New Releases by Margaret Jull Costa

A profound and genre-defying work of literature about love, death, and illness from one of Portugal’s most celebrated writers Incapacitated after the removal of a malignant tumor, the narrator, António, spends his days in a Lisbon hospital enduring the humiliations of severe illness. As he drifts in and out of consciousness, he revisits fragments of his life and the people who passed through it. He recalls the village where he lived as a child near the Mondego River amid the eucalyptus and pines, his parents and grandparents and their tight-knit community of potato farmers and tungsten miners, and the woman he loved—an unexpected polyphony of voices and places sounding in sharp counterpoint to debilitating pain. By the Rivers of Babylon conjures the past and the present all at once, revealing the power of memory to embolden us in the face of extraordinary suffering. This is António Lobo Antunes’s homage to the beauty of a cherished life in its confrontation with imminent death.

From the winner of the prestigious FIL Prize in Romance Languages comes this masterpiece saga, set in the twilight of the late twentieth century, of two clashing families in coastal Portugal. With the grand sweep of Elena Ferrante’s Neapolitan novels, this enduring tale transports us to a picturesque seaside town haunted by its colonial past. Considered one of Europe’s most influential contemporary writers, Portuguese novelist Lídia Jorge has captivated international audiences for decades. With the publication of The Wind Whistling in the Cranes, English-speaking readers can now experience the thrum of her signature poetic style and her delicately braided multicharacter plotlines, and witness the heroic journey of one of the most maddening, and endearing, characters in literary fiction. Exquisitely translated by Margaret Jull Costa and Annie McDermott, this breathtaking saga, set in the now-distant 1990s, tells the story of the landlords and tenants of a derelict canning factory in southern Portugal. The wealthy, always-scheming Leandros have owned the building since before the Carnation Revolution, a peaceful coup that toppled a four-decade-long dictatorship and led to Portugal’s withdrawal from its African colonies. It was Leandro matriarch Dona Regina who handed the keys to the Matas, the bustling family from Cape Verde who saw past the dusty machinery and converted the space into a warm—and welcoming—home. When Dona Regina is found dead outside the factory on a holiday weekend, her body covered in black ants, her granddaughter, Milene, investigates. Aware that her aunts and uncles, who are off on vacation, will berate her inability to articulate what has just happened, she approaches the factory riddled with anxiety. Hours later, the Matas return home to find this strange girl hiding behind their clotheslines, and with caution, they take her in . . . “Some said that Milene had been found wandering near the golf course. . . . Still others that she must have spent those five days at the beach, eating raw fish and sleeping out in the open . . .” Days later, the Leandros realize that Milene has become hopelessly entangled with their tenants, and their fear of political and financial ruin sets off a series of events that threatens to uproot the lives of everyone involved. Narrated with passionate, incandescent prose, The Wind Whistling in the Cranes establishes Lídia Jorge as a novelist of extraordinary international resonance.

A boy finds a flower dying of thirst in an uncultivated, dry land. To save the flower, he goes throughout the world searching for water. The boy's family finds him sleeping under the enormous flower. When they realize what happened, the boy gains respect for the deed.

It is a powerful finale to Mirbeau's trilogy of "angry young man" novels. The harrowing story of the perversion of innocence is offset by Mirbeau's lyrical descriptions, capturing in words the serene impressionism of Monet and the violent pornographic excesses of Feliciens Rops.

Consists of the papers of translator Philip Polack. Correspondents include Camilo José Cela, Margaret Jull Costa, Miguel Delibes, Salvador Espriu, and various publishers. Also included among the correspondence are letters to and from Polack and various correspondents regarding his translation of Diálogo dos Montes. Writings include various drafts of Polack's translation of Soledades, by Luis de Góngora, as well as drafts and proofs of works by Margaret Jull Costa, Luis de Góngora, Rehuel Jessurun, Miquel Martí i Pol, Toni Turull, Frederico García Lorca, Maria del Mar, Ausias March, Eduard Mörilee, Joan Manuel Serrat. Miscellaneous includes ideas for illustrations for works translated by Polack, as well as obituary notices for Toni Turull.