New Releases by John Nichols

NEW YORK TIMES BESTSELLER • A progressive takedown of the uber-capitalist status quo that has enriched millionaires and billionaires at the expense of the working class, and a blueprint for what transformational change would actually look like—with a new afterword “A clarion call against the American oligarchs . . . powerful.”—The Guardian It’s OK to be angry about capitalism. Reflecting on our turbulent times, Senator Bernie Sanders takes on the billionaire class and speaks blunt truths about our country’s failure to address the destructive nature of a system that is fueled by uncontrolled greed and rigidly committed to prioritizing corporate profits over the needs of ordinary Americans. Sanders argues that unfettered capitalism is to blame for an unprecedented level of income and wealth inequality, is undermining our democracy, and is destroying our planet. How can we accept an economic order that allows three billionaires to control more wealth than the bottom half of our society? How can we accept a political system that allows the super rich to buy politicians and swing elections? How can we accept an energy system that rewards the fossil fuel corporations causing the climate crisis? Sanders believes that, in the face of these overwhelming challenges, the American people must ask tough questions about the systems that have failed us and demand fundamental economic and political change. This is where the path forward begins. It’s OK to Be Angry About Capitalism presents a vision that extends beyond the promises of past campaigns to reveal what would be possible if the political revolution took place, if we would finally recognize that economic rights are human rights, and if we would work to create a society that provides a decent standard of living for all. This isn’t some utopian fantasy; this is democracy as we should know it.

An aspiring writing adrift in New York finds love and community at a corner empanada stand in this novel by the author of The Milagro Beanfield War. It''s Greenwich Village in the early 1960s, when ex-patriots, artists, and colorful bums are kings. A tiny stand selling empanadas near the corner of Bleecker and MacDougal streets is the center of the action for the shy narrator, an aspiring writer just out of college. There, he falls in with a crowd of kooky outcasts from Argentina who introduce him to their raucous adventures, melodramatic dreams, and women—particularly a tough little flamenco dancer from Buenos Aires. Charming and insightful, this deceptively simple novel is a tale told by a master. It is a wise coming-of-age story, full of joy and touched by heartbreak, that captures a special time and place with extraordinary empathy and humor.

I Got Mine: Confessions of a Midlist Writer is the memoir of Nichols'' extraordinary life, as seen through the lens of his writing. Everything that went into making him a writer and eventually found an outlet in his work--his education, family, wives, children, friends, enemies, politics, and place--is told from the point of view of his daily practice of writing. Beginning with his first novel, The Sterile Cuckoo, published in 1965 when he was just twenty-four, Nichols shares his highs and lows: his ambivalent relationship with money; his growing disenchantment with the hypocrisy of capitalism; and his love-hate relationship with Hollywood--including the years-long struggle of working with director Robert Redford on the film version of The Milagro Beanfield War, which was filmed around Truchas and featured many of Nichols'' northern New Mexico neighbors. Throughout I Got Mine Nichols spins a shining thread connecting his lifelong engagement with progressive political causes, his passionate interest in and identification with ordinary people, and his deep connection to the land.

Fighting fascism at home and abroad begins with the consolidation of a progressive politics Seventy-five years ago, Henry Wallace, then the sitting Vice President of the United States, mounted a campaign to warn about the persisting "Danger of American Fascism." As fighting in the European and Japanese theaters drew to a close, Wallace warned that the country may win the war and lose the piece; that the fascist threat that the U.S. was battling abroad had a terrifying domestic variant, growing rapidly in power: wealthy corporatists and their allies in the media. Wallace warned that if the New Deal project was not renewed and expanded in the post-war era, American fascists would use fear mongering, xenophonbia, and racism to regain the economic and political power that they lost. He championed an alternative, progressive vision of a post-war world-an alternative to triumphalist "American Century" vision then rising--in which the United States rejected colonialism and imperialism. Wallace''s political vision - as well as his standing in the Democratic Party - were quickly sidelined. In the decades to come, other progressive forces would mount similar campaigns: George McGovern and Jesse Jackson more prominently. As John Nichols chronicles in this book, they ultimately failed - a warning to would-be reformers today - but their successive efforts provide us with insights into the nature of the Democratic Party, and a strategic script for the likes of Bernie Sanders and Alexandria Ocasio-Cortez.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On the surface this book spins a fisherman''s tall tale about a ribald angling contest between three middle-aged friends who love (and perhaps hate) each other: a preppy trilingual Machiavelli, an intellectual ghetto pool shark, and a brawny Texan who defies his own macho stereotype. All professional writers, the men have met every autumn for eighteen years at the Big Arsenic Springs on the Río Grande to fly-cast for trout and argue about life, literature, marriage, and eco-Armageddon. Their escapades reveal a spirited paean to a beautiful river gorge, and also a poignant cautionary fable about male friendship and cutthroat competition. As aging cripples them all, tragedy mars the tournament. In this insightful and bittersweet love story, masterful storyteller John Nichols brings to life northern New Mexico and three unforgettable characters.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Humanity is on the verge of its darkest hour -- or its greatest moment The consequences of the technological revolution are about to hit hard: unemployment will spike as new technologies replace labor in the manufacturing, service, and professional sectors of an economy that is already struggling. The end of work as we know it will hit at the worst moment imaginable: as capitalism fosters permanent stagnation, when the labor market is in decrepit shape, with declining wages, expanding poverty, and scorching inequality. Only the dramatic democratization of our economy can address the existential challenges we now face. Yet, the US political process is so dominated by billionaires and corporate special interests, by corruption and monopoly, that it stymies not just democracy but progress. The great challenge of these times is to ensure that the tremendous benefits of technological progress are employed to serve the whole of humanity, rather than to enrich the wealthy few. Robert W. McChesney and John Nichols argue that the United States needs a new economy in which revolutionary technologies are applied to effectively address environmental and social problems and used to rejuvenate and extend democratic institutions. Based on intense reporting, rich historical analysis, and deep understanding of the technological and social changes that are unfolding, they propose a bold strategy for democratizing our digital destiny -- before it''s too late -- and unleashing the real power of the Internet, and of humanity.

A more-timely-than-ever argument that impeachment is an essential American institution from the author of Horsemen of the Trumpocalypse. This surprising and irreverent book by one of America’s leading political reporters makes the case that impeachment is much more than a legal and congressional process—it is an essential instrument of America’s democratic system. Articles of impeachment have been brought sixty-two times in American history. Thomas Jefferson himself forwarded the evidence for impeachment of the first federal official to be removed under the process—John Pickering in 1803. Impeachment is as American as apple pie. The founders designed impeachment as one of the checks against executive power. As John Nichols reveals in this fascinating look at impeachment’s hidden history, impeachment movements—in addition to congressional proceedings themselves—have played an important role in countering an out-of-control executive branch. The threat of impeachment has worked to temper presidential excesses and to reassert democratic values in times of national drift. The Genius of Impeachment makes clear that we sorely need such a movement today, and that both the president and vice president deserve impeachment. In the spirit of maverick congressmember Henry B. González, who introduced articles of impeachment against both George H. W. Bush and Ronald Reagan for making war without a declaration, this book is a fearless call to Americans to hold our leaders accountable to democracy. “Arguing that regular elections are an insufficient democratic guardian against corrupt officeholders . . . this work relies on its power-to-the-people persona for its appeal.” —Booklist

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A hilarious, raucous, painfully graphic portrait of The Marriage from Hell."--Chicago Tribune

He is fifty, a man of middle years with a weak heart and two failed marriages. Mourning the loss of the boundless energy he squandered as a young man, he is a creature of habit now, relying on daily patterns to pace himself, to conserve what is left. She is nineteen, young enough to be his daughter, full of the vitality of youth and fearless—or perhaps only blind to the dangers life brings. Spare and moving, An Elegy for September captures the turning point in the life of a man as he confronts his own mortality—and confronts truths about himself he never suspected. Featuring some of John Nichols’s best writing, An Elegy for September is a brief, poignant, and eloquent novel that renders an age-old story in a fresh and powerful form. “One of the finest things he has ever written.”—Los Angeles Times

Though Michael Smith cannot forget the pornographic atrocities he witnessed abroad during the Vietnam war, it is the pervasive brutality of civilian life that threatens to destroy him. American Blood is a timely and fiercely moral statement on violence and loss.

The first volume in this annotated collection of texts relating to the ''progresses'' of Queen Elizabeth I around England includes accounts of dramatic performances, orations, and poems, and a wealth of supplementary material dating from 1533 to 1578.

The third volume in this annotated collection of texts relating to the ''progresses'' of Queen Elizabeth I around England includes accounts of dramatic performances, orations, and poems, and a wealth of supplementary material dating from 1579 to 1595.

The Milagro Beanfield War is the first book in John Nichols''s New Mexico trilogy (“Gentle, funny, transcendent.” —The New York Times Book Review), later adapted to film by Robert Redford. Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe''s beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro''s rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

Spanning forty years, the second book in John Nichols''s New Mexico trilogy, The Magic Journey, tells the tale of how relentless progress transformed a rural backwater into a boomtown. Boom times came to the forgotten little southwestern town of Chamisaville just as the rest of America was in the Great Depression. They came when a rattletrap bus loaded with stolen dynamite blew sky-high, leaving behind a giant gushing hot spring. Within minutes, the town''s wheeler-dealers had organized, and within a year, Chamisaville was flooded with tourists and pilgrims, and the wheeler-dealers were rich. At first, it was a magic time for Chamisaville—almost as if every day were a holiday. But the euphoria gradually dissipated, and the land-hungry developers, speculators, and interlopers moved in. Finally, the day came when Chamisaville''s people found themselves all but displaced, their children no longer heirs to their land or their tradition. With mounting intensity, The Magic Journey reaches a climax that is tragically foreordained. A sensitive, vital, and honest chronicle of life in America''s Southwest, it is also an incisive commentary on what America has become on its road to progress. The Magic Journey is part of John Nichols''s New Mexico trilogy, which includes The Milagro Beanfield War and The Nirvana Blues.

This final volume in John Nichols''s acclaimed New Mexico trilogy, (“Gentle, funny, transcendent.” —New York Times Book Review). Like its predecessors, The Nirvana Blues is a lusty, visionary novel that blends comedy and tragedy, reality and fantasy, tenderness and bite, to illuminate some very troubling truths about America—truths no less pointed and accurate today than they were decades ago. The seventies are over. All across America, the overgrown kids of the middle class are getting their acts together—and getting older. The once-tight Chicano community of Chamisaville is long gone, and the Anglo power brokers control almost everything. Joe Miniver—faithful husband, loving father, and all-around good guy—is about to sink roots. To buy the land he wants, he dreams up a coke scam that will net him the necessary bread. Joe is also about to embark on a series of erotic adventures with three headstrong women, bringing him face-to-face with the terrors (and absurdity) of the modern man-woman scene. The Nirvana Blues is part of John Nichols''s New Mexico trilogy, which includes The Milagro Beanfield War and The Magic Journey

“A hilarious, sad . . . all too true novel about the rough underside of a college love affair.”—John Knowles, author of A Separate Peace When eighteen-year-old Jerry Payne first meets Pookie Adams at the Friarsburg, Oklahoma, bus depot, he is hardly aware that this moment marks the beginning of the most memorable love affair of his life. Overwhelmed (and yet secretly enchanted) by her zany, rambling monologue, Jerry is relieved to leave her in St. Louis as he continues to New York. Thinking he’s seen the last of her, he heads off to college, only to be pursued by seventeen lengthy letters, and before he knows it he’s involved with a seemingly crazy, startlingly honest girl who adores him. During the next two years, Pookie helps Jerry leave behind the fun-seeking, beer-blasted fraternity man he has become, as she teaches him to open his heart to her. Then, almost as suddenly as she appeared in his life, she disappears from it, leaving in her wake an eternal trail of love and wonder.

Fresh from the first 10 billion election campaign, two award-winning authors show how unbridled campaign spending defines our politics and, failing a dramatic intervention, signals the end of our democracy. Blending vivid reporting from the 2012 campaign trail and deep perspective from decades covering American and international media and politics, political journalist John Nichols and media critic Robert W. McChesney explain how US elections are becoming controlled, predictable enterprises that are managed by a new class of consultants who wield millions of dollars and define our politics as never before. As the money gets bigger -- especially after the Citizens United ruling -- and journalism, a core check and balance on the government, declines, American citizens are in danger of becoming less informed and more open to manipulation. With groundbreaking behind-the-scenes reporting and staggering new research on "the money power," Dollarocracy shows that this new power does not just endanger electoral politics; it is a challenge to the DNA of American democracy itself.

Describes the labor protest movement in 2011 over collective bargaining rights for public employees and teachers, emphasizing the media attention it received and its influence on the Occupy Wall Street movement.