Most Popular Books by Jana

Washington has long been viewed as the patron saint of secular government, but in Washington''s God , Michael Novak and his daughter, Jana, reveal that it was Washington''s strong faith in divine Providence that gave meaning and force to his monumental life. Narrowly escaping a British trap during the Battle of Brooklyn, Washington didn''t credit his survival to courage or tactical expertise; he blamed himself for marching his men into certain doom and marveled at the Providence that delivered them. Throughout his career, Washington held fast to the conviction that America''s liberty was dependent on our faithfulness to God''s will and our trust in Providence. Washington''s God , shows Washington not only as a man of resource, strength, and virtue, but also as a man with deeply held religious values. This new presentation of Washington-as a man whose religion guided his governance-will bring him into today''s debates about the role of faith in government and will challenge everything we thought we knew about the inner life of the father of our country.

It could be said all new research contains a "re-evaluation" of past work but these two volumes attempt a re-evaluation of feminist research in contemporary art as it has developed over the last 50 years in relation to different local/global dynamics and/or about certain artists, artworks or exhibitions. Feminism(s) aim was to interrogate existing histories and provide significant corrections to what constitutes "history". The two volumes explore some of the ways feminism(s)'' challenges have changed museums'' curatorial practices, critical writing and art history and how feminism itself has been transformed over time and its presence in many locations. Feminism''s absence from the stories told today about the recent past and present of contemporary art represents a starting point for these essays to explore the different strategies that have been attempted in cultural and political terms and to offer fresh assessments. Their re-evaluation of artists, artworks and exhibitions goes beyond questions of reputation or recognition, to embrace questions about identifying issues in feminist research, engaging in collective work and re-examining the personal in relation to politics/aesthetics. These volumes include different voices and perspectives on feminism and contemporary art from many parts of the world by academics, critics, artists, curators and researchers. Volume 1 has three sections that each address local and transnational issues in interpretations of feminism and amongst exhibiting artists through considering local/global dynamics and/or national frameworks (section 1); feminist cultural politics within exhibitions and writing exhibition histories (section 2) and within histories of conflicts in different local/national situations (section 3). The writers come from North Macedonia, UK, Iran, USA, China, Poland, Austria, The Netherlands, Italy, Spain, Ukraine, Latin America and Latvia - and their work engages work undertaken in Japan, Thailand, France, Vietnam, Mexico, Argentina and Brazil.

However unthinkable child-soldiers may be within a generalized conception of childhood, they are not imaginary figures; rather, they are a constant in almost every armed conflict around the world. The participation of children in wars may question the idea of childhood as a "once-upon-a-time story with a happy and predictable ending," disrupting the (natural) idea of a protected and innocent childhood and also eliciting fear, uncertainty, revulsion, horror, and sorrow. Using the perspectives of both childhood studies and critical approaches to international relations, Jana Tabak explores the constructions of child-soldiers as "children at risk" and, at the same time, risky children. More specifically, The Child and the World aims both to problematize the boundaries that articulate child-soldiers as necessarily deviant and pathological in relation to "normal" children and to show how these specific limits participate in the (re)production and promotion of a particular version of the international political order. In this sense, the focus of this work is not on investigating child-soldiers'' lives and experiences per se but on their presumed threatening feature as they depart from the protected territory of childhood, disquieting everyday international life.

"A Free Woman On God''s Earth" The True Story of Elizabeth "Mumbet" Freeman, The Slave Who Won Her Freedom is the inspiring story of Mumbet, an enslaved African woman who lived in Sheffield, Massachusetts during Revolutionary War times. Owned by John and Hannah Ashley, Mumbet served eleven patriots as they wrote impassioned letters to King George demanding freedom from the British. Mumbet could not help but overhear their conversations. These Declaration of Grievances became the Sheffield Resolves, or the Sheffield Declaration, the precursor to the Declaration of Independence and the irony of the sentiments in this document was not lost on Mumbet. After a particularly brutal incident, where Mistress Hannah Ashley intends to strike a servant girl with a hot poker from the hearth, Mumbet puts her own arm up to block the blow and is burned to the bone. When she finally heals, she realizes she can no longer live enslaved and waits for the right moment. The moment comes in 1780 with the ratification of the Massachusetts Constitution, making into the law the words, "All men are created free and equal." Mumbet takes these words and used them to sue for her freedom. On August 21, 1781, she becomes a free woman.

How intriguing life is, with its many curves. We dream and aspire, yet it is not as simple as it seems. This book is an exploration of a man’s journey in pursuit of what love is and whether he will find love? Life is a matter of choices and taking chances that determine what the road lies ahead for us. Take a chance and this shall be an enjoyable and memorable read.

"Urgently pursues those nameless ghosts of Haitians lost in the liminal space of the Black Atlantic."--New West Indian Guide "Foregrounds the experiences of refugees (particularly those refused asylum and detained in camps), the political mobilization of the diaspora in the United States, the ramifications of the policies and adjustment programmes imposed on Haiti by the World Bank, the International Monetary Fund and USAID."--Bulletin of Latin American Research "Theoretically sound and well researched. Braziel has written a compelling book on the literatures of post-Duvalier Haiti."--Millery Polyne, New York University "A very original study, a tour-de-force that crisscrosses the disciplinary boundaries typically separating the social sciences and the humanities. It is richly researched, beautifully written, and will surely attract much critical attention and praise."--Valerie Kaussen, University of Missouri From a position of urgent political engagement, this provocative book offers novel and compelling interpretations of several well-known Haitian-born authors, particularly regarding U.S. intervention in their homeland. Drawing on the diasporic cultural texts of several authors, such as Edwidge Danticat and Dany Laferrière, Jana Evans Braziel examines how writers participate in transnational movements for global social justice. In their fictional works they discuss the United States’ many interventionist methods in Haiti, including surveillance, foreign aid, and military assistance. Through their work, they reveal that the majority of Haitians do not welcome these intrusions and actively criticize U.S. treatment of Haitians in both countries. Braziel encourages us to analyze the instability and violence of small nations like Haiti within the larger frame of international financial and military institutions and forms of imperialism. She forcefully argues that by reading these works as anti-imperialist, much can be learned about why Haitians and Haitian exiles often have negative perceptions of the U.S.

This introduction highlights key topics significant to contemporary discussions of diaspora and stressing the substantial impact these migratory shifts have on global capital. Offers a critical introduction to diaspora - the study of dispersed ethnic populations - with specific focus on migratory shifts post-1989 and post 9/11 Examines the ways global capitalist shifts and the global terrorism war impact diaspora movements since the mid-1990s Includes discussion of globalization, the global terror war, and post-9/11 geopolitical and geo-economic shifts Engages directly with the political and ideological formations of the contemporary diaspora movement Provides comprehensive analysis of labour and economic migration; the relationship of diaspora to gender and race; queer diasporas; and diasporic ''acts of resistance'' Theorizing Diaspora (2003), Braziel''s groundbreaking anthology, offers complementary readings for this text

Explore one of the fastest-growing religions in the world The Church of Jesus Christ of Latter-Day Saints is the first Christian faith to be developed in America, and today the Church is home to millions—both inside and outside the United States. Mormonism For Dummies, 2nd Edition is a valuable tool for individuals interested in learning more about the beliefs and practices of the widely-practiced Latter-day Saint faith. In this informative book, you''ll explore the different denominations of the Church, recent changes to the Church''s customs and practices''which also covers why the Church encourages a shift away from the term “Mormon” and more. Inside, you''ll: Discover the history and origins of the Church of Latter-Day Saints Understand the Church''s official stances on areas, including race, the status of women, and polygamy Examine subjects like religious fundamentalism and orthodoxy through the lens of practicing LDS members A must-read for anyone interested in the rituals, customs, beliefs, and politics of the Church of Latter-Day Saints, Mormonism For Dummies, 2nd Edition gives you the straightforward and unbiased info you need to understand this nuanced faith.

"With tough women and sensitive men, desert–dry humor, hot–springs sensuality, heartbreaking secrets, escalating suspense, and a 360–degree perspective on the battle over water, Richman''s twenty–first–century western is riveting, wise, and compassionate." —BOOKLIST, starred review When Nell Jorgensen buried her husband, she buried a piece of herself—and more than one secret. Now, thirty–six years later, the rift between Nell and her daughter Kate threatens to implode as Kate, now forty–six and a water manager for the Nevada Water Authority, plans to pipe water from a huge aquifer that lies beneath the family ranch to thirsty Las Vegas. Meanwhile, Nell''s twenty–one–year–old granddaughter Cassie intends to unearth those old secrets and repair the resentments that grew in their place. Throughout the novel, sparse and beautiful landscapes surround an emotional wilderness of love, loss, and family. Jana Richman is the award–winning author of The Last Cowgirl, which won the 2009 Willa Award for Contemporary Fiction. A sixth–generation Utahn, Jana was born and raised in Utah''s west desert, the daughter of a small–time rancher and a hand–wringing Mormon mother. With the exception of a few misguided years spent in New York City trying to make a fortune on Wall Street, she has lived her entire life west of the hundredth meridian. She writes about issues that threaten to destroy the essence of the West—and about passion, beauty, and love. Jana lives in Escalante, Utah.

What does it mean to be good? Why do people die? What is friendship? Children enter the world full of questions and wrestle with deep, thoughtful issues, even if they do not always wonder them aloud. Many parents have the desire to discuss philosophical ideas with their children, but are unsure how to do so. The Philosophical Child offers parents guidance on how to gently approach philosophical questions with children of all ages. Jana Mohr Lone argues that for children to mature emotionally, they must develop their desire and ability to think abstractly about themselves and their experiences. This book suggests easy ways that parents can engage with their children''s philosophical questions and help them develop their "philosophical selves."

Worth dyeing for. Ten years ago, Ryan Comeaux was convicted of killing his girlfriend and was sentenced to life in prison. Now a witness has come forward who claims she was with Ryan the entire night and it’s not possible that he was the killer. But the local police assume she’s mistaken and aren’t interested in reopening what they view as an open-and-shut case. The witness, Kelsey Spalding, has her own reasons for wanting Ryan’s conviction overturned and hires Swamp Team 3 to prove him innocent. Fortune has solved cold cases before, but never one with so little evidence and so many suspects with not only strong motive but opportunity. Can she solve a decade-old murder, or will the real killer strike again to cover his tracks?

The integration of positive psychology into the educational process marks a significant shift in the approach of educators, emphasizing the development of students'' best qualities. This approach focuses on fostering mental health in students of all ages by highlighting positive aspects of human life. Positive psychology, which has notably developed in the 21st century, encourages exploring the connections between its principles and education. Key themes include well-being, happiness, empathy, and optimism, which should be incorporated into teaching practices. The discipline does not ignore life''s challenges but instead emphasizes the optimization of student and educational community functioning. Martin Seligman, a pioneer of positive psychology, advocates for a shift from focusing on negatives to enhancing life''s positives, using existing psychological tools. Positive education prioritizes a supportive climate that fosters positive relationships and problem-solving skills among students. The book explores theoretical and practical aspects of integrating positive psychology into education, aiming to address societal needs. It presents positive education as a means to prepare students for future challenges through enhanced cognitive and emotional development.

In this follow-up to the popular What Works in Schools, Robert J. Marzano discusses the research-based strategies that every teacher can use to effectively manage the classroom and help students take responsibility for their own behavior.

Various attempts have been made to systematize the mammals depicted in Egyptian tomb paintings, inscriptions, carvings, figurines and other objects, and as mummies, but there are many discrepancies, variable spellings and names, including now obsolete Latin names, and mis-identifications. The Egyptian artists themselves sometimes used the wrong hieroglyph or drew some parts of animals incorrectly. Dale Osborn’s comprehensive reassessment, presented here in a facsimile reissue, catalogues around 100 separate species, ranging from hedgehogs to hippopotami, Anubis Baboons to Zebu cattle, that can be identified in Egyptian art from prehistoric, through Pre-Dynastic to Late Kingdom times. Profusely illustrated, the catalogue is arranged by Order, then species, each entry providing the relevant hieroglyph, a brief description of the animal, its natural habitat and distribution, and a narrative on its depiction in Egyptian art through time, by location, types of illustration or object, and context (tomb etc). Known errors and discrepancies, either in original scripts or classical and/or modern literature, are listed. Mammals are abundantly depicted in tomb paintings and inscriptions. Common scenes include hunts, processions, wild animals being led on chains, domesticated animals in household and working environments, and satirical scenes. Such scenes provide many insights into the lives of Egyptians and their relationships with animals, that are further enhanced by many decorative figurines and statues and, often poignantly, by the mummies of mostly small animals including cats and dogs.

"Prince Patrick wants to marry a real princess but they''re not easy to find. Still, anything is possible with the help of a cousin, a witch and a pea."--Back cover.