Best Selling Books by John Jennings

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Master of Education Thesis

The Search continues.... Black Kirby is a collaborative "entity" that is the creative doppelganger of artists/designers John Jennings and Stacey "Blackstar" Robinson. The manifestation of this avatar is an exhibition and catalog of primarily visual artworks-on-paper that celebrate the groundbreaking work of legendary comic creator Jack Kirby regarding his contributions to the pop culture landscape and his development of some of the conventions of the comics medium. Black Kirby also functions as a highly syncretic mytho-poetic framework by appropriating Jack Kirby's bold forms and revolutionary ideas combined with themes centered around AfroFuturism, social justice, Black history, media criticism, science fiction, magical realism, and the utilization of Hip Hop culture as a methodology for creating visual expression. This collection of work also focuses on the digital medium and how its inherent affordances offer much more flexibility in the expression of visual communication and what that means in its production and consumption in the public sphere. In a sense, Black Kirby appropriates the gallery as a conceptual "crossroads" to examine identity as a socialized concept and to show he commonalities between Black comics creators and Jewish comics creator and how they both utilize the medium of comics as space of resistance. The duo attempts to re-medicate "blackness" and other identity contexts as "sublime technologies" that produce experiences that sometime limit human progress and possibility.