New Releases by Laura Moriarty

A forbidden love blows open the world of a teenage girl, altering the trajectory of her life – from the author of the New York Times bestseller The Chaperone "A cancel-your-plans, hold-your-breath, call-your-best-friend kind of book." —Amy Jo Burns "Illuminates the beguiling power of first love through characters whose teenage choices precipitate lifelong consequences." —Sarah McCoy It’s 1949, early in the Cold War, but St. Petersburg, Florida, is warm and lush. For seventeen-year-old Nora, it’s paradise, especially after she meets and wins over Leonard, the shy, brilliant son of transplanted New Yorkers. Nora and Leonard are soon spending balmy days and evenings together, and in her adoring company, he grows more confident, even as he remains tender and caring. Leonard’s mother is welcoming, but his father is more suspicious of Nora and her lower class family. When forced to cut contact, Nora takes a chance that changes her life: exiling her from the family she loves, and setting off a chain of secrets and betrayals that will follow her into adulthood. A layered and propulsive love story set in the past, but with much to say about our present, Sunlight Finds You is ultimately about extending forgiveness—for ourselves, and for others—and about refusing to settle for a life that is less than full.

A series of poems that explores walking, writing, and making as divinatory practices. Documenting (and interrogating) the poet's daily walks, Which Walks investigates the twin practices of walking and art-making while aging. Gender is also a central concern in this intensely feminist work. Moriarty's book relates to the endlessly unfinished journeys of Nathaniel Mackey's long poems, as well as to the dailiness of many writers from Charles Baudelaire to Robert Creeley. These poems are an extension of the author's visual practice, which she is returning to after a fifty-year break. Here she succeeds in existing--even thriving--in today's strange, often terrifying, world.

A powerful and thought-provoking YA debut from New York Times bestselling author Laura Moriarty. Imagine a United States in which registries and detainment camps for Muslim-Americans are a reality. Fifteen-year-old Sarah-Mary Williams of Hannibal, Missouri, lives in this world, and though she has strong opinions on almost everything, she isn’t concerned with the internments because she doesn’t know any Muslims. She assumes that everything she reads and sees in the news is true, and that these plans are better for everyone’s safety. But when she happens upon Sadaf, a Muslim fugitive determined to reach freedom in Canada, Sarah-Mary at first believes she must turn her in. But Sadaf challenges Sarah-Mary’s perceptions of right and wrong, and instead Sarah-Mary decides, with growing conviction, to do all she can to help Sadaf escape. The two set off on a desperate journey, hitchhiking through the heart of an America that is at times courageous and kind, but always full of tension and danger for anyone deemed suspicious.

A young girl and her family deal with the repercussions of a tragic car accident in this compelling tale of loss and guilt.

Una futura estrella del cine mudo y la mujer que la acompaña a Nueva York, en los vertiginosos años veinte.

A new collection of poetry from the important experimental writer of the "A Tonalist" lyric

Soon to be a feature film from the creators of Downton Abbey starring Elizabeth McGovern, The Chaperone is a New York Times-bestselling novel about the woman who chaperoned an irreverent Louise Brooks to New York City in the 1920s and the summer that would change them both. Only a few years before becoming a famous silent-film star and an icon of her generation, a fifteen-year-old Louise Brooks leaves Wichita, Kansas, to study with the prestigious Denishawn School of Dancing in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s, ’30s, and beyond—from the orphan trains to Prohibition, flappers, and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

Août 1922. Louise Brooks a 15 ans. Cette future icône du cinéma muet intègre la prestigieuse école de danse de Denishawn et touche du doigt son rêve : quitter sa ville étriquée du Kansas pour la flamboyante New York. Seule ombre au tableau, ses parents lui imposent une chaperonne, Cora Carlisle. Une femme aux antipodes de la jeune Louise, avec des valeurs, le souci des convenances, mais aussi de lourds secrets... Car si Cora se porte volontaire pour accompagner la jeune fille, c'est avant tout pour pouvoir partir sur les traces de son propre passé obscur. Elle n'imaginait pas que préserver la vertu de sa protégée s'avérerait aussi difficile. Louise, avec son air mutin, son petit carré noir soyeux à la frange bien dessinée, attire les regards, elle a soif de liberté et entend bien profiter de cette ville enchanteresse qui foisonne de théâtres, résonne d'un jazz enivrant et fourmille d'hommes. Ces cinq semaines passées ensemble vont changer le cours de leur vie à jamais.... Une sublime fresque romanesque tout en sensibilité, deux portraits de femmes d'une force, d'une audace et d'une modernité éblouissantes !

“Fate provviste, staccate il telefono e chiudetevi in casa: non riuscirete a metter giù questo libro prima di aver letto la parola fine.” Kirkus Reviews Un divorzio. Un esame. Una tempesta di ghiaccio. Talvolta la vita accelera per insegnarci a starle dietro. Tutti si aspettano qualcosa da Veronica. Tim, che vuole andare a vivere con lei. Suo padre, che insiste perché faccia medicina. Perfino quello psicopatico di Jimmy, che le affida la casa mentre è via. Tutti contano su di lei, perché è una brava ragazza, assennata e diligente. Fino a che la vita perfettamente ordinata di Veronica si trasforma di colpo in un campo minato di dubbi: i suoi genitori divorziano da un giorno all’altro dopo ventisei anni di matrimonio, gli esami vanno storti e la voglia di studiare sparisce insieme a quella di rigare dritto. Cos’è? La fine del mondo? Forse sì. O forse è solo l’occasione per imparare che a volte ciò che conta è anche saper infrangere le regole, e avere il coraggio di andarsi a prendere quello che manca. Soprattutto se a mancare è un piccolo extra di felicità.

In a combination of discourse and lyric, paragraph and couplet, Bay Area poet and novelist Laura Moriarty explicates the poetics of a group of writers that resists categorization. This book-length essay uses the work of the California Tonalist painters to articulate new understanding and new possibilities for poetic practice.

" Deftly captures" a young woman's coming of age as her parents' marriage falls apart from an author who "keeps getting better and better" (Jodi Picoult, New York Times–bestselling author of Handle with Care). Ever since her parents announced that they're getting divorced, Veronica has been falling. Hard. A junior in college, she has fallen in love. She has fallen behind in her difficult coursework. She hates her job as counselor at the dorm, and she longs for the home that no longer exists. When an attempt to escape the pressure, combined with bad luck, lands her in a terrifying situation, a shaken Veronica calls her mother for help—only to find her former foundation too preoccupied to offer any assistance at all. But Veronica only gets to feel hurt for so long. Her mother shows up at the dorm with a surprising request—and with the elderly family dog in tow. Boyfriend complications ensue, along with her father's sudden interest in dating. Veronica soon finds herself with a new set of problems, and new questions about love and independence. Darkly humorous, beautifully written, and filled with crystalline observations about how families fall apart, While I'm Falling takes a deep look at the relationship between a daughter and a mother when one is trying to grow up and the other is trying to stay afloat.

Stella Nemo, the most appealing sort of sophisticated naif, plunges her paper ship, the Nautilus, into deepest, blackest space, crossing into the fraught domains of other planets and other minds, beaming requests for information to Ada Byron (a clone and psychic information scientist), and dreaming of the renaissance poet Thomas Wyatt (who exists as data). Stella's mission: to attempt to think and to write without being disturbed, derailed or killed.

"Evelyn Bucknow is living with her single mother, Tina, in a small apartment outside Kerrville, Kansas. Though Tina is warm and loving, she is still young and immature herself, prone to making hotheaded decisions that help create a precarious financial situation for her increasingly anxious daughter. When Tina's failed romance with her married boss leaves her jobless and desperate, Evelyn turns to her grandmother in an effort to distance herself from what she perceives as her mother's irresponsibility, immorality, and plain bad luck. But even the firmest convictions can crumble over time: As Evelyn winces her way through the trials of adolescence, she comes to realize that fortune, like people, can't always be categorized as good or bad. A curious student and a careful observer of her teachers, she learns the hardest lessons when confronted by the unexpected; a birth, a death, and the sting of unrequited love help Evelyn discover that luck is a tricky business, and a humbled compassion for others may be the greatest blessing of all."--BOOK JACKET.

Poetry. In this NUDE MEMOIR -- a roving gallery of nude torsos, nude cadaver toes, nude female lover and dead male lover, nude bride undoing God's and Duchamp's imposed abstract nakedness -- a woman is born. She is born of words formed when 'a sex (is) offered to a face.' She is terrible and she is wonderful. She is film noir married to Baroque. She is sentences, magnificance, lust. She is an edifice of loss amterializing and de-materializing on a line between poetry and prose that Laura Moriarty casts with the hand of a magician. I, too, dream of stripping bare this figure that the poet has so gorgeously decked out, to get to the heart of her namelessness. NUDE MEMOIR is an entrancing work of love, mourning, and resistance by a major poet -- Gail Scott.

Fiction. Cunning is the story of various impossible women -- Elizabeth I, Mary of Scotland, the 19th century courtesan Lola Montez, Sarah Winchester and Sarah Winnemucca, the men they use and are used by, and the fabled lands they covet and colonize, California and Ireland (Kevin Killian). These are cunning women; this is cunning writing: 'She is a low cunning witch, ' he claimed, which, not knowing what he meant, made her believe that cunning was the word for what she did for what she had done. For what she was. Written in short chapters and gorgeous, propelled sentences, poet Laura Moriarty's novelistic foray into history, geography, the female, asks to be read in one delicious sitting. In the geography of the masque, everything is exposed. There is a handwritten quality to the age which is also true of the play. Our attendance is mandatory in the sense that we will not feel part of life if we are left out. The absent ones are remembered and then not (from The Masque of 'The World').

Poems.