New Releases by Hilary Spurling

Absorbing and provocative, a biography of George Orwell's controversial second wife from the Whitbread Prize-winning author of Matisse the Master and Anthony Powell Just three months before his death, the author of Nineteen Eighty-Four took a new wife. Sonia Brownell was model for Julia in Orwell's most famous novel, she was fifteen years younger than her husband, and after his death she was hounded and pilloried as a manipulative gold-digger who would stop at nothing to keep control of the literary legacy. But the truth about Sonia was altogether different. Beautiful, intelligent and fiercely idealistic, she lived at the heart of London's literary and artistic scene before her marriage to Orwell changed her life for ever. Those who knew her - Lucien Freud and Francis Bacon, Jean-Paul Sartre and Albert Camus - witnessed her great personal generosity. And yet, burdened with the almost impossible task of protecting Orwell's intellectual estate, Sonia's loyalty to her late husband brought her nothing but poverty and despair.

Pearl Buck was raised in China by her American parents, Presbyterian missionaries from Virginia. Blonde and blue-eyed she looked startlingly foreign, but felt as at home as her Chinese companions. She ran free on the grave-littered grasslands behind her house, often stumbling across the tiny bones of baby girls who had been suffocated at birth. Buck's father was a terrifying figure, with a maniacal zeal for religious conversion - a passion rarely shared by the local communities he targeted. He drained the family's budget for his Chinese translation of the New Testament, while his aggrieved, long-suffering wife did her utmost to create a homely environment for her children, several of whom died tragically young. Pearl Buck would eventually rise to eminence in America as a bestselling author (her most renowned work, The Good Earth, re-entered the bestseller charts in 2004 when it was selected for Oprah's Book Club) but in this startlingly original biography, Spurling recounts with elegance and great insight her unspeakable upbringing in a China that was virtually unknown to the West.

Catalogue published on the occasion of the exhibition Matisse and the Model, at Eykyn Maclean, New York, Curated by Ann Dumas.

One of the twentieth century’s most extraordinary Americans, Pearl Buck was the first person to make China accessible to the West. She recreated the lives of ordinary Chinese people in The Good Earth, an overnight worldwide bestseller in 1932, later a blockbuster movie. Buck went on to become the first American woman to win the Nobel Prize for Literature. Long before anyone else, she foresaw China’s future as a superpower, and she recognized the crucial importance for both countries of China’s building a relationship with the United States. As a teenager she had witnessed the first stirrings of Chinese revolution, and as a young woman she narrowly escaped being killed in the deadly struggle between Chinese Nationalists and the newly formed Communist Party. Pearl grew up in an imperial China unchanged for thousands of years. She was the child of American missionaries, but she spoke Chinese before she learned English, and her friends were the children of Chinese farmers. She took it for granted that she was Chinese herself until she was eight years old, when the terrorist uprising known as the Boxer Rebellion forced her family to flee for their lives. It was the first of many desperate flights. Flood, famine, drought, bandits, and war formed the background of Pearl’s life in China. "Asia was the real, the actual world," she said, "and my own country became the dreamworld." Pearl wrote about the realities of the only world she knew in The Good Earth. It was one of the last things she did before being finally forced out of China to settle for the first time in the United States. She was unknown and penniless with a failed marriage behind her, a disabled child to support, no prospects, and no way of telling that The Good Earth would sell tens of millions of copies. It transfixed a whole generation of readers just as Jung Chang’s Wild Swans would do more than half a century later. No Westerner had ever written anything like this before, and no Chinese had either. Buck was the forerunner of a wave of Chinese Americans from Maxine Hong Kingston to Amy Tan. Until their books began coming out in the last few decades, her novels were unique in that they spoke for ordinary Asian people— "translating my parents to me," said Hong Kingston, "and giving me our ancestry and our habitation." As a phenomenally successful writer and civil-rights campaigner, Buck did more than anyone else in her lifetime to change Western perceptions of China. In a world with its eyes trained on China today, she has much to tell us about what lies behind its astonishing reawakening.

This is the first full-scale biographical and critical study of Ann Stokes (b.1922), the widow of the art critic Adrian Stokes and a highly unusual potter who creates bold, uninhibited works. Beautifully illustrated and with three major essays, Ann Stokes: Artists'' Potter is a must for art historians, collectors, decorative arts specialists and cultural historians alike.

Este magno y exhaustivo análisis de Hilary Spurling, premiada por esta obra con el codiciado Premio Whitbread, recorre con minucia la vida y la trayectoria de Matisse, y ésta demuestra ser la mejor manera para comprender tanto las obras individuales del pintor como su impresionante trayectoria y la evolución de sus ideas respecto a las artes plásticas. No sólo nos encontramos ante la más completa y definitiva biografía de uno de los pintores más célebres, sino de un espléndido retrado de los ambientes artísticos en que se desarrolló su obra. A esto se une una investigación muy rigurosa con información inédita del artista procedente de entrevistas y el talento narrativo de Spurling al entreverar la evolución biográfica y personal con la artística.

`Set against the backdrop of Gandhi''s calls for independence and a potential Japanese invasion, four masterful historical novels--The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, and A Division of the Spoils--covering the period between the Quit India riots of 1942 and the massacres that accompanied independence and partition in 1947 provide insight into the closing years of British rule in India.

With unprecedented and unrestricted access to his family correspondence, and other new material in private archives, Spurling documents a lifetime of desperation and self-doubt exacerbated by Matisse's attempts to counteract the violence of the 20th century in paintings.

In this fully illustrated biography, Hilary Spurling sheds an entirely new light on the humiliations and failures that Henri Matisse had to overcome in order to develop into the greatest French painter of the 21st century. She skillfully evokes the French art scene of those changing years and conveys what Matisse was looking at, what he experimented with, endured and suffered. Because his family maintained strict control of both personal archives and posthumous privacy, no full biography of Matisse has ever been written until now. This superlative book -- the first of two volumes -- successful marries scholarship of a very high order with a vivid, energetically-paced text. 3A splendid work.2 3This book is marvelous to read.2

In the tradition of The Professor and the Madman, this fascinating account describes the astounding life of Therese Humbert, a 19th-century con-artist eccentric who lifted herself out of poverty by posing as an aristocrat. Illustrations.

''It is a real cause for celebration when the best and most subtle literary biography of our time comes back into print, and in a single volume instead of the original two. What Hilary Spurling does, in a beautifully-written book, is to relate the life of Ivy Compton-Burnett] intimately to the work and show in fascinating details, and with wonderful perception, how her subject''s characters mirror aspects of her own nature. The book sends one back to read or re-read the novels - unfashionable, toweringly original tragic-comedies - the most individual novels, it may be, of our time.'' "The Good Book Guide" "" ''Atrue classic of the genre.'' "The Times" "" ""''A biographical triumph ... Hilary Spurling''s portrait - elegant, stylist, witty, tender, immensely acute -dazzles and exhilarates.'' "Literary Review" ""