New Releases by Graham Swift

An exquisite new collection of stories from the Booker Prize–winning author, about lives shaped and haunted by war Here are the soldiers and doctors and veterans, wives and lovers and children, who have been affected in ways both subtle and profound by the cataclysms of our times. In the aftermath of World War II, a young Jewish private, stationed in Germany, seeks the truth about lost family members. In the 1960s, a father focuses on his daughter’s wedding even as the Cuban Missile Crisis approaches the brink of global disaster. On September 11th, a maid working for U.S. Embassy staff in London wonders if her birth on the day of the Kennedy assassination determined the course of her life. And at the height of pandemic lockdown, a respiratory disease specialist comes out of retirement and is faced with a formative childhood memory. These stories show history in the making, the reverberations of each personal loss and triumph set across the sweep of decades. Tender, humane, rich with humor, grief and moments of grace and contemplation, Twelve Post-War Tales is a collection of masterpieces in miniature.

30 mars 1924. Det är "mödrarnas söndag", dagen på året då tjänstefolket får ledigt för att åka hem. En som inte åker hem är den föräldralösa Jane Fairchild, som i ställer möter sin älskare i granngodset som ekar tomt efter att bröderna dog i första världskriget. Det som händer sedan ändrar deras liv för alltid - med ekon fram till vår tid. Mödrarnas söndag rör sig mästerligt mellan det tragiska och livsbejakande. Swift har skrivit en stor liten roman om livsval och öde, en roman för alla dem som älskade ATONEMENT, DOWNTON ABBEY och STONER.''Mothering Sunday is bathed in light; and even when tragedy strikes, it blazes irresistibly... Swift''s small fiction feels like a masterpiece'' (Guardian)''Alive with sensuousness and sensuality...wonderfully accomplished, it is an achievement'' (Sunday Times)''Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives - the parallel stories - we can never know: "All the scenes. All the scenes that never occur, but wait in the wings of possibility." It may just be Swift''s best novel yet'' (Observer).

This novel of love in the world of 1950s vaudeville is a masterwork of literary magic from the Booker Prize-winning author of Last Orders and Mothering Sunday It is 1959 in Brighton, England, and the theater at the end of the famous pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing a full house every night. And Jack is everyone’s favorite master of ceremonies, holding the whole show together. But as the summer progresses, the drama among the three begins to overshadow their success onstage, setting in motion events that will reshape their lives. Vividly realized, tenderly comic, and quietly shattering, Here We Are is a masterly work of literary magic.

Angleterre, 30 mars 1924. C''est le dimanche des mères, jour où les aristocrates donnent congé à leurs domestiques pour qu''ils rendent visite à leur famille. Jane, une jeune femme de chambre orpheline, le passera en compagnie de Paul, son amant de longue date. traversant la campagne inondée de soleil, elle le rejoint pour un dernier rendez-vous car Paul s''apprête à épouser une riche héritière. Mais les choses ne se déroulent pas comme prévu. Ce dimanche changera à jamais le destin de Jane. Graham Swift dépeint avec subtilité une aristocratie déclinante, porteuse des stigmates de la guerre, et l''émergence d''une classe nouvelle en quête de liberté. Un roman d''une intensité rare, troublant de grâce, de mystère et de sensualité.

Graham Swifts Meisterwerk Jane, das junge Dienstmädchen von Beechwood, und Paul, der Spross aus begütertem Haus, haben ein Verhältnis. Heimliche Botschaften, verschwiegene Treffen, doch heute, an diesem sonnigen Märzsonntag 1924, darf Jane – Familie und Dienerschaft sind ausgeflogen – ihr Fahrrad einfach an die Hausmauer des Anwesens lehnen, durchs Hauptportal herein und ins Bett ihres Geliebten kommen. Ein erstes und ein letztes Mal, denn Paul wird bald – standesgemäß – heiraten. Später, gegen Mittag, wird sie leichtfüßig und nackt durch das weitläufige Haus streifen, beseelt von der rauschhaften Innigkeit dieses herausgehobenen Morgens und nicht ahnend, dass ihr Leben am Ende dieses Tages zu zerbrechen droht.

Un último encuentro. Un amor imposible que marca una existencia. Un libro bellísimo, cargado de erotismo, pasión y melancolía, que nos habla de la vida y de la literatura. Inglaterra, 30 de marzo de 1924. El Domingo de las Madres. Una jornada en la que las criadas vuelven a sus casas para visitar a sus familias. Pero Jane Fairchild, de veintidós años y que trabaja para los Niven, es huérfana, y pasa ese día de un modo muy distinto. Se cita con su amante, Paul Sheringham, el único hijo vivo de los vecinos de los Niven, que han perdido a los otros en la guerra. Jane y Paul llevan años de relación clandestina, pero ha llegado el momento de dejarlo, porque él va a casarse con una chica de su clase social dentro de dos semanas. La pareja hará el amor por última vez, pero después de despedirse sucederá algo inesperado que cambiará para siempre la vida de ella. En los años que le quedan por delante, Jane acrecentará su interés por la lectura –a través de los libros de Conrad–, trabajará en una librería de Oxford y con el tiempo se convertirá en una novelista de éxito, en una forjadora de ficciones. Pero nunca olvidará lo sucedido aquel 30 de marzo de 1924. Graham Swift, en la plenitud de su madurez literaria, ha escrito una novela tan concisa como deslumbrante, impregnada de erotismo, pasión y melancolía. Una bellísima indagación en los meandros del amor, en la importancia de los recuerdos que evocamos y de las historias que nos contamos, en la búsqueda de la propia identidad y en el poder transformador de la literatura.

From the Booker Prize-winning author, an intensely moving tale that begins with a secret lovers’ assignation in the spring of 1924, then unfolds to reveal the whole of a remarkable life. • Don’t miss the major motion picture starring Odessa Young, Josh O’Connor, Ṣọpẹ́ Dìrísù, Colin Firth, and more “Exquisite ... shows love, lust, and ordinary decency struggling against the bars of an unjust English caste system.” —Kazuo Ishiguro, The Guardian On an unseasonably warm spring day in the 1920s, twenty-two-year-old Jane Fairchild, a maid at an English country house, meets with her secret lover, the young heir of a neighboring estate. He is about to be married to a woman more befitting his social status, and the time has come to end the affair—but events unfold in ways Jane could never have predicted. As the narrative moves back and forth across the twentieth century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, and remembers—expands with every page. In Mothering Sunday, Swift has crafted an emotionally soaring and profoundly moving work of fiction.

From the Booker Prize–winning author of Last Orders and Wish You Were Here, his first new book of short fiction in nearly thirty years: beautifully crafted, piercingly observant stories that unite into a richly peopled vision of a country that is both a crucible of history and a maze of contemporary confusions. Meet Dr. Shah who has never been to India, and Mrs. Kaminski, on her way to Poland; meet Holly and Polly, who have come to their own Anglo-Irish understanding, and Charlie and Don, who have seen the docks turn into Docklands; Daisy Baker, who is terrified of Yorkshire; and Johnny Dewhurst, stranded on Exmoor. Graham Swift steers us effortlessly from the seventeenth century to the present day, from world-shaking events to the secret dramas lived out in rooms, workplaces, homes. With these open-eyed, eloquent and often comic stories, Swift charts a human geography that moves us profoundly.

Un homme, seul dans sa demeure perdue sur l’île de Wright, regarde fixement par la fenêtre. Sa femme vient de le quitter. À ses côtés, une arme. Quels mots ont-ils pu échanger qui aient provoqué une telle scène ? Nés tous deux sur les terres du Devon, Jake et Ellie semblaient pourtant promis l’un à l’autre. Après des années passées à sauver l’exploitation familiale, ils ont laissé une distance insidieuse s’installer. Et certains fantômes s’interposer entre eux. Jusqu’à ce que la mort de Tom, le frère de Jake, agisse comme un révélateur. Et Jake de replonger dans les affres d’une relation pleine de malentendus et de sentiments refoulés. Explorant l’intimité d’un couple, Swift dépeint la fin d’un monde, celui des campagnes anglaises du XXe siècle, mais aussi l’emprise de l’Histoire et des mythes familiaux sur le destin des individus.

Dazzling in its structure and shattering in its emotional force, Graham Swift's Ever After spans two centuries and settings from the adulterous bedrooms of postwar Paris to the contemporary entanglements in the groves of academe. It is the story of Bill Unwin, a man haunted by the death of his beautify wife and a survivor himself of a recent brush with mortality. And although it touches on Darwin and dinosaurs, bees and bridge builders, the true subject of Ever After is nothing less than the eternal question, "Why should things matter?" "Ever After is explicitly concerned with historical investigation, love, death, family affairs.... It moves quickly, and it vibrates with feeling and thought."--Wall Street Journal

From the prizewinning author of the acclaimed Last Orders, The Light of Day, and Waterland, a powerfully moving new novel set in present-day England, but against the background of a global "war on terror" and about things that touch our human core. On an autumn day in 2006, on the Isle of Wight, Jack Luxton--once a farmer, now the proprietor of a seaside caravan park--receives the news that his brother Tom, not seen for years, has been killed in combat in Iraq. The news will have its far-reaching effects for Jack and his wife, Ellie, and compel Jack to make a crucial journey: to receive his brother's remains, but also to return to the land of his past and of his most secret, troubling memories. A gripping, hauntingly intimate, and compassionate story that moves toward a fiercely suspenseful climax, Wish You Were Here translates the stuff of headlines into heartwrenching personal truth. This eBook edition includes a Reading Group Guide.

The Light of Day combines a powerful love story and a narrative of intense suspense into a brilliant and tender novel about what drives people to extremes of emotion. As in his Booker-winning novel Last Orders, Swift transforms ordinary lives through extraordinary storytelling. This new novel from Graham Swift -- his first since the Booker Prize-winning Last Orders -- is the work of a master storyteller. The Light of Day is a luminous and gripping tale of love, murder and redemption. George Webb is a divorced ex-policeman turned private investigator, a man whose prospects seemed in ruins not so long ago. Following the course of a single, dazzling day in George’s life, the novel illuminates not only his past but his now all-consuming relationship with a former client. Intimate and intricate in its evocation of daily existence, The Light of Day achieves a singular intensity and almost unbearable suspense. Tender and humorous in its depiction of life’s surface, Swift explores the depths and extremities of what lies within us and how, for better or worse, it’s never too late to discover what they are. Excerpt from The Light of Day Two years ago and a little more. October still, but a day like today, blue and clear and crisp. Rita opened my door and said, “Mrs. Nash.” I was already on my feet, buttoning my jacket. Most of them have no comparisons to go on -- it’s their first time. It must feel like coming to a doctor. They expected something shabbier, seedier, more shaming. The tidy atmosphere, Rita’s doing, surprises and reassures them. And the vase of flowers. White chrysanthemums, I recall. “Mrs. Nash, please have a seat.” I could be some high-street solicitor. A fountain-pen in my fingers. Doctor, solicitor -- marriage guidance counsellor. You have to be a bit of all three. The usual look of plucked-up courage, swallowed-back hesitation, of being somewhere they’d rather not be. “My husband is seeing another woman.”

In his first-ever work of nonfiction, Graham Swift—Booker Prize-winning author of Waterland and Last Orders—gives us a highly personal book: a singular and open-spirited account of a writer’s life. Here Kazuo Ishiguro advises on how to choose a guitar; Salman Rushdie arrives for Christmas under guard; Caryl Phillips shares a beer with the author at a nightclub in Toronto. There are private moments with Swift’s father and with his own younger self, as well as musings—on history, memory, and imagination—that illuminate his work. As generous in its scope as it is acute in its observations, Making an Elephant brings together a richly varied selection of essays, portraits, poetry and interviews, full of insights into Swift’s passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years.

Distilling half a century into one suspenseful night, as tender in its tone as it is deep in its soundings, 'Tomorrow' is a magical exploration of coupledom, parenthood and selfhood, as well as a meditation on the mystery of happiness.

In Waterland, Tom Crick, a history teacher in the Fenlands, is driven by a marital crisis and the provocation of one of his pupils to forsake his teaching and relate the story of his family, who have lived in the Fens since the eighteenth century. In Last Orders, four men once close to jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea. For reasons best known to herself, Jack's widow, Amy, declines to join them. On the surface the tale of a simple if increasingly bizarre day's outing, Last Orders is Graham Swift's most poignant exploration of the complexity and courage of ordinary lives.

Prentis, the narrator of this nightmarish novel, catalogs "dead crimes" for a branch of the London Police Department and suspects that he is going crazy. His files keep vanishing. His boss subjects him to cryptic taunts. His family despises him. And as Prentis desperately tries to hold on to the scraps of his sanity, he uncovers a conspiracy of blackmail and betrayal that extends from his department and into the buried past of his father, a war hero code-named "Shuttlecock"--and, lately, a resident of a hospital for the insane.

Früher u.d.T.: Wasserland . - An einem Sommermorgen 1943 findet der Schleusenwärter Henry Crick einen Toten im Wasser - angeblich ein Unglücksfall.

The men and women in these spare, Kafkaesque stories are engaged in struggles that are no less brutal because they are fought by proxy. In Graham Swift's taut prose, these quiet combative relationships--between a mismatched couple; an aging doctor and his hypochondriacal patient; a teenage refugee swept up in the conflict between an oppressively sentimental father and his rebellious son--become a microcosm for all human cruelty and need. "Swift proves throughout this ambitious collection that he is a master of his language and the construction of provocative situations."--Houston Chronicle

Swift's Waterland established him as a major force in contemporary fiction--an "irrepressible, wide-ranging talent" (The Washington Post Book World). Out Of This World, his eagerly awaited new novel, confirms his status as a world-class novelist. Copyright © Libri GmbH. All rights reserved.