New Releases by Garrison Keillor

The enormity of this gift is truly staggering; it's as if he gave me the keys to a new car. I promise myself that I will never think snotty things about Uncle Sugar's hari and his balloon butt ever again ...

Scripts, songs, and poems, all written by Garrison Keillor, unless otherwise specified.

"Guys are in trouble these days," says Garrison Keillor. "Years ago, manhood was an opportunity for achievement and now it's just a problem to be overcome. Guys who once might have painted the Sistine Chapel ceiling are now just trying to be Mr. O.K. All-Rite, the man who can bake a cherry pie, be passionate in a skillful way, and yet also lift them bales and tote that barge." This brilliant collection confirms Keillor's reputation as an ingenious storyteller and a very funny guy.

In the spring of 1926, the Soderbjerg brothers, Ray and Roy, plunge into radio and launch station WLT (With Lettuce and Tomato) to rescuer their failing restaurant and become the Sandwich Kings of South Minneapolis. For the next quarter century, the “Friendly Neighbor” station produces a dazzling array of shows and stars, including Leo LaValley, Dad Benson, Wingo Beals, Slim Graves and Little Buddy, chain-smoking child star Marjery Moore, and blind baseball announcer Buck Steller. Francis With, a shy young man from North Dakota, entranced by radio, gets into WLT through his uncle Art and quickly becomes the Soderbjerg's right hand. Soon Francis is a budding announcer adored by Lily Dale, the crippled nightingale of WLT kept hidden from her fans, whose firing contributes to the downfall of the station. And then comes television.

“Garrison Keillor made it possible, after twenty years of black humor…to be both funny and nice, hip and winsome, scathing and loving, all in the flick of a single many-barbed quip——The Washington Post Book World “Keillor’s literary style is as flexible and assured as his vocal delivery. It can slip from mood to mood so subtly and quickly you’re never quite sure where you are…. [His] writing has the silvery slip of running water, so graceful and easy it’s hard to believe it can carry so much that is jagged and unresolved. His integrity lies in his not smoothing away those rough edges in the swift current of his prose; they’re bruisingly, sometimes cuttingly there.” —The Village Voice

In the first collection of Lake Wobegon monologues, Keillor tells readers more about some of the people from Lake Wobegon Days and introduces some new faces.

“Lake Wobegon Days is about the way our beliefs, desires and fears tail off into abstractions--and get renewed from time to time. . . this book, unfolding Mr. Keillor's full design, is a genuine work of American history.” —The New York Times “A comic anatomy of what is small and ordinary and therefore potentially profound and universal in American life…Keillor’s strength as a writer is to make the ordinary extraordinary.” —Chicago Tribune “Keillor’s laughs come dear, not cheap, emerging from shared virtue and good character, from reassuring us of our neighborliness and strength….His true subject is how daily life is shot with grace. Keillor writes a prose that can be turned to laughter, to tears…to compassion or satire, to a hundred effects. He is a brilliant parodist.” —San Francisco Chronicle

"Keillor's best stuff is clean (in the sense that lines are clean), down to earth, exquisitely good-hearted, highly ludicrous, and as labored as nitrous oxide. This book will either leave you dumbfounded or happy -almost deservedly happy -to be anywhere" -The New York Times Book Review "His humor is cerebral and complex, a blend of romance and nostalgia; it sparklingly parodies the American (and human) condition. His stories and satires glow with a sense of time and place." -The Washington Post

Dissatisfied with her life, Puff the cat leaves home and becomes a rich and glamorous model, but eventually returns having found out that it's better to be who you are.