Best Selling Books by G. K. Chesterton

"Unquestionably a satirical masterpiece." --Los Angeles Review of Books In G. K. Chesterton''s audacious first novel, The Napoleon of Notting Hill, the familiar streets of London are transformed into a stage for satire, romance, and rebellion. Set in a whimsically unchanged 1984, Chesterton imagines a future where democracy has faded and the city''s boroughs are ruled by randomly selected, ceremonial kings. When the irreverent Auberon Quin is crowned, he amuses himself by decreeing elaborate medieval pageantry for the city''s districts-an act most take as a joke. All, that is, except Adam Wayne, the earnest provost of Notting Hill, who embraces Quin''s mockery as a call to arms and inspires his neighbors to defend their patch of London with heroic zeal. What begins as farce erupts into a battle for autonomy, as Wayne''s romantic idealism collides with the apathy and cynicism of his contemporaries. Through this comic clash, Chesterton explores the paradoxes of patriotism, the absurdities of bureaucracy, and the enduring power of local pride. With wit and imaginative flair, The Napoleon of Notting Hill remains a timeless meditation on the meaning of community and the necessity of finding wonder-even in the most ordinary places. This Warbler Classics edition includes an extensive biographical timeline of Chesterton''s life and work.

The Ball and the Cross is a novel by G. K. Chesterton. The title refers to a more worldly and rationalist worldview, represented by a ball or sphere, and the cross representing Christianity. The first chapters of the book were serialized from 1905 to 1906 with the completed work published in 1909. The novel''s beginning involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael. A part of this section was quoted in Pope John Paul I''s Illustrissimi letter to G. K. Chesterton. Much of the rest of the book concerns the dueling, figurative and somewhat more literal, of a Jacobite Catholic named Maclan and an atheist Socialist named Turnbull.

PART ONE. THE HOMELESSNESS OF MAN I. THE MEDICAL MISTAKE II. WANTED, AN UNPRACTICAL MAN III. THE NEW HYPOCRITE IV. THE FEAR OF THE PAST V. THE UNFINISHED TEMPLE VI. THE ENEMIES OF PROPERTY VII. THE FREE FAMILY VIII. THE WILDNESS OF DOMESTICITY IX. HISTORY OF HUDGE AND GUDGE X. OPPRESSION BY OPTIMISM XI. THE HOMELESSNESS OF JONES PART TWO. IMPERIALISM, OR THE MISTAKE ABOUT MAN I. THE CHARM OF JINGOISM II. WISDOM AND THE WEATHER III. THE COMMON VISION IV. THE INSANE NECESSITY PART THREE. FEMINISM, OR THE MISTAKE ABOUT WOMAN I. THE UNMILITARY SUFFRAGETTE II. THE UNIVERSAL STICK III. THE EMANCIPATION OF DOMESTICITY IV. THE ROMANCE OF THRIFT V. THE COLDNESS OF CHLOE VI. THE PEDANT AND THE SAVAGE VII. THE MODERN SURRENDER OF WOMAN VIII. THE BRAND OF THE FLEUR-DE-LIS IX. SINCERITY AND THE GALLOWS X. THE HIGHER ANARCHY XI. THE QUEEN AND THE SUFFRAGETTES XII. THE MODERN SLAVE PART FOUR. EDUCATION: OR THE MISTAKE ABOUT THE CHILD I. THE CALVINISM OF TO-DAY II. THE TRIBAL TERROR III. THE TRICKS OF ENVIRONMENT IV. THE TRUTH ABOUT EDUCATION V. AN EVIL CRY VI. AUTHORITY THE UNAVOIDABLE VII. THE HUMILITY OF MRS. GRUNDY VIII. THE BROKEN RAINBOW IX. THE NEED FOR NARROWNESS X. THE CASE FOR THE PUBLIC SCHOOLS XI. THE SCHOOL FOR HYPOCRITES XII. THE STALENESS OF THE NEW SCHOOLS XIII. THE OUTLAWED PARENT XIV. FOLLY AND FEMALE EDUCATION PART FIVE. THE HOME OF MAN I. THE EMPIRE OF THE INSECT II. THE FALLACY OF THE UMBRELLA STAND III. THE DREADFUL DUTY OF GUDGE IV. A LAST INSTANCE V. CONCLUSION THREE NOTES I. ON FEMALE SUFFRAGE II. ON CLEANLINESS IN EDUCATION III. ON PEASANT PROPRIETORSHIP

THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face-that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat-that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed.

This eBook features the unabridged text of ‘Autobiography’ from the bestselling edition of ‘The Complete Works of G. K. Chesterton’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Chesterton includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Autobiography’ * Beautifully illustrated with images related to Chesterton’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

A rousing ballad based on the true story of legendary Saxon king Alfred the Great In the dark times before a unified England, warring tribes roved and sparred for territory across the British Isles. The Ballad of the White Horse records the deeds and military accomplishments of Alfred the Great as he defeats the invading Danes at the Battle of Ethandun. Published in 1911, this poem follows the battle—from the gathering of the chiefs to the last war cry—with a care to rhythm, sound, and language that makes it a magnificent work of art as well as a vital piece of English history. A significant influence on the structure of Tolkien''s The Lord of the Rings, The Ballad of the White Horse transforms the thrilling exploits of a courageous leader into an inspirational Christian allegory. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

This eBook features the unabridged text of ‘The Scandal of Father Brown’ from the bestselling edition of ‘The Complete Works of G. K. Chesterton’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Chesterton includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Scandal of Father Brown’ * Beautifully illustrated with images related to Chesterton’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox."Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out."Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man.Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton''s "friendly enemy" according to Time, said of him, "He was a man of colossal genius."Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Early life Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, nee Grosjean, and Edward Chesterton. He was baptized at the age of one month into the Church of England, though his family themselves were irregularly practising Unitarians.According to his autobiography, as a young man Chesterton became fascinated with the occult and, along with his brother Cecil, experimented with Ouija boards.Chesterton was educated at St Paul''s School, then attended the Slade School of Art in order to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.............