New Releases by KURT VONNEGUT

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

“[Kurt Vonnegut] has never been more satirically on-target. . . . Nothing is spared.”—People Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government—and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times. Praise for Jailbird “[Vonnegut] is our strongest writer . . . the most stubbornly imaginative.”—John Irving “A gem . . . a mature, imaginative novel—possibly the best he has written . . . Jailbird is a guided tour de force of America. Take it!”—Playboy “A profoundly humane comedy . . . Jailbird definitely mounts up on angelic wings—in its speed, in its sparkle, and in its high-flying intent.”—Chicago Tribune Book World “Joyously inventive . . . gleams with the loony magic Vonnegut alone can achieve.”—Cosmopolitan “Vonnegut is our great apocalyptic writer, the closest thing we’ve had to a prophet since . . . Lenny Bruce.”—Chicago Sun-Times “Vonnegut at his impressive best. . . . His imaginative leaps alone . . . are worth the price of admission. . . . His far-reaching metaphysical and cultural concerns . . . are ultimately serious and worth our contemplation.”—The Washington Post

For this unusual collection of vintage Vonnegut, the author has selected 24 of his favorite stories never published before in book form and has written a new Preface for the occasion.

“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly

A New York Times Notable Book from the acclaimed author of Slaughterhouse-Five, Breakfast of Champions, and Cat''s Cradle. At 2:27pm on February 13th of the year 2001, the Universe suffered a crisis in self-confidence. Should it go on expanding indefinitely? What was the point? There''s been a timequake. And everyone—even you—must live the decade between February 17, 1991 and February 17, 2001 over again. The trick is that we all have to do exactly the same things as we did the first time—minute by minute, hour by hour, year by year, betting on the wrong horse again, marrying the wrong person again. Why? You''ll have to ask the old science fiction writer, Kilgore Trout. This was all his idea.

From the New York Times bestselling author of Slaughterhouse-Five comes an irresistible novel that combines “clever wit with keen social observation...[and] re-establishes Mr. Vonnegut’s place as the Mark Twain of our times” (Atlanta Journal & Constitution). Here is the adventure of Eugene Debs Hartke. He’s a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that’s neither here nor there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And it’s all Eugene’s fault.

Repackaged as part of the Kurt Vonnegut reissue program, this title offers Vonnegut''s prophetic vision of the purpose of human life. "His best book. . . . He dares not only to ask the ultimate question about the meaning of life, but to answer it".--Esquire.

Wilbur Swain and his twin sister, Eliza, are so immensely hideous, helpless and vile in their infancy that their wealthy parents are forced to send them to live on a nearby asteroid. But behind their facade of idiocy, the monstrous pair possess a joint in

In this revealing collection of essays, Vonnegut examines the issues and events (both personal and social) that shaped the last decade. Ranging from an intimate portrait of his family to a biting commentary of ex-son-in-law Geraldo Rivera to the 1945 firebombing of Dresden, Germany, where he was a POW, this book "offers a rare insight into an author who has customarily hidden his heart" (New York Times).

Gathers interviews with Vonnegut from each period of his career and offers a brief profile of his life and accomplishments.

A young man from a peculiar family background inadvertently shoots a pregnant woman while playing with a rifle. This catastrophe has an irrevocable effect upon his life. Rudy Waltz, a.k.a. Deadeye Dick, tells the story of his life as a middle-aged man expatriate in Haiti. In addition to the other catastrophes of his life, his hometown back in the U.S. is virtually destroyed by a neutron bomb. At the ending of the book, it appears that Rudy, while he may not have fully come to terms with his actions, has at least come to live with them.

Originally published: New York: Delacorte Press, c1961.