Most Popular Books by Northrop Frye

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Discusses the future of liberal education in an increasingly technological society.

"Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature." "Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects the comprehensive study of Renaissance symbolism in three volumes that Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never completed this work; nevertheless, his application, part of which is also included here, is an important document. It not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism." "In addition to providing insight into Frye's thinking process, the material collected here is of unique importance because much of it touches on topics not fully explored in his other published works."--Jacket.

Northrop Frye's Anatomy of Criticism (1957) is widely regarded as a masterpiece of literary theory. The product of years of reading and reflection, the book's value extends far beyond its impact on criticism as a whole; ultimately, it must be viewed as a synoptic defense of liberal learning by one of the twentieth century's most distinguished critics. In this, the twenty-third volume of the Collected Works, editor Robert D. Denham presents the notebooks to the Anatomy, blue-prints, as it were, for Frye's comprehensive account of literary conventions. Composed from the late 1940s to 1956, the notebooks document the struggle Frye underwent to provide a structure for his work. This involved incorporating previously published essays and developing new material that would maintain the continuity of his argument. This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye's working process and a renewed appreciation for his magisterial accomplishment.

his new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye's life.

In this outstanding collection of sixteen essays, the world-renowned critic and scholar discusses various works in the central tradition of English mythopoeic poetry, paying particular attention to the centrality of Romanticism.

Highlighting aspects of his scholarship seldom given sufficient emphasis, this new volume of the Collected Works of Northrop Frye documents Frye's writings on the literature of the eighteenth and nineteenth centuries (apart from those on William Blake, which are featured in other volumes). The volume includes Frye's seminal 1956 essay "Towards Defining an Age of Sensibility" and the highly influential 1968 book A Study of English Romanticism. With these pieces and the other published and unpublished works contained in the volume, Frye changed the way the transition from the major Augustan figures to the Romantics was viewed. These works are a central part of Frye's long and radical rethinking of the relation of romance and Romanticism and, through them, he emerges as a meticulous textual critic, teasing out the fine brushstroke effects in writers as varied as Boswell and Beddoes, Dickens and Dickinson. Imre Salusinszky's introduction and annotation illuminates Frye's writing and guides the reader along the path of Frye's five-decade development of thought on Romanticism. This volume is an invaluable contribution to studies on Frye, as well as to Romantic and Victorian literature.

This volume in the Collected Works provides a transcription of the seven books of diaries that Frye kept intermittently from 1942 until 1955.

This collection of Northrop Frye's writings on Shakespeare and the Renaissance spans forty years of his career as a university teacher, public critic, and major theorist of literature and its cultural functions. Extensive annotations and an in-depth critical introduction demonstrate Frye's wide-ranging knowledge of Renaissance culture, the pivotal place of the Renaissance in his oeuvre, his impact on Renaissance criticism and on the Stratford Festival, and his continuing importance as a literary theorist. This volume brings together Frye's extensive writings on Shakespeare and other Renaissance writers (excluding Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books on Shakespeare. Frye's insightful analyses offer not just a formidable knowledge of Renaissance culture but also a transformative experience, moving the reader imaginatively towards an experience of created reality.

Presents a series of lectures on the theological and sociological aspects of creation doctrine.

Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose.

Hundreds were turned away from these lectures given on the day of the installation of Dr. Claude Bissell as President of the University of Toronto. Professor Frye spoke on "Humanities in a New World"; Professor Kluckhohn on "The Scientific Study of Values"; and Professor V.B. Wigglesworth on "Science: Pure and Applied".

"This book is an anthology. It covers the forms and varieties of fiction, poetry, and drama, moving from the simple elements to the more subtle and complex, with introductory principles and questions to guide the student's progress ... "--Preface, page xix.

Northrop Frye's status as one of the most influential critics and intellectuals of the twentieth century makes it difficult to gauge the personal qualities of the man behind the work. However, an intimate picture is revealed through the correspondence Frye exchanged with his first wife, Helen Kemp, and which he bequeathed to Victoria College at the time of his death. In A Glorious and Terrible Life with You, Margaret Burgess presents the essential narrative at the heart of the correspondence, focusing on the thoughts, feelings, and formative experiences of the two central protagonists as they chronicle both their own intertwined voyages of growth and discovery and the central events of their time. Bringing to life their interactions with families and friends, their educational milieu, and the significant cultural and historical currents of the 1930s, these letters show both Frye and Kemp engaging with and contributing to the unique cultural climate of the period. Rich and compelling, they exemplify the wonderful eloquence and vitality of spirit that is evident throughout all of the correspondence. A Glorious and Terrible Life with You is a touching and highly revealing account of the relationship between two kindred spirits and remarkable minds. Lavishly illustrated, this new edition includes family photographs and original graphics by both Helen Kemp and her father, S.H.F. Kemp, mostly dating from his own student days at the University of Toronto.

These reviews of culture and literature illuminate Frye's great system of thought as it unfolded during one of his most fruitful periods. In part 1, Frye engages some of the central figures of twentieth-century thought, including Spengler, Jung, Cassirer, Frazer, Toynbee, Langer, and Eliade. Part 2 presents eleven essays on novelists and poets, from Cervantes to Char.