New Releases by Jane Gardam

Yorkshire, de zomer van 1946. De oorlog is net voorbij, er zijn voedselrantsoenen en men betaalt met kledingcoupons. De scholieren Hetty, Una en Lieselotte hebben een staats beurs gekregen en zijn aangenomen bij de beste universiteiten van het land. Ze kunnen niet wachten om uit hun ingeslapen kuststadje te vertrekken. Maar eerst bespreken de drie hun zomerplannen. Hetty is toegelaten tot de studie let terkunde in Londen, en gaat met een koffer vol boeken naar het Lake District om nog gauw haar literatuurkennis op peil te brengen. Bijkomend voordeel: zo hijgt haar bemoeizieke moeder haar niet zo in de nek. Una maakt zich op voor een fietsvakantie door de country side met een jongeman die als kind bij de viswinkel werkte en daarom bekend staat als 'Ray de visjongen'. De joodse Lieselotte – die met het kindertransport uit nazi-Duitsland is gevlucht en is ondergebracht bij een Quaker-familie, en door haar klasgenoten altijd 'die Duitse' wordt genoemd – besluit halsoverkop haar enige nog levende familielid op te zoeken in de Verenigde Staten. In Een lange zomer vrij is rasverteller Jane Gardam op de toppen van haar kunnen. Ze toont ons drie jonge vrouwen op de drempel van volwassenheid: klaar om Yorkshire, de oorlog en de eeuwige verwachtingen van hun ouders achter zich te laten. Maar wat als ze die zomer ook afstand nemen van elkaar?

'A meticulously observed modern classic' Independent During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret's shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce. 'Tantalising, funny, sharp' Daily Telegraph 'So charming a novel that you don't want to give away a single one of the many twists of its plot' New York Times 'Jane Gardam has a spectacular gift' Times Literary Supplement 'Exact, piquant and comical' Observer

Il conclusivo romanzo della fortunata trilogia di Jane Gardam con protagonista il giudice Edward Feathers. Una saga immersa nella storia inglese sullo sfondo della fine dell’Impero. L’eterno rivale è uno dei tre romanzi di Jane Gardam che

Eliza Peabody is een van die gevaarlijk onberispelijke vrouwen die geloven dat ze de waarheid in pacht hebben. Ze is te enthousiast en ze praat te veel. Haar bezorgdheid over het welzijn van haar rijke buren in Zuid-Londen strekt zich zelfs uit tot ingenieuze, goedbedoelde briefjes vol ongevraagd advies onder de deur. Maar wanneer een van die briefjes aan Joan, de buurvrouw van nummer 34, tot gevolg lijkt te hebben dat Joan verdwijnt, begint Eliza te ontsporen. Niemand kan of wil haar iets over vertellen, en de buren gaan haar uit de weg. Om achter de reden van Joans verdwijning te komen, blijft ze haar schrijven, altijd naar nummer 34, en wordt steeds openhartiger. Met humor en diepmenselijk inzicht schrijft Jane Gardam over verdrongen verledens, liefde en desillusie. In 1991 ontving ze voor 'Hoogachtend, Eliza Peabody' de Whitbread Award voor de beste roman van het jaar. 'Jane Gardams boeken behoren tot de grote schatten van de Engelse literatuur. Ze schrijft simpelweg schitterend. De lezers mogen blij zijn en zich op prachtige boeken en een groot leesplezier verheugen.' – Ian McEwan

Eén lange zomer in de jaren dertig. Het leven van de jonge Margaret Marsh verandert plotsklaps wanneer Lydia, een wereldwijs en stoer dienstmeisje, bij Margarets religieuze familie intrekt. Na de geboorte van Margarets broertje worden ze elke woensdag het huis uitgestuurd om samen van de idyllische Engelse kust te genieten. Langzaam komt Margaret erachter dat de wereld lang niet zo keurig en vroom is als ze altijd had gedacht. Ook het huwelijk van haar ouders blijft niet onberoerd door de komst van het dienstmeisje. Ondanks zijn krampachtige obsessie met zonde en deugdzaamheid is haar vader niet tegen Lydia’s charmes bestand. Alle keurslijven gaan af en het leven van de stijve Engelsen trilt op zijn grondvesten. Op de klippen vertelt over volwassen worden, religie en onderhuidse verlangens. Het is Jane Gardam in volle glorie, compleet met tragikomische scènes, warmte, wijsheid en intrigerende perspectieven.

Jessica sagt bedingungslos und in den unmöglichsten Momenten die Wahrheit. Ihr Widerwille gegen Anpassung bringt sie in dem kleinen englischen Badeort ständig in verquere Situationen. Sie hat genau eine Freundin – der Rest ihrer kleinen kriegsüberschatteten Welt begegnet ihr mit einer Mischung aus Faszination und Abscheu. Aber das ist ihr egal, denn eigentlich braucht sie all ihre explosive Kraft, um Schriftstellerin zu werden. Oder ist sie das schon? „Weit weg von Verona“ ist Jane Gardams erster Roman. Doch er enthält bereits all das, wofür sie bewundert wird – die atmosphärische Stärke, den Mut zum Geheimnis und ihren besonderen Witz. Mit Jessica Vye hat sie eine der hinreißendsten Figuren überhaupt geschaffen.

Het zou een leven lang duren totdat Edward Feathers en Terry Veneering, als advocaten felle tegenstanders in talloze processen, zich realiseren dat zij net zo goed vrienden hadden kunnen zijn. En toch: het blijft voor Edward een raadsel wat Betty zo aantrekkelijk vond aan Veneering. Hij is dan wel een imposante verschijning en getrouwd met de mooiste vrouw uit een van de rijkste families van Hongkong, maar desalniettemin iemand die in de betere kringen van Hongkong (en in Engeland helemaal!) als een parvenu wordt beschouwd. Over Veneerings afkomst waren er altijd al geruchten. Was zijn vader een circusartiest - of wellicht een Russische spion against the British Empire? Voor Feathers is dat gossip, hij wil alleen weten waarom Betty nooit een kwaad woord over hem wilde horen. Maar zo'n vraag is voor Feathers not done, net als voor Veneering, die er uiteindelijk nooit achter komt waarom Betty onomstotelijk trouw bleef aan haar onberispelijke man. In het slotstuk van haar Old Filth-drieluik vertelt Jane Gardam met serene ironie over ouderdom en fatsoen. 'Laatste vrienden' is een betoverende roman over een onverwachte vriendschap, de kunst van het vergeven en het vermogen om lief te hebben.

A novel that's "brilliant on sex, brilliant on bereavement and death, brilliant on god, brilliant on dottiness" from the acclaimed author of Old Filth (A. N. Wilson, Evening Standard). The story of a motherless girl named Faith and her family and close friends, all of whom are determined to see her live a happy life. Faith's mother died in childbirth; her overworked father cannot raise his child alone; and her unconventional grandmother refuses to acknowledge the child whose birth took away the daughter she loved. And so a motley crew of family and friends converges to see that Faith is brought up correctly. The concerned parties include Faith's uncle, who runs a commune in northern England; the Tibetan refugees who have moved in with him; and the splendidly bickering paternal grandparents. What ensues is a brilliant comedy of manners set equally amidst high society and low. Faith Fox is a story that explores the wonder of the human heart in all its thunderous eccentricity. Gardam has mastered the essence of age and youth and above all nonconformity. Her memorable characters are sure to delight. "Wonderful, sharply observed, deeply funny." — The Minneapolis Star-Tribune "[A] cleverly wrought British import . . . That Gardam is a virtuoso of structure creeps up on you until you begin to glimpse the outlines of the multiple subplots converging with the satisfying click that reminds you that you're in the hands of a master." — St. Louis Post-Dispatch "Hugely funny and deeply moving." — The Atlantic "Pure pleasure." —Anita Brookner, author of The Debut "An endearing story. Gardam's feisty characters deliver a tale that crackles with charm and energy." — Kirkus Reviews (starred review)

Dass Jane Gardam hinreißende Romane schreibt, ist bekannt. Nun ist ein weiterer Schatz zu heben: Gardams Erzählungen, für die sie berühmt ist und mit Alice Munro und Katherine Mansfield verglichen wird. Hetty, die Familienmutter, die bei der Begegnung mit ihrem ehemaligen Liebhaber in einen somnambulen Zustand gerät. Annie, die Schriftstellerin, die sich gegen Neugier und Gier entscheidet und ein Geheimnis dem Meer übergibt. Der verstummte chinesische Junge, der in England einen vom Himmel gestürzten Schwan rettet und plötzlich zur Sprache zurückfindet. Sie alle berühren uns und entwickeln ein Eigenleben, das über die Geschichten hinausgeht – in jeder dieser Erzählungen steckt die Verheißung eines Romans.

The Whitbread Award–winning author of the Old Filth trilogy captures a moment in time for three young women on the cusp of adulthood. Yorkshire, 1946. The end of the war has changed the world again, and, emboldened by this new dawning, Hetty Fallows, Una Vane, and Lieselotte Klein seize the opportunities with enthusiasm. Hetty, desperate to escape the grasp of her critical mother, books a solo holiday to the Lake District under the pretext of completing her Oxford summer coursework. Una, the daughter of a disconcertingly cheery hairdresser, entertains a romantically inclined young man from the wrong side of the tracks and the left-side of politics. Meanwhile, Lieselotte, the mysterious Jewish refugee from Germany, leaves the Quaker family who had rescued her, to test herself in London. Although strikingly different from one another, these young women share the common goal of adventure and release from their middle-class surroundings through romance and education. "Gardam's lean, fast-paced prose is at turns hugely funny and deeply moving. . . . [Her] characters are acutely and compassionately observed." — Atlantic Monthly "Quirky, enchanting . . . with lively, laugh-out loud elan." — The Baltimore Sun "Splendid . . . Gardam's style is perfect." — The New York Times Book Review "With winning charm and wit . . . Gardam frames her story in dozens of crisp, brief scenes featuring deliciously dizzy conversation." — Kirkus Reviews (starred review) "Ebullient, humorous, and wise, this is a novel to savor." — Booklist "The portrait of postwar England as conventions crumble and the country is rebuilt is terrific." — Publishers Weekly

Alles aan Edward Feathers is vlekkeloos - zijn garderobe, zijn manieren, zijn naam en faam als topadvocaat met een glansrijke carrière in Hongkong. Door en door een gentleman, die zijn bijnaam Old Filth - Failed In London, Try Hong Kong - geen eer aandoet. Maar zijn onberispelijkheid is bedrieglijk en misleidt vaak ook hemzelf. Na de dood van Betty, zijn geliefde echtgenote, komen met de herinneringen ook de twijfels. Wat in hun huwelijk was genegenheid, wat respect en wat onvoorwaardelijke liefde? Wat hebben zij voor elkaar verborgen willen houden? Waarom heeft zij zijn collega en tegenpool Terence Veneering altijd verdedigd, of tenminste nooit een kwaad woord over hem gesproken? Edward heeft moeite het beeld van Betty helder te krijgen. Met Een onberispelijke man valt een grote auteur te ontdekken, een meester van de lichte toon en de zinderende sfeer. Niet voor niets noemt de Engelse pers haar in één adem met Katherine Mansfield en Jane Austen.

Es ist Abscheu auf den ersten Blick, der Edward Feathers und Terry Veneering, die glänzendsten Juristen des British Empire, ein Leben lang verbindet. Als ebenbürtige Gegner in zahllosen Prozessen hassen sie einander schon, bevor sie sich beide in dieselbe Frau verlieben. Und es wird ein Leben lang dauern, bis sie bemerken, dass sie ebenso gut Freunde sein könnten. Was hat Feathers’ Frau Betty so angezogen an Veneering, dem Mann mit dem weißblonden Haar, der selbst mit der schönsten Frau Hongkongs verheiratet ist? Worum beneiden die erbitterten Feinde sich mit solcher Intensität? Mit weiser Gelassenheit erzählt Jane Gardam, eine der bekanntesten Schriftstellerinnen in England, von der Fähigkeit zur Liebe und einer späten Freundschaft.

"A quirky coming-of-age story . . . Female adolescence as imagined by one of the 20th century's best—and most peculiar—writers" ( Kirkus Reviews). Originally published in 1977, Jane Gardams Bilgewater is an affectionate and complex rendering-in-miniature of the discomforts of growing up and first love seen through the eyes of inimitable Marigold Green, an awkward, eccentric, highly intelligent girl. The Evening Standard described Bilgewater as "one of the funniest, most entertaining, most unusual stories about young love." Motherless and sixteen, Marigold is the headmaster's daughter at a private backwater all-boys school. To make matters worse, Marigold pines for head boy Jack Rose, reckons with the beautiful and domineering Grace, and yanks herself headlong out of her interior world and into the seething cauldron of adolescence. With everything happening all at once, Marigold faces the greatest of teenage crucibles. A smart and painterly romp in the rich tradition of The Hollow Land and A Long Way from Verona, Gardam's elegant, evocative prose, possessed of sharp irony and easy surrealism makes Bilgewater a book for readers of all ages. "This is no ordinary bildungsroman." — New Pages "A striking story." — Times Literary Supplement

Per festeggiare i 200 anni della nascita di Charlotte Brontë, Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di scrivere una storia ispirata alla celebre battuta di Jane Eyre: «L’ho sposato, lettore mio». Questo racconto fa parte della raccolta dedicata a Charlotte Brontë: L’ho sposato, lettore mio a cura di TRACY CHEVALIER

Le maître des apparences racontait l’histoire de sir Edward (Eddie) Feathers alias le vieux Filth, son enfance coloniale, sa carrière d’avocat international à Hong Kong, son mariage, ses amis et ses rivaux. Le choix de Betty tisse la même histoire mais vue par sa femme Betty. Orpheline dans les camps japonais, jeune fille non conformiste recrutée pour casser les codes à Bletchley Park, Betty a ses propres passions secrètes et ce n’est pas un hasard si Veneering, le rival détesté de Filth au barreau, exerce sur elle une puissante attraction.

Filth fut pendant des années un avocat international de renom à Hong Kong. Mais il fut aussi un de ces enfants appelés « Orphelins du Raj » né dans l’empire britannique en Malaisie et rapatrié tout jeune en Angleterre pour être éduqué. En déroulant sa vie ainsi que celle de sa femme Betty, Jane Gardam nous raconte la gloire de l’empire, la Seconde Guerre mondiale jusqu’au début du XXIe siècle. Mais elle réussit aussi à éclairer la complexité de son héros que l’on appelle alternativement Eddie, le juge, fevvers, Filth, le maître de l’Inner Temple et sir Edward Feathers. « Un véritable chef d’œuvre, l’un des romans les plus émouvants que j’aie lu depuis des années. » The Guardian Traduit de l’anglais par Françoise Adelstain

"Pure delight . . . One perfect story after another" from the Whitbread Award–winning author of the Old Filth trilogy ( The Sunday Telegraph). From the inimitable Jane Gardam, whose Old Filth trilogy cemented her status as one of England's greatest living novelists, comes a collection of short stories that showcase her subversive wit, gentle humor, and insight into the human condition. Gardam's versatility is on full display, while her sublime grasp of language and powers of observation remain as provocative as ever. "A formidable collection that is at once outlandish and entirely convincing . . . It is Gardam's gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy, richer and more concentrated than any novel. She gives us miracle heaped upon miracle, and insists that they should each one be handled with care." — The Guardian "Unexpected appearance of figures from the past drive many of these sly, bighearted tales." — The New York Times "Readers will feel lucky to have so much good writing in one place." — Publishers Weekly (starred review) "Gardam's preference for short stories shows in this extraordinary collection of great writing." — NewPages Book Reviews "A rich haul from a well of talent." — Kirkus Reviews

THE NEW YORK TIMES CALLED SIR EDWARD FEATHERS ONE OF THE MOST MEMORABLE CHARACTERS IN MODERN LITERATURE. A LYRICAL NOVEL THAT RECALLS HIS FULLY LIVED LIFE, OLD FILTH HAS BEEN ACCLAIMED AS JANE GARDAM?S MASTERPIECE, A BOOK WHERE LIFE AND ART MERGE. AND NOW THAT BEAUTIFUL, HAUNTING NOVEL HAS BEEN JOINED BY A COMPANION THAT ALSO BURSTS WITH HUMOR AND WISDOM: THE MAN IN THE WOODEN HAT. OLD FILTH WAS EDDIE?S STORY. THE MAN IN THE WOODEN HAT IS THE HISTORY OF HIS MARRIAGE TOLD FROM THE PERSPECTIVE OF HIS WIFE, BETTY, A CHARACTER AS VIVID AND ENCHANTING AS FILTH HIMSELF. THEY MET IN HONG KONG AFTER THE WAR. BETTY HAD SPENT THE DURATION IN A JAPANESE INTERNMENT CAMP. FILTH WAS ALREADY A SUCCESSFUL BARRISTER, HANDSOME, FAST BECOMING RICH, IN NEED OF A WIFE BUT UNACCUSTOMED TO ROMANCE. A PERFECT ENGLISH COUPLE OF THE LATE 1940S. AS A PORTRAIT OF A MARRIAGE, WITH ALL THE BITTERSWEET SECRETS AND SURPRISING FULFILLMENT OF THE 50-YEAR UNION OF TWO REMARKABLE PEOPLE, THE NOVEL IS A TRIUMPH. THE MAN IN THE WOODEN HAT IS FICTION OF A VERY HIGH ORDER FROM A GREAT NOVELIST WORKING AT THE PINNACLE OF HER CONSIDERABLE POWER. IT WILL BE READ AND LOVED AND RECOMMENDED BY ALL THE MANY THOUSANDS OF READERS WHO FOUND ITS PREDECESSOR, OLD FILTH, SO COMPELLING AND SO THOROUGHLY SATISFYING. एडवर्ड, बेट्टी आणि व्हेनिरिंग या प्रेमाच्या त्रिकोणात, अनेक योगायोगाने भरलेल्या आणि अतक्र्य घटना घडत जातात. विश्वासघात, फसवणूक, सूड आणि प्रेम यांच्या बेमालूम मिश्रणातून तीन आयुष्यांचा प्रवास होतो. अखेर काय होते? दुस-या महायुद्धाच्या पाश्र्वभूमीवर साकारलेली जेन गार्डम यांची रहस्यमय कादंबरी. 'एक अतुलनीय!' - गॉर्डियन 'देदीप्यमान, ठाव घेणारे आणि करुणामय!' जरूर वाचावे असे. - डेली मेल 'सुंदर, सुस्पष्ट आणि निश्चितच मनोरंजक!' - द टाइम्स 'सहज, सुंदरपणे लिहिलेले आणि अनोख्या पद्धतीने सांगितलेले!' - स्पेक्टॅटर 'अलिशान!' - सन्डे टाइम्स

'Gardam writes about love, death, loneliness, money and madness with gentle ferocity. The Old Filth trilogy should be read by anyone who has ever been interested in how we become who we are' Amanda Craig, Independent on Sunday 'Sharp, humane, generous and wonderfully funny, she is one of our very finest writers' Hilary Mantel 'This humorous, melancholic final volume establishes the trilogy as a modern classic' Kate Saunders, The Times Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that Titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and -though it was never spoken of - in love. Veneering, Filth and their friends tell a tale of love, friendship, grace, the bittersweet experiences of a now-forgotten Empire and the disappointments and consolations of age.

Jane Gardam reveals again her brilliant diversity and deep understanding of the human condition. In 'Light', an evocative, lyrical piece of magic realism, a beautiful Himalayan girl defies the destiny laid out for her by her mother, but in so doing destroys the village in which she was born. In 'Missing the Midnight', a young woman having failed her exams and lost the man she loves, journeys home to the family she despises, on Christmas Eve. In 'Grace', an apparently ordinary man lives his whole life with a diamond under his skin at the back of his neck, and dies when it is finally removed. Jane Gardam weaves strange and magical occurrences into the fabric of beautifully realised lives in this stunning collection.

From the award-winning author of Old Filth. "[A] wonderfully old-fashioned novel . . . This post-Victorian charmer is an engrossing delight" ( People). In 1904, six-year-old Polly Flint is sent by her sea captain father to live with her aunts in a house by the sea on England's northeast coast. Orphaned shortly thereafter, Polly will spend the next eighty years stranded in this quiet corner of the world as the twentieth century rages in the background. Through it all, Polly returns again and again to the story of Robinson Crusoe, who, marooned like her, fends off the madness of isolation with imagination. In the Guardian's series on writers and readers' favorite comfort books, associate editor Claire Armitstead said of Crusoe's Daughter, "This is the most bookish of books . . . Every time I return to it, I am comforted by its refusal to conform, its wonderful, boisterous bolshiness, and the intelligence with which it demonstrates that we are what we read." "Witty, subversive, moving." — The Times (London) "[A] richly textured novel . . . much occurs on the emotional landscape. We know Polly intimately, and she haunts our imaginations as surely as Crusoe haunts hers . . . a thought-provoking book." — Library Journal "[The] most seductively entertaining of British novelists." — Kirkus Reviews

With her customary accuracy, Jane Gardam reveals the extraordinariness of ordinary people as she deals with the pangs of love- fulfilled or hopeless, sexual or spiritual, tortured or hilarious- in these eleven stories. Paraded here are ladies with a 'thing' about vicars, strange events happening in ornate downstairs lavatories (and in ornate upstairs ones), and the English abroad, desperate and dotty. The glum and impossible Edna haunts the supermarket- and dispenses an unlikely kiss of life. The younger sister of Hans Christian Andersen's Little Mermaid declares her sibling 'very silly' and turns her story on its tail, an old maid forms a curious liason with a tramp, and small moments of temptation fill hotel rooms as histories glance briefly off each other.

Second in the Old Filth trilogy. "An astute, subtle depiction of marriage . . . absolutely wonderful" ( The Washington Post). Acclaimed as Jane Gardam's masterpiece, Old Filth is a lyrical novel that recalls the fully lived life of Sir Edward Feathers. The Man in the Wooden Hat is the history of his marriage told from the perspective of his wife, Betty, a character as vivid and enchanting as Filth himself. They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need of a wife but unaccustomed to romance. A perfect English couple of the late 1940s. As a portrait of a marriage, with all the bittersweet secrets and surprising fulfillment of the fifty-year union of two remarkable people, The Man in the Wooden Hat is a triumph. Fiction of a very high order from a great novelist working at the pinnacle of her considerable power, it will be read and loved and recommended by all the many thousands of readers who found its predecessor, Old Filth, so compelling and thoroughly satisfying. "Funny and affecting . . . It's remarkable." — The New York Times Book Review "The latest occasion to celebrate Gardam . . . [a] superb novel." —Maureen Corrigan, NPR "Told with quintessentially British humor . . . Gardam's prose is witty and precise." — Publishers Weekly (starred review) "It's magnificent. . . . Funny, intelligent and immensely moving." — Kirkus Reviews

Eddie Feathers è un bambino timido e balbuziente nato in Malesia da un funzionario coloniale inglese e trasferito d’autorità nella madrepatria per compiervi gli studi. Sir Edward Feathers è un celebre ex avvocato nonché stimato ex giudice, ormai in pensione, che affronta la vecchiaia nel suo buen retiro del Dorset dopo una brillante carriera trascorsa nel possedimento inglese di Hong Kong. Tra questi due aspetti dello stesso personaggio c’è una vita intera, un’infanzia difficile, una maturità conquistata a fatica sullo sfondo della seconda guerra mondiale e della fine del Raj. L’opera di Jane Gardam è un quadro impressionista, tanto è il predominio delle sensazioni; è un affresco di atmosfere estremamente british raccontate con grazia, umorismo e nostalgia. Lo stile perfetto dell’autrice ci accompagna in una successione mozzafiato di episodi toccanti dove i flashback si mischiano con i ricordi, dove il delirio senile si confonde con la saggezza dell’esperienza, dove la costante ricerca di un briciolo d’amore si scontra con il formalismo e la rigidità di intere generazioni britanniche che alla salvaguardia del Raj hanno sacrificato i più elementari affetti familiari. Un libro spietato e commovente insieme, pervaso dal sottile humour inglese, che ci porta curiosamente a considerare la vecchiaia, spettro dei nostri tempi edonistici, come nient’altro che una versione dell’infanzia: i due estremi si toccano, l’irrazionalità infantile o senile ci fa sorridere mentre volenti o nolenti ci troviamo a riflettere, forse con una punta d’amarezza, sull’età adulta che costituisce il grosso dell’esistenza.

"Engrossing stories of hilarity and heartbreak" from the Whitbread Award–winning author of the Old Filth trilogy ( The Seattle Times). A collection of stories from a writer at the height of her powers—a celebrated stylist admired for her caustic humor, freewheeling imagination, love of humanity, and wicked powers of observation. This is a delightful grouping of stories, witty and wise, that includes the return of Sir Edward Feathers, "Old Filth" himself. "[Gardam's] stories, like delicate tapestries, are alight with colors." — The Times (London) "When Gardam hits her mark, like other exemplary short-story writers such as William Trevor, Sylvia Townsend Warner and Elizabeth Taylor, she can be dazzling." — The Guardian "Gardam's brisk narration and fearless temperament make for serious fun." — Kirkus Reviews (starred review) "Wry, economical and perpetually surprising, these 14 stories from English novelist Gardam follow the last of the intrepid, stiff upper lip WWII generation of British ladies and gentlemen. . . . Gardam vividly evokes an age of iron wills." — Publishers Weekly "Gardam displays the consummate skill of the short-story-teller, which is that of the caricaturist, the ability to capture a personality in a few brief strokes. . . . Privilege Hill is a collection of gentle stories that you could read to your grandmother, with the kind of sharp wit that would no doubt give her a secret smile. But they're deeper than they look . . . so don't read them all at once." — The Bookbag

Filth, in his heyday, was an international lawyer with a practice in the Far East. Now, only the oldest QCs and Silks can remember that his nickname stood for Failed In London Try Hong Kong. Long ago, Old Filth was a Raj orphan - one of the many young children sent 'Home' from the East to be fostered and educated in England. Jane Gardam's new novel tells his story, from his birth in what was then Malaya to the extremities of his old age. Brilliantly constructed - going backwards and forwards in time, yet constantly working towards the secret at its core - Old Filth is funny and heart-breaking, witty and peopled with characters who astonish, dismay and delight the reader. Jane Gardam is as sensitive to the 'jungle' within children as she is to the eccentricities of the old. A touch of magic combines with compassion, humour and delicacy to make Old Filth a genuine masterpiece.

Two girls lose interest in playing with their doll house after moving from London to Wales but the dolls in the house amuse themselves by telling stories about their exciting pasts.