New Releases by John TAYLOR

From the first major discoveries in the 19th century, the painted panel and shroud portraits of Roman Egypt were a revelation to scholars and the public alike. Though the subjects of the portraits believed in the traditional Egyptian cults which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, the portraits focusing on their status in life. The images reveal the adoption of Roman fashions in dress and personal adornment by persons remote from the centre of the empire, but likely to have been actively engaged in its local administration. Many of the best known mummy portraits come from the Fayum, but portraits in various media are known from sites in the Nile Valley and along the Mediterranean coast. This text presents a wide range of examples, showing Roman influence coexisting with traditional Egyptian ways of commemorating the dead.

When Jefferson Davis commissioned Henry H. Sibley a brigadier general in the Confederate army in the summer of 1861, he gave him a daring mission: to capture the gold fields of Colorado and California for the South. Their grand scheme, premised on crushing the Union forces in New Mexico and then moving unimpeded north and west, began to unravel along the sandy banks of the Rio Grande late in the winter of 1862. At Valverde ford, in a day-long battle between about 2,600 Texan Confederates and some 3,800 Union troops stationed at Fort Craig, the Confederates barely prevailed. However, the cost exacted in men and matériel doomed them as they moved into northern New Mexico. Carefully reconstructed in this book is the first full account of what happened on both sides of the line before, during, and after the battle. On the Confederate side, a drunken Sibley turned over command to Colonel Tom Green early in the afternoon. Battlefield maneuvers included a disastrous lancer charge by cavalry--the only one during the entire Civil War. The Union army, under the cautious Colonel Edward R. S. Canby, fielded a superior number of troops, the majority of whom were Hispanic New Mexican volunteers. "The definitive study of the Battle of Valverde."--Jerry Thompson, author of Henry Hopkins Sibley

This valuable handbook covers the latest approaches to relations between writer/publisher and publisher/public including timely and practical advice on clearing text for libel, privacy, and related legal exposure. Perle & Williams on Publishing Law, Third Edition describes contract and problem issues commonly encountered in negotiating royalties, advances, options, writer''s warranty, subsidiary rights splits, and much more. You''ll also find intellectual property issues as they affect publishing, including electronic publishing and software, trademark and copyright law, filing procedures, antitrust issues, and more, including: Practical and useful model agreements save hours of drafting time Nearly 50 detailed checklists interwoven throughout identify specific factors that should be considered when analyzing materials for legal implications Sample forms with line by line instructions give you the necessary tools to file properly Practical tips to successfully negotiate contracts and issues such as royalties, advances, options, writers warranty and more.

What compels us to look at shocking photographs or, alternatively, to look away? Should the media use disturbing images to inform, at the risk of offending? How is our sense of politics, morality, and culture affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death? In Body Horror, John Taylor addresses these questions by examining how the media presents unsettling pictures, especially those of dead and injured "foreigners." Drawing on recent experiences in the Gulf, Bosnia and Rwanda, Taylor argues that documentary photography, for all the horror it reproduces, ultimately defines a democracy. Fully aware of the voyeuristic aspects of photojournalism, Taylor probes the difficulty of applying moral imperatives when separating the utility of showing images of suffering and violence from the risk of either insulting or gratifying public sensibilities. A compelling documentary of photography''s cultural and political power, Body Horror analyzes the moral responsibility attached to publishing and bearing witness to photographs of violence, and the historical amnesia that arises when such imagery remains unseen.

The author describes his career with the Navy''s first anti-terrorist unit.

Eminent historians piece together the evidence and illustrate, through a critical edition of the ballads, the development of the Robin Hood myth from his medieval portrayal as a common criminal to his Victorian idealisation as a rustic hero.

"Proof" has been and remains one of the concepts which characterises mathematics. Covering basic propositional and predicate logic as well as discussing axiom systems and formal proofs, the book seeks to explain what mathematicians understand by proofs and how they are communicated. The authors explore the principle techniques of direct and indirect proof including induction, existence and uniqueness proofs, proof by contradiction, constructive and non-constructive proofs, etc. Many examples from analysis and modern algebra are included. The exceptionally clear style and presentation ensures that the book will be useful and enjoyable to those studying and interested in the notion of mathematical "proof."

An unusual look at the nature and role of capital cities around the world - past, present and future. The 24 papers by scholars from many countries and disciplines present their thinking on capital cities, with contributions from Amos Rapoport, Claude Raffestin, Peter Hall and Anthony Sutcliffe. 16 papers in English, 8 in French.

When his parents separate, thirteen-year-old Dakota will do anything to bring his father home, from trying to become a baseball star to attending church services, but nothing is working and most of his efforts are leading to big trouble.