Most Popular Books by Jana

Sometimes running away is the bravest option. Or, so believes Rosa, who ditches her husband and home and takes off on the road. Along the way, she encounters the owner of a puppet theater who’s on a mission to conquer the world with his performance of "The Snow Queen." Which character from this old fairy tale will Rosa identify with? With Gerda, searching fruitlessly for her lost love? With Kai, who flees home and his beloved one day without a word? Or with the Snow Queen, who seems to stand aloof above it all? With magnetic, sparkling prose, Beňová delivers a lively mosaic that ruminates on human relationships, our greatest fears and desires.

On the southern end of the Grand Rue, a major thoroughfare that runs through the center of Port-au-Prince, waits the Haitian capital's automobile repair district. This veritable junkyard of steel and rubber, recycled parts, old tires, and scrap metal might seem an unlikely foundry for art. Yet, on the street's opposite end thrives the Grand Rue Galerie, a working studio of assembled art and sculptures wrought from the refuse. Established by artists André Eugène and Jean Hérard Celeur in the late 1990s, the Grand Rue's urban environmental aesthetics--defined by motifs of machinic urbanism, Vodou bricolage, the postprimitivist altermodern, and performative politics--radically challenge ideas about consumption, waste, and environmental hazards, as well as consider innovative solutions to these problems in the midst of poverty, insufficient social welfare, lack of access to arts, education, and basic needs. In Riding with Death, Jana Evans Braziel explores the urban environmental aesthetics of the Grand Rue sculptors and the beautifully constructed sculptures they have designed from salvaged automobile parts, rubber tires, carved wood, and other recycled materials. Through first-person accounts and fieldwork, Braziel constructs an urban ecological framework for understanding these sculptures amid environmental degradation and grinding poverty. Above all, Braziel presents Haitian artists who live on the most challenged Caribbean island, yet who thrive as creators reinventing refuse as art and resisting the abjection of their circumstances.

Jessi war lange selbst Ferienkind im Reiterlager und vermisst den damit einhergehenden absoluten Realitätsverlust. Daher bewirbt sie sich als Betreuerin auf einem Reiterhof im Nirgendwo, in der Hoffnung, die Realität gleich wieder auszusperren.

Jeder, der nicht der Norm entspricht, wird hingerichtet - so lautet das Motto der Erde. Celestine kämpft bereits seit ihrer Geburt gegen den Tod. Als sie den Kampf schlussendlich verliert, verläuft das Ende anders, als sie es erwartet hatte. Ihr Leben ist noch nicht vorbei, zumindest nicht in einer anderen Welt. Einer Welt nach dem Tod. In ihrem neuen Leben ist Celestine Prinzessin eines Volkes mit magischen Fähigkeiten. Doch hätte sie gedacht, damit würde alles leichter werden, hatte sie sich geirrt. Denn ihre Mutter macht selbst den Himmel zur Hölle. Es gehört zum normalen Tagesablauf, dass die Prinzessin Qualen ausgesetzt wird. Sie selbst kann es lange Zeit ertragen, doch als ein erneuter Krieg angekündigt wird, kommt der Punkt, an dem sie etwas ändern möchte. Sich seiner Königin zu widersetzten, ist nicht einfach. Genau deswegen muss Celestine den attraktiven Erzfeind ihres Volkes um Hilfe bitten und erfährt Dinge, die jeder versucht hatte, vor ihr zu verbergen.

"The Ghent Altarpiece by Hubert and Jan van Eyck has always attracted both admiration and curiosity. Following the treatment of the closed polyptych, we turned to the paintings of the lower register of the open altarpiece, which includes the famous Adoration of the Lamb. A major research and restoration campaign by the KIK was carried out between 2016 and 2020. The findings reflect those from the treatment of the closed altarpiece: large areas of the panels were covered with overpaints, the vast majority dating from the 16th century. Their removal allows the Van Eycks brothers' paintings to be truly appreciated again. The three years that the conservators spent working on the panels enabled them to examine the paintings down to the smallest detail. Interdisciplinary collaboration with laboratory scientists, art historians and experts in scientific imagery led to a series of discoveries - some anticipated in light of earlier research, others completely unexpected."--Back cover.

Much theology overemphasizes marriage to the detriment of ecclesiology. Using Augustine as conversation partner, this book considers the relationship of the Church to marriage and singleness. This examination of salvation history and worship illuminates a different vision of households, governed more by the waters of baptism than familial ties.

No smoke without a fire. It’s New Year’s in Sinful, and the competition for the New Year’s Queen is heating up as the warring churches go head-to-head. Fortune Redding is not the sequined dress kind of woman, but reluctantly agrees to partake in the debacle so that Ida Belle and Gertie can best their nemesis, Celia, who’s put up former Sinful mean girl RJ Rogers. RJ and her friend Brock Benoit left plenty of devastation in their wake when they fled Sinful after high school. So when they return and Brock is found dead, there’s no shortage of suspects. Fortune, Ida Belle, and Gertie know all too well what it’s like to live under suspicion of a crime with no resolution. When good people become the targets of gossip, they know they have to rush to unravel the tangled lives of RJ and Brock and expose a killer before the wrong person’s reputation is ruined. Or worse—they’re arrested for a crime they didn’t commit.

New York Times and USA Today bestselling author Jana DeLeon brings you the second book in the bestselling Miss Fortune series. No one in Sinful liked Pansy Arceneaux, but who hated her enough to kill her? When aspiring actress Pansy Arceneaux returns to Sinful, Louisiana to head up the beauty pageant portion of the Summer Festival, CIA assassin Fortune Redding knows she’s in for trouble. Her undercover identity as a former beauty queen make Fortune the perfect choice to chair the event with Pansy, but Pansy’s abrasive personality make it impossible to get through a single rehearsal without a fight. When Pansy turns up dead, Fortune is the prime suspect. Armed with only her wits and two conniving seniors referred to locally as The Geritol Mafia, Fortune launches an investigation to find the real killer before her cover is blown. Lethal Bayou Beauty is a humorous mystery set in the bayous of southern Louisiana. It has a cozy mystery feel and features a strong woman sleuth in a fish-out-of-water storyline. Lethal Bayou Beauty is the second book in the Miss Fortune series and appeals to readers of the Stephanie Plum series by Janet Evanovich. "Southern wit at its best!" - NYT Bestselling author Gemma Halliday "Sinfully funny!" - NYT Bestselling author CC Hunter/Christie Craig “DeLeon is excellent at weaving comedy, suspense and spicy romance into one compelling story.” – RT Book Reviews “I don’t know where she comes up with this funny stuff, but I can’t wait to read the next book…” – Night Owl Reviews “Jana DeLeon has a breezy style with enough of a comic touch to leave you smiling.” – The Romance Reader “Son of a gun, we’re having fun in the bayou!” – Fresh Fiction “The quirky characters keep the action moving…” – Barbara Vey, Publisher’s Weekly Blogger To learn more about Jana and her books visit her at: http://janadeleon.com http://facebook.com/janadeleonauthor @JanaDeLeon

This book provides a reimagining of how Western law and legal theory structures the human–earth relationship. As a complement to contemporary efforts to establish rights of nature and non-human legal personhood, this book focuses on the other subject in the human–earth relationship: the human. Critical ecological feminism exposes the dualistic nature of the ideal human legal subject as a key driver in the dynamic of instrumentalism that characterises the human–earth relationship in Western culture. This book draws on conceptual fields associated with the new sciences, including new materialism, posthuman critical theory and Big History, to demonstrate that the naturalised hierarchy of humans over nature in the Western social imaginary is anything but natural. It then sets about constructing a counternarrative. The proposed ‘Cosmic Person’ as alternative, non-dualised human legal subject forges a pathway for transforming the Western cultural understanding of the human–earth relationship from mastery and control to ideal co-habitation. Finally, the book details a case study, highlighting the practical application of the proposed reconceptualisation of the human legal subject to contemporary environmental issues. This original and important analysis of the legal status of the human in the Anthropocene will be of great interest to those working in legal theory, jurisprudence, environmental law and the environmental humanities; as well as those with relevant interests in gender studies, cultural studies, feminist theory, critical theory and philosophy.

Jana Hensel was thirteen on November 9, 1989, the night the Berlin Wall fell. In all the euphoria over German reunification, no one stopped to think what it would mean for Jana and her generation of East Germans. These were the kids of the seventies, who had grown up in the shadow of Communism with all its hokey comforts: the Young Pioneer youth groups, the cheerful Communist propaganda, and the comforting knowledge that they lived in a Germany unblemished by an ugly Nazi past and a callous capitalist future. Suddenly everything was gone. East Germany disappeared, swallowed up by the West, and in its place was everything Jana and her friends had coveted for so long: designer clothes, pop CDs, Hollywood movies, supermarkets, magazines. They snapped up every possible Western product and mannerism. They changed the way they talked, the way they walked, what they read, where they went. They cut off from their parents. They took English lessons, and opened bank accounts. Fifteen years later, they all have the right haircuts and drive the right cars, but who are they? Where are they going? In After the Wall, Jana Hensel tells the story of her confused generation of East Germans, who were forced to abandon their past and feel their way through a foreign landscape to an uncertain future. Now as they look back, they wonder whether the oppressive, yet comforting life of their childhood wasn't so bad after all.

Table of Contents Preface Chapter 1 Introduction to Modeling the Transport and Transformation of Contaminants in the Environment Chapter 2 Nature of Environnemental Polluants Chapter 3 Inter-Media Contaminant Transfer: Equilibrium Analysis Chapter 4 Kinetics of Inter-media Chapter 5 Transport Fundamentals Chapter 6 Overview of Numerical Methods in Environmental Modeling Chapter 7 Overview of Probabilistic Methods and Tools for Modeling Chapter 8 Models of Transport in Air Chapter 9 Models of Transport in Individual Media: Soil and Groundwater Chapter 10 Models of Transport in Surface Water Chapter 11 Atmospheric Transformation and Loss Processes Chapter 12 Modeling Chemical Transformations in Water Chapter 13 Exposure and Risk Assessment Chapter 14 Tools for Evaluation, Analysis and Optimization of Environmental Models Index.

Just Desserts? It’s November in Sinful and everyone is gearing up for Thanksgiving. But when Fortune, Ida Belle, and Gertie bag a body on their turkey hunting trip, the quiet enjoyment of fall is over. No one really knew Miles Broussard well, and as he’d recently sold the building his business was in to retire in another state, no one could explain how he’d ended up murdered and dumped in the bayou. Ally Lemarque has been waiting her entire life to open her bakery, and that day finally arrived when she purchased the building from Miles. But when she visits the site late at night and interrupts an intruder, she comes away with a crack on her head and concerns about why someone would break into an empty building. Fortune doesn’t think for a minute that Miles’s murder and the attack on Ally are unrelated. And Swamp Team 3 won’t rest until they’re sure Ally is safe.