Best Selling Books by George Eliot

Middlemarch, A Study of Provincial Life is a novel by English author George Eliot, first published in eight instalments (volumes) during 1871-2. The novel is set in the fictitious Midlands town of Middlemarch during 1829-32, and it comprises several distinct (though intersecting) stories and a large cast of characters. Significant themes include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Although containing comical elements, Middlemarch is a work of realism that refers to many historical events: the 1832 Reform Act, the beginnings of the railways, the death of King George IV, and the succession of his brother, the Duke of Clarence (the future King William IV). In addition, the work incorporates contemporary medical science and examines the deeply reactionary mindset found within a settled community facing the prospect of unwelcome change.

A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships-laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal-are borne along to the town of St. Ogg''s, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year''s golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash.

Writing at the very moment when the foundations of Western thought were being challenged and undermined, George Eliot fashions in Middlemarch (1871-2) the quintessential Victorian novel, a concept of life and society free from the dogma of the past yet able to confront the scepticism that was taking over the age. In a panoramic sweep of English life during thr years leading up to the First Reform Bill of 1832, Eliot explores nearly every subject of concern to modern life: art, religion, science, politics, self, society, human relationships. Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but näive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel''s rich comic vein. Felicia Bonaparte has provided a new Introduction for this updated edition, the text of which is taken from David Carroll''s Clarendon Middlemarch (1986), the first critical edition.

With an essay by Barbara Hardy. ''What can I do? ... I must get up in the morning and do what every one else does. It is all like a dance set beforehand. I seem to see all that can be - and I am tired and sick of it. And the world is all confusion to me'' George Eliot''s last, most controversial novel opens as the spoiled Gwendolen Harleth, poised at a roulette table about to throw away a small fortune, captivates Daniel Deronda. As their lives become intertwined, they are also transformed by suffering, misfortune, revelations and Daniel''s fascination with the Jewish singer Mirah. Daniel Deronda shocked Victorian readers with its portrayal of the Jewish experience in British society, and remains a moving and epic portrayal of human passions. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Silas Marner: The Weaver of Raveloe is the third novel by Mary Ann Evans (George Eliot). It was published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialization to community. Plot summary The novel is set in the early years of the 19th century. Silas Marner, a weaver, is a member of a small Calvinist congregation in Lantern Yard, a slum street in Northern England. He is falsely accused of stealing the congregation''s funds while watching over the very ill deacon. Two pieces of evidence implicate Silas: a pocket knife, and the discovery in his own house of the bag formerly containing the money. There is the strong suggestion that Silas'' best friend, William Dane, has framed him since Silas had lent his pocket knife to William shortly before the crime was committed. Lots are drawn in the belief - shared by Silas - that God will direct the process and establish the truth, but they indicate that Silas is guilty. The woman Silas was to marry breaks their engagement and marries William instead. With his life shattered, his trust in God lost, and his heartbroken, Silas leaves Lantern Yard and the city for a rural area where he is unknown.

The Mill on the Floss is a novel by George Eliot (Mary Ann Evans), first published in three volumes in 1860 by William Blackwood. The first American edition was published by Harper & Brothers, Publishers, New York.

Middlemarch, A Study of Provincial Life is a novel by the English author Mary Anne Evans, who wrote as George Eliot. It first appeared in eight installments (volumes) in 1871 and 1872. Set in Middlemarch, a fictional English Midland town from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events: the 1832 Reform Act, early railways, and the accession of King William IV. It looks at the medicine of the time and reactionary views in a settled community facing unwelcome change. Eliot began writing the two pieces that formed the novel in 1869-1870 and completed it in 1871. Initial reviews were mixed, but it is now seen widely as her best work and one of the great English novels.