New Releases by Katy Evans

He says he''s no good for her ... she hates that he might be right ... After years of searching, one night in the rain, the strong and mysterious Greyson comes to Melanie''s rescue. When they make love, he says her name like it means something. Like she means something-- and that''s everything she''s ever wanted. He disappears for days and when he''s away, her heart hurts. Then Melanie uncovers the dark world he''d been determined to keep hidden, and suspects that their random first meeting might have not been so random after all.

Eine intensive Liebesgeschichte voller Leidenschaft, Sehnsucht und Verlangen: Die junge Physiotherapeutin Brooke wird von ihrer besten Freundin zu einem Boxkampf mitgenommen. Dort begegnet sie dem Boxer Remington Tate - und ist augenblicklich von ihm fasziniert. Doch Remy ist wie Feuer und Eis: mal unnahbar, unberechenbar, gefährlich, mal leidenschaftlich, fürsorglich, romantisch. Er überwältigt Brooke, stellt ihre Welt auf den Kopf. Sie will Remy, nur Remy, für immer. Doch der verbirgt ein dunkles Geheimnis - ein Geheimnis, das ihre Liebe zerstören könnte ... "Wunderbar, gefühlvoll, mitreißend, stark - ganz einfach außerordentlich." (Sinfully Sexy Book Reviews)

Un boxeador inestable. Una joven con los sueños rotos. Una combinación explosiva. Remington Tate es el hombre más sexy y complicado que Brooke ha conocido jamás. Es uno de los boxeadores más admirados, deseados y ricos del circuito de boxeo clandestino. Pero cuando la invita a la habitación de su hotel, lo último que la joven fisioterapeuta espera es que le ofrezca un empleo. La atracción entre ellos es evidente, pero Brooke no está dispuesta a tirar su vida profesional por la borda. ¿Podrá aguantar tres meses junto a él sin caer en la tentación? ¿Qué quiere Remington Tate de ella? ¿Y cuál es su terrible secreto?

New York Times bestselling author Katy Evans expands upon the intense love story begun in Real and Mine—this time from Remington “Riptide” Tate’s point of view. Underground fighter Remington Tate is a mystery, even to himself. His mind is dark and light, complex and enlightening. At times his actions and moods are carefully measured, and at others, they spin out of control. Through it all, there’s been one constant: wanting, needing, loving, and protecting Brooke Dumas. This is his story; from the first moment he laid eyes on her and knew, without a doubt, she would be the realest thing he’s ever had to fight for.

For Henry, having two countries meant staged risk, and privacy. ForOscar, having the world meant everything bet on the one toss. In a20''s Modernist trope, this sequence hints at big unanalysed scandalsby almost making them cockney rhyming slang: Evans-Bush shows us TwoGreat Late Victorians through the prism of the 1920s, even while shelooks back 90 years at the Modernists, in a double manoeuvre.In literary judgment we think about sex, but in our own lives we thinkabout love. An equal attention to Henry James and Oscar Wilde at oncecan illuminate both. Henry remains, at this stage, Evans-Bush''s objectof quiet love: touchstone to a vision of love that is the secret, andthe secret joy of these poems. Me and the Dead was published by Salt Publishing in July 2008 and Highly Commended in the 2010 Forward Prize anthology.

In one of the best debut collections for ages, Katy Evans-Bush rises to the challenge of finding words for our times, meeting them in the nurseries of children or the battlefields of Iraq. Her work is various, educated and promiscuously open to experience: a Bishoppy moose makes an unepiscopal escape into TV''s ‘Northern Exposure’ as its name morphs through Muldoonian games; Catullus is translated into rougharse while the title-poem takes the pulse of modern death. She makes good use of her joint passport into British and American poetry, which now often seem to share a whole language of faux amis, in a book which is stylish and funny, cultured and humane. This is contemporary poetry for grown-ups.