New Releases by Henry James

This eBook features the unabridged text of ‘The Beast in the Jungle’ from the bestselling edition of ‘The Complete Works of Henry James’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of James includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Beast in the Jungle’ * Beautifully illustrated with images related to James’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘Notes of a Son and Brother’ from the bestselling edition of ‘The Complete Works of Henry James’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of James includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Notes of a Son and Brother’ * Beautifully illustrated with images related to James’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Lesson of the Master’ from the bestselling edition of ‘The Complete Works of Henry James’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of James includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Lesson of the Master’ * Beautifully illustrated with images related to James’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Spoils of Poynton’ from the bestselling edition of ‘The Complete Works of Henry James’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of James includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Spoils of Poynton’ * Beautifully illustrated with images related to James’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, "affront her destiny." James began The Portrait of a Lady without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish-and then protect-her independence. But Isabel''s pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. "James''s formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved," writes Hortense Calisher, "make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot."

Concerned that her son Chad may have become involved with a woman of dubious reputation, the formidable Mrs. Newsome sends her ''ambassador'' Strether from Massachusetts to Paris to extricate him. Strether''s mission, however, is gradually undermined as he falls under the spell of the city and finds Chad refined rather than corrupted by its influence and that of his charming companion, the comtesse de Vionnet. As the summer wears on, Mrs. Newsome comes to the conclusion that she must send another envoy to Paris to confront the errant Chad, and a Strether whose view of the world has changed profoundly. James'' favourite novel and one of the greatest of his late works, "The Ambassadors" is a subtle and often witty exploration of different American responses to a European environment

This early work by Henry James was originally published in 1886 and we are now republishing it with a brand new introductory biography. Henry James was born in New York City in 1843. One of thirteen children, James had an unorthodox early education, switching between schools, private tutors and private reading.. James published his first story, ''A Tragedy of Error'', in the Continental Monthly in 1864, when he was twenty years old. In 1876, he emigrated to London, where he remained for the vast majority of the rest of his life, becoming a British citizen in 1915. From this point on, he was a hugely prolific author, eventually producing twenty novels and more than a hundred short stories and novellas, as well as literary criticism, plays and travelogues. Amongst James''s most famous works are The Europeans (1878), Daisy Miller (1878), Washington Square (1880), The Bostonians (1886), and one of the most famous ghost stories of all time, The Turn of the Screw (1898). We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Portrait of a Lady (Penguin Classics) Regarded by many as Henry James''s finest work, and a lucid tragedy exploring the distance between money and happiness, The Portrait of a Lady contains an introduction by Philip Horne in Penguin Classics. When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. Beneath his veneer of civilized behaviour, Isabel discovers cruelty and a stifling darkness. In this portrait of a ''young woman affronting her destiny'', Henry James created one of his most magnificent heroines, and a story of intense poignancy. This edition of The Portrait of a Lady, based on the earliest published copy of the novel, is the version read first and loved by most readers in James''s lifetime. It also contains a chronology, further reading, notes and an introduction by Philip Horne. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Henry James''s most memorable novels, a story in which love is answered with betrayal and loyalty leads inexorably to despair. In Washington Square, originally published in 1880, Henry James reminisces about the New York he had known thirty years before as he tells the story of Catherine Sloper and her fortune-seeking suitor Morris Townsend. This perceptively drawn human drama is James'' most accessible work and an enduring literary triumph. Washington Square Press'' Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Washington Square has been prepared by Peter Conn, Andrea Mitchell Professor of English at the University of Pennsylvania. It includes his introduction, notes, selection of critical excerpts, and suggestions for further reading as well as a unique visual essay of period illustrations and photographs.

Notes of a Son and Brother is an autobiography by Henry James published in 1914. The book covers James'' early manhood and tells of "the obscure hurt" that kept him out of the Civil War, his first efforts at writing fiction, and the early death of his beloved cousin, Minny Temple, from tuberculosis In this second installment of his autobiography James begins to use family letters, especially those of his brother William and his father Henry James, Sr. James didn''t scruple to "improve" the letters with revisions of his own, which has given Jamesian scholars something more to comment on. The book covers the Civil War years, which saw James'' younger brother Wilky seriously injured and brought back to the family home in Cambridge, Massachusetts. James himself was exempted from service due to a back injury, the "obscure hurt" he suffered while putting out a fire with the local volunteer fire department. Meanwhile, James pursued his writing and earned his first fourteen dollars, which he looked at long and proudly. He began to place critical pieces and short stories in magazines like the North American Review, The Nation and The Atlantic Monthly.

PREFACE "The Portrait of a Lady" was, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like "The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from month to month, in "Macmillan''s Magazine"; which was to be for me one of the last occasions of simultaneous "serialisation" in the two countries that the changing conditions of literary intercourse between England and the United States had up to then left unaltered. It is a long novel, and I was long in writing it; I remember being again much occupied with it, the following year, during a stay of several weeks made in Venice. I had rooms on Riva Schiavoni, at the top of a house near the passage leading off to San Zaccaria; the waterside life, the wondrous lagoon spread before me, and the ceaseless human chatter of Venice came in at my windows, to which I seem to myself to have been constantly driven, in the fruitless fidget of composition, as if to see whether, out in the blue channel, the ship of some right suggestion, of some better phrase, of the next happy twist of my subject, the next true touch for my canvas, mightn''t come into sight. But I recall vividly enough that the response most elicited, in general, to these restless appeals was the rather grim admonition that romantic and historic sites, such as the land of Italy abounds in, offer the artist a questionable aid to concentration when they themselves are not to be the subject of it. They are too rich in their own life and too charged with their own meanings merely to help him out with a lame phrase; they draw him away from his small question to their own greater ones; so that, after a little, he feels, while thus yearning toward them in his difficulty, as if he were asking an army of glorious veterans to help him to arrest a peddler who has given him the wrong change.

Featuring an appendix of discussion questions, the Diversion Classics edition is ideal for use in book groups and classrooms. A chilling tale set in the English countryside, THE TURN OF THE SCREW follows a governess as she contends with the supernatural in her new employer''s home. As she cares for two orphaned children, the governess becomes aware of sinister secrets and a ghostly presence. Grippingly suspenseful, this classic ghost story entertains and enthralls.

At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake-a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity.

At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.

The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be, I remember no comment uttered till somebody happened to say that it was the only case he had met in which such a visitation had fallen on a child. The case, I may mention, was that of an apparition in just such an old house as had gathered us for the occasion—an appearance, of a dreadful kind, to a little boy sleeping in the room with his mother and waking her up in the terror of it; waking her not to dissipate his dread and soothe him to sleep again, but to encounter also, herself, before she had succeeded in doing so, the same sight that had shaken him. It was this observation that drew from Douglas—not immediately, but later in the evening—a reply that had the interesting consequence to which I call attention. Someone else told a story not particularly effective, which I saw he was not following. This I took for a sign that he had himself something to produce and that we should only have to wait. We waited in fact till two nights later; but that same evening, before we scattered, he brought out what was in his mind.

HarperCollins is proud to present its new range of best-loved, essential classics. ''Money''s a horrid thing to follow, but a charming thing to meet.'' Isabel Archer is a beautiful, intelligent and independent young woman. Brought from America to England by her wealthy Aunt who seeks to further her education and find her niece a husband, Isabel is determined to shape her own future - one that does not necessarily entail becoming a wife. Isabel inherits a fortune when her rich uncle dies and feels even more inclined to turn down two eligible suitors on the basis that she is a woman of her own means. However, a trip to Italy heralds her downfall when she meets the charming Gilbert Osmond, a worthless, yet ambitious and scheming dilettante.

This Prestwick House Literary Touchstone Classic includes a glossary and reader''s notes to help the modern reader more fully appreciate the rich complexity of James'' language, images, and symbols.Before there was Alfred Hitchcock, there was Henry James, and before Psycho, there was The Turn of the Screw.Why is the young governess the only one who can see the ghosts?Are her young charges haunted or evil?Or is the governess herself mad?The book that claims to start out as a Christmas Eve ghost story quickly becomes a tale of psychological horror as the governess struggles-and ultimately fails-to protect the children from the "corruption" that only she can conceive of...but cannot name.Richly wrought in Late-Victorian prose, Henry James'' most famous novel is both hauntingly beautiful and a shocking glimpse into the ultimate source of evil...the human mind.

Regarded by many as James''s greatest achievement in short fiction, "The Beast in the Jungle" is a portrait of a man alienated from life and love. "The Jolly Corner" and "The Altar of the Dead" are two tales that explore the complex interlacings of loss, love and the ever-present past in the lives of their protagonists. Note.

Sent to Paris by a wealthy matron to retrieve her son, Strether becomes sidetracked by intriguing complications

Daisy Miller, a naive young American woman traveling in Europe with her family, finds it difficult to understand Europen society

Cultural Writing. Memoir. In A SMALL BOY AND OTHERS, Henry James applies his superb skills as a storyteller to his won early life. Written after the death of his brother William the completion of his last novel, James felt at last able to chart this revealing portrait of the artist as a young man. With a wit and curiosity evident on every page, this book transformed the art of autobiography. "Henry James looked back at his past with the same search for the truths of the emotions which Proust was to show in his novel A la recherchT du temps perdu" - Leon Edel.

The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review (NAR). The novel is a dark comedy which follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fiancée''s supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether''s point of view. Lambert Strether, a middle-aged, yet not broadly experienced, man from Woollett, Massachusetts, agrees to assume a mission for his wealthy fiancée: go to Paris and rescue her son, Chad Newsome, from the clutches of a presumably wicked woman. On his journey, Strether stops in England and there meets Maria Gostrey, an American who has lived in Paris for years. Her cynical wit and worldly opinions start to rattle Strether''s preconceived view of the situation. In Paris, Strether meets Chad and is impressed by the much greater sophistication Chad seems to have gained during his years in Europe. Chad takes him to a garden party, where Strether meets Marie de Vionnet, a lovely woman of impeccable manners, separated from her reportedly unpleasant husband, and Jeanne, her exquisite daughter. Strether is confused as to whether Chad is more attracted to the mother or the daughter. At the same time, Strether, himself, feels an overwhelming attraction to Marie de Vionnet, which he suspects she might requite, and so begins questioning his commitment to return to Woollett and marry Chad''s mother, despite his admiration for her.

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