tactics of Sendero Luminoso and publicly proclaimed that they were not on the side of the poor. She also condemned the human rights abuses of the military and police. In part 2, Moyano relates the hardships of her impoverished childhood and describes the difficulties of achieving an education. She speaks also of her marriage and of childbirth, of the discrimination she faced, and of her gradual and steady rise to positions of authority within the popular women''s movement and as deputy mayor and spokesperson for the 300,000 people of Villa El Salvador, a Lima barrio. As a woman of color, Moyano led a revolution of conscience within a larger revolution. Through this gracefully translated book, her voice continues to speak for all women who refuse to relinquish the struggle for dignity, freedom, and equal political participation. All royalties from this book will go to the Flora Tristán Center for the Peruvian Woman. Diana Miloslavish Tupac studied literature at the National University of San Marcos in Lima. She went to Mexico to participate in a study on ethnic minorities and human rights, and there she became a member of the Mexican Solidarity Committee for Guatemalan refugees. Upon her return to Peru, she rejoined the Flora Tristán Center for the Peruvian Woman. Patricia S. Taylor Edmisten is an independent scholar and retired professor of the sociological foundations of education at the University of West Florida. She has worked in Peru as a Peace Corps volunteer and as a consultant for the United Nations and is the author of Nicaragua Divided: La Prensa and the Chamorro Legacy (UPF, 1990).

The first comprehensive textbook on political psychology, this user-friendly volume explores the psychological origins of political behavior. Using psychological concepts to explain types of political behavior, the authors introduce a broad range of theories and cases of political activity to illustrate the behavior. The book examines many patterns of political behaviors including leadership, group behavior, voting, race, ethnicity, nationalism, political extremism, terrorism, war, and genocide. Text boxes highlight current and historical events to help students see the connection between the world around them and the concepts they are learning. Examples highlight a variety of research methodologies used in the discipline such as experimentation and content analysis. The "Political Being" is used throughout to remind the reader of the psychological theories and concepts to be explored in each chapter. Introduction to Political Psychology explores some of the most horrific things people do to one another for political purposes, as well as how to prevent and resolve conflict, and how to recover from it. The goal is to help the reader understand the enormous complexity of human behavior and the significant role political psychology can play in improving the human condition. Designed for upper division courses on political psychology or political behavior, this volume also contains material of interest to those in the policymaking community.

“The Wonders is a poet’s novel, delicate but strong, impressing its images firmly on the imagination.”u200b —Hilary Mantel LONGLISTED FOR THE DUBLIN LITERARY AWARD NOW TRANSLATED INTO FIFTEEN LANGUAGES From award-winning Spanish poet Elena Medel comes a mesmerizing new novel of class, sex, and desire. Already an international sensation, The Wonders follows Maria and Alicia through the streets of Madrid, from job to job and apartment to apartment, as they search for meaning and stability in a precarious world and unknowingly trace each other’s footfalls across time. Maria moved to the city in 1969, leaving her daughter with her family but hoping to save enough to take care of her one day. She worked as a housekeeper, then a caregiver, and later a cleaner, and somehow she was always taking care of someone else. Two generations later, in 2018, Alicia was working at the snack shop in Madrid’s Atocha train station when it overflowed with protestors and strikers. All women—and so many of them—protesting what? Alicia wasn’t entirely sure. She couldn’t have known that Maria was among them. Alicia didn’t have time for marches; she was just trying to hang on until the end of her shift, when she might meet someone to take her away for a few hours, to make her forget. Readers will fall in love with Maria and Alicia, whose stories finally converge in the chaos of the protests, the weight of the years of silence hanging thickly in the air between them. The Wonders brings half a century of the feminist movement to life, and launches an inimitable new voice in fiction. Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time.

A woman goes home to Naples after her mother''s mysterious death in a "tour de force" by the New York Times–bestselling author of My Brilliant Friend ( Seattle Times ). Following her mother''s untimely and unexplained drowning, which was preceded by a series of strange phone calls, forty-five-year-old Delia leaves Rome and embarks on a voyage of discovery through the beguiling yet often hostile streets of her native Naples. She is searching for the truth about her family and the men in her mother''s life, past and present, including an abusive husband. What she discovers will be more unsettling than she imagines, but will also reveal truths about herself, in this psychological mystery marked by "tactile, beautifully restrained prose" ( Publishers Weekly) about mothers and daughters and the complicated knot of lies and emotions that binds them. "Ferrante''s polished language belies the rawness of her imagery." —The New Yorker "With the quick-paced mystery guiding the story, Delia explores her relationship with her mother, unraveling memories and secrets repressed since childhood and coming to terms with an upbringing filled with jealousy and violence . . . Troubling Love is vivid and powerful." —Library Journal

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan Novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child.

The wife of the Soviet physicist and Nobel laureate Andrei Sakharov tells the full, uncensored, harrowing story of their years in exile in the Soviet city of Gorky. "A testament to the resilience of love".--The Chicago Tribune. 16 pages of photos.

In "Foreign Brides", women (and men) cope with marriage across cultures in London, New York, and a constellation of European and Israeli cities. With perfect pitch and a poker face, Lappin writes insidiously funny tales about love and survival in an international no-man''s land of marriage.

Beginning in the 1950s Elena and Lila grow up in Naples, Italy, mirroring two different aspects of their nation.

"The story of [Elena Dunkle] a girl whose armor against anxiety becomes artillery against herself as she battles on both sides of a lose-lose war in a struggle with anorexia"--Publisher.