New Releases by Margaret Hodges

A lively, richly illustrated family biography of pioneering Boston tattoo artists Edward "Dad" Liberty and his sons Frank, Harold, and Ted. Accompanied by a lush catalogue of historic tattoo flash art. Through the complex, deeply human story of an iconic family of Boston tattooers, Loud, Naked, & in Three Colors forges a deeper understanding of the history of a vernacular art form and the folk who made a living from its subversive attractions. From the 1910s until 1962, when Massachusetts banned tattooing statewide, Edward "Dad" Liberty and his three sons held a near-monopoly on the Boston tattoo scene from their shops in Scollay Square, the city''s gritty entertainment district. Over their lifetimes, the Liberty men accumulated an unmatched collection of hand-painted tattoo flash art, photographs, machines, shop signs, correspondence, ephemera, and family memorabilia. Loud, Naked, & in Three Colors brings together this evocative, sometimes eye-popping material to create a groundbreaking visual and narrative history of tattooing in Boston. It is an appealing work for general readers and tattoo enthusiasts, as well as a definitive resource for tattoo artists and historians of popular culture. Loud, Naked, & in Three Colors presents nearly 700 never before published tattoo designs, known as "flash," passed down through the Liberty family. Painted on sheets, boards, books, window shades, and scraps of repurposed paper, these works represent nearly a dozen tattoo artists who plied needle and ink from the first years of the 20th century through the early 1960s. Highlights include artwork by early Boston tattoo artist and showman Frank Howard, Ed Smith, and tattoo luminary Ben Corday. Also featured are over 70 illustrations of newly-discovered art and artifacts owned by the Libertys and many of the tattooers in their orbit, including Detroit''s Percy Waters; Portland, Oregon''s "Sailor" George Fosdick; Los Angeles'' Ben Corday; Honolulu''s "Long Tom" and "Sailor" Jerry Collins; and Boston''s Fred McKay, James Fraser, Lawrence Davis, Oscar Bouchard, Jack Redcloud, Harvey Chanarkar, and Frank Harrington. Also represented is a host of material from Ted Liberty''s time in Baltimore and later Vancouver, Canada and Harold Liberty''s time in Salem, New Hampshire.

Soon after Janelle came home from college, she became a victim of Domestic Violence, at the hands of her new husband Rashad. Through love, faith, friends, family, and the Down & Dirty to 180

ABSTRACTFollowing the demise of apartheid, legislative, political and social practices were dramatically changed to promote equality and shared access for all South Africans. Newspapers and other mass media texts give insight to the co-construction of ethnic identity post-apartheid and evidence the emergence of a new dominant cultural narrative. In this new dominant cultural narrative, the trope of a colorblind national identity is frequently referenced. Another key component in this narrative construction is the memorialization of past traumatic events. This dissertation examines the news coverage of the 30th anniversary of the Soweto Uprisings, which occurred on June 16, 2006. The Soweto Uprisings will be framed as a "cultural trauma" (Alexander et al., 2004) and methods of critical discourse analysis will be used to examine the public construction of national identity in the post-apartheid era. The following questions guide the analysis of news media discourse: What changes to the South African national identity are evidenced in news stories covering the anniversary of the Soweto Uprisings? Do racially distinctive communities participate equally in the creation of this media discourse? In what ways are South African ethnic minorities "othered" in news features? How did/does the dominant cultural narrative evidenced in the media discourse influence the construction and management of racial identities in the larger context of South African society? The examination of the co-construction of national and racial identities in these news features draws upon an amalgamation of CDA methodologies outlined in Fairclough (1995, 1999), van Dijk (1988, 1991), and Wodak (Wodak & Weiss, Eds., 2003). The creation and re-creation of a shared history from the collective trauma of forcefully imposed, restrictive racialized communities is a dimension of national identity construction saliently evidenced by changes in the public discourse or dominant/counter narratives. Media discourse illustrates the emergence of colorblind national identity as the desirable, or default, national identity in post-apartheid South Africa and highlights the journalistic role in the creation and management of racial and national identities, liberation narratives, and reconciliatory discourses.

Retells the segment from Spenser''s The Faerie Queene, in which George, the Red Cross Knight, slays the dreadful dragon that has been terrorizing the countryside for years and brings peace and joy to the land.

Retells the story of Moses, from his birth and trip in a boat of bulrushes to his bringing of the Ten Commandments down from Mount Sinai.

A boy''s obsession with drawing cats everywhere gets him trouble, until the felines reward their creator.

Tells how the well-known Christmas carol, "Silent Night," first came to be written and performed in Austria in the early 1800s.

A culmination of over a decade of interdisciplinary research into the emergence of Hitler as dictator of Germany, the preconditions, and the ensuing effects on Germany, this book is a direct out-growth of a course on the literature of the Third Reich, which Professor Eskew instituted in the late Seventies at Dillard University in New Orleans.

Relates the story of the man who traveled west planting apple seeds to make the country a better place to live.

Noble Gareth defeats a dreaded knight and wins the hand of a fair maiden.

When Alice and her two younger brothers become lost in the woods, the children separate, and Alice is captured by an evil magician named Comus.

When a miserly man buys a supposedly haunted cottage, he discovers that the resident ghost, a pirate''s wife, has a sense of fair play.

An elegant retelling of a gentle, little-known tale honoring the chivalric virtues of service and sacrifice is all the more beautiful for its understated quality. Beautiful watercolor and colored pencil illustrations were inspired by the 16th-century paintings of Hans Holbein. A visual treat.

On a voyage in the South Seas, an Englishman finds himself shipwrecked in Lilliput, a land of people only six inches high.

When a poor Irish peddler follows the instructions given to him by Saint Patrick in a dream, his life is greatly changed. Includes background on Saint Patrick and on the origin of the story.

Nine episodes in the Arthurian cycle, from the placing of the boy Arthur in Merlin''s care to Arthur''s departure for Avalon.

Traces the lives and accomplishments of the extraordinary Mary Sherwood and her five children who played an important part in bringing great changes in higher education and voting rights for women, opportunities for government service, and awareness of the need to preserve the country''s natural wonders.

An abridged version of the adventures of an eccentric country gentleman and his faithful companion who set out as knight and squire of old to right wrongs and punish evil.

A young man rejects his wealthy background to lead a life of poverty and good works, always befriending animals.

Retells the segment from Spenser''s The Faerie Queene, in which George, the Red Cross Knight, slays the dreadful dragon that has been terrorizing the countryside for years and brings peace and joy to the land.

Out of an agonizing American experience, the frail Scots author mined a treasure and carried it away with him.