Best Selling Books by George Elliott

McClelland & Stewart's elegant New Canadian Library series acknowledges and celebrates Canada's glorious literary achievements. Original Afterwords and bibliographies by leading writers complete each book. -- Over 300 years of excellence in Canadian writing -- Over one million sold since 1990

The hilarious tale of what happened to a boy who ate too many bananas.

The Catholic Faith begins and ends with Jesus Christ, culminating in the Eucharist as its Source and Summit. "Behold, it is I," Jesus says, and the faithful believe. Examining these words of Jesus, Fr. George Elliott and Dr. Stacy Trasancos provide some of the most convincing proofs for the Real Presence of Christ in the Eucharist from Scripture, Tradition, and the scientific investigation of Eucharistic miracles. In three sections, they walk readers through: A holistic and contextual reading of the Bible which points to the words of Christ at the Last Supper: "This is my body," and "This is my blood," How the Church Fathers handed on the teachings of the Apostles to the early Church in the centuries following Christ's earthly ministry, How the data from the investigation of Eucharistic miracles begs the ultimate question of the certainty of faith. Do we need Eucharistic miracles to prove that Jesus is truly present in the Eucharist? Should our certainty of faith be contingent upon Eucharistic miracles? The reader may be joyfully surprised at where the journey of this book will lead you, from the burning faith of the saints all the way back to Christ in the Gospels. It plainly sets forth the reality that the Eucharist is the Body of Christ. Just as in Biblical times, Jesus in the Blessed Sacrament is not a ghost and not a myth, but flesh and bone, hands and feet. "Behold," He said, "It is I."

The latest work from pioneering scholar George Elliott Clarke, Directions Home is the most comprehensive analysis of African-Canadian texts and writers to date. Building on the discoveries of his critically acclaimed Odysseys Home, Clarke passionately analyses the beautiful complexities and haunting conundrums of this important body of literature. Directions Home explores the trajectories and tendencies of African-Canadian literature within the Canadian canon and the socio-cultural traditions of the African Diaspora. Clarke showcases the importance of little-known texts, including church histories and slave narratives, and offers studies of autobiography, crime and punishment, jazz poetics, and musical composition. The collection also includes studies of significant contemporary writers such as George Boyd and Dionne Brand, and trailblazing African-Canadian intellectuals like A.B. Walker and Anna Minerva Henderson. With its national, bilingual, and historical perspectives, Directions Home is an essential guide to African-Canadian literature.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.