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When Fathers and Sons was first published in Russia, in 1862, it was met with a blaze of controversy about where Turgenev stood in relation to his account of generational misunderstanding. Was he criticizing the worldview of the conservative aesthete, Pavel Kirsanov, and the older generation, or that of the radical, cerebral medical student, Evgenii Bazarov, representing the younger one? The critic Dmitrii Pisarev wrote at the time that the novel "stirs the mind . . . because everything is permeated with the most complete and most touching sincerity." N. N. Strakhov, a close friend of Tolstoy and Dostoevsky, praised its "profound vitality." It is this profound vitality in Turgenev''s characters that carry his novel of ideas to its rightful place as a work of art and as one of the classics of Russian Literature.

Considered one of the world''s greatest novels, this controversial classic offers modern readers a vivid, timeless depiction of the clash between the older Russian aristocracy and the youthful radicalism that foreshadowed the revolution. Includes a new Introduction. Reissue.

Christmas Summary ClassicsThis series contains summary of Classic books such as Emma, Arne, Arabian Nights, Pride and prejudice, Tower of London, Wealth of Nations etc. Each book is specially crafted after reading complete book in less than 30 pages. One who wants to get joy of book reading especially in very less time can go for it. About the Book Among the great critics and great artists of every period, Ivan Sergeyvitch Turgenev occupies a supreme position. He was born at Oriel in the Government of the same name, on November 9, 1818, and died on September 3, 1883. His father was a colonel in a cavalry regiment, and an ancestor was a James Turgenev who was one of Peter the Great''s jesters. Educated at Moscow, St Petersburg, and Berlin, Ivan Turgenev began life in a government office, but after a year retired into private life. His early attempts at literature consisted chiefly of poems and sketches, none of which attracted any degree of attention; and it was not until about 1847, upon the appearance of "A Sportsman''s Sketches"--a series of stories depicting with startling realism the condition of the Russian peasant, that his name became known. About 1860 Ivan Turgenev, in common with many of the Russian writers of the period, found himself being carried away towards the study of social reform. In 1861 he produced "Fathers and Sons" ("Otzi i Dieti"), a story that stirred up a storm the suddenness of which is difficult to imagine in the light of recent events. Yet, curiously enough, Turgenev, ardent Liberal though he was, had no political motive whatsoever in view in writing his novel, his purpose simply being the delineation of certain types which were then, for good or for bad, making themselves a force in his country. The figure of Bazaroff, in regard to whom Turgenev gave a new interpretation of the word "nihilist," possesses few of the revolutionary ideas that are now generally associated with his kind. Young Russia greatly objected to the picture, and the author, who so far had been hailed as a champion of liberty, was now looked on as a reactionist. To the end, however, Turgenev persisted that Bazaroff represented a type as he saw it, and the portrait was neither a caricature nor entirely a product of the imagination.For more eBooks visit www.kartindo.com

"Ivan Illich alights on such topics as education, history, language, politics, and the church. The conversations range over the whole of Illich''s published work and public career as a priest, vice-rector of a university, founder of the Centre for Intercultural Documentation in Cuernavaca, Mexico, and author of such classics as Tools for Conviviality, Medical Nemesis, and Deschooling Society."

Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father''s modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Marino, but Nikolai''s brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men advocate.

Featuring comprehensive updates and additions, the second edition of Understanding Theories of Religion explores the development of major theories of religion through the works of classic and contemporary figures. • A new edition of this introductory text exploring the core methods and theorists in religion, spanning the sixteenth-century through to the latest theoretical trends • Features an entirely new section covering religion and postmodernism; race, sex, and gender; and religion and postcolonialism • Examines the development of religious theories through the work of classic and contemporary figures from the history of anthropology, sociology, psychology, philosophy, and theology • Reveals how the study of religion evolved in response to great cultural conflicts and major historical events • Student-friendly features include chapter introductions and summaries, biographical vignettes, a timeline, a glossary, and many other learning aids

Rudin is the first novel by Ivan Turgenev, a famous Russian writer best known for his short stories and the novel Fathers and Sons. Turgenev started to work on it in 1855, and it was first published in the literary magazine "Sovremennik" in 1856; several changes were made by Turgenev in subsequent editions. It is perhaps the least known of Turgenev''s novels.

Ivan Sergeyevich Turgenev (November 9 [O.S. October 28] 1818 - September 3 [O.S. August 22] 1883) was a major Russian novelist and playwright. His novel Fathers and Sons is regarded as a major work of 19th-century fiction.

A new translation from the original Russian manuscript with a new Afterword by the Translator, a glossary of Turgenev''s philosophic terms, and a timeline of his life and major contributions. "First Love" (?????? ??????) is a novella that recounts the story of a 16-year-old boy''s infatuation with a beautiful woman, Zinaida, only to discover a heartbreaking secret.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare''s Hamlet as answering ''No!'' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first 150 pages of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.

Oblomov is the second novel by Russian writer Ivan Goncharov, first published in 1859. Ilya Ilyich Oblomov is the central character of the novel, portrayed as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature.

Reproduction of the original: The Precipice by Ivan Goncharov

Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare''s Hamlet as answering ''No!'' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first 150 pages of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.