New Releases by PAUL AUSTER

Efter et langt sygdomsforløb lider forfatteren Sidney Orr af skriveblokering. En ny notesbog sætter ham i gang med en historie, der tilsyneladende får skæbnesvanger indflydelse på hans liv. Forfatteren Sidney Orr er langsomt ved at komme sig efter en alvorlig sygdom. Under en af sine daglige spadsereture i kvarteret, hvor han bor, går han helt tilfældigt ind i en papirvareforretning, hvor han bliver fristet til at købe en blå notesbog. Denne i sig selv banale hændelse bliver starten på en række begivenheder, som ændrer tilværelsen afgørende for Sidney Orr og de mennesker, der står ham nærmest. Paul Austers Orakelnat er en fortælling om historien i historien, en slags "kinesisk æske-roman". "Paul Auster har aldrig været bedre end i ''Orakel nat'' ... Det er Auster på de høje nagler, og ''Orakel nat'' skal - jeg mener: SKAL – læses af alle, der både vil tænke og bevæges." - Bo Kampmann Walther i Kristeligt Dagblad "Der er ikke én god fortælling, men hundredevis af små gode historier, anekdoter og dokumenter (f.eks. en side fra en polsk telefonbog fra 1937), der spejler og infilterer bogens overordnede kammerspil ... Man får fornemmelsen af at være vidne til et frydefuldt litterært trylleri. Men det er ikke bar underholdning. Under overfladen er det brændende alvor for Auster." - Karsten R. S. Ifversen i Politiken

Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior. In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . . From his baby''s-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster''s moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone''s story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

“[A] civilized discourse between two cultivated and sophisticated men. . . . It’s a pleasure to be in their company.”—Michael Dirda, The Washington Post “An extended meditation on the processes of friendship, [Here and Now] has something substantive to offer.”—The New York Times Book Review After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their delight in each other’s friendship on every page.

A deeply personal and moving memoir from the acclaimed author of The New York Trilogy and The Invention of Solitude "That is where the story begins, in your body, and everything will end in the body as well." Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations—both pleasurable and painful. Thirty years after the publication of The Invention of Solitude, in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother''s life and death. Winter Journal is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers. In this intimate and introspective work, Auster reflects on his childhood in Brooklyn, his coming of age in New York City, and the profound impact of family life. A poignant exploration of aging and the complex relationship between mother and son, Winter Journal showcases Auster''s singular voice and extraordinary insight into the human condition.

The expanded edition of an essential collection of writings, essays, and interviews from Paul Auster, one of the finest thinkers and stylists in contemporary letters. The celebrated author of The New York Trilogy, The Book of Illusions, and 4 3 2 1 presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including his "breathtaking memoir" ( Financial Times), The Invention of Solitude. Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster''s own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" ( San Francisco Chronicle).

The internationally bestselling author of The New York Trilogy, "one of America''s greatest living novelists," dazzlingly reinvents the coming-of-age story ( The Observer). Sinuously constructed in four interlocking parts, Paul Auster''s fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girlfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as "one of America''s most spectacularly inventive writers" ( The Times Literary Supplement). "Occasionally, a novel is so masterful it leaves you breathless. Paul Auster''s Invisible is such a novel." — The Boston Globe "Magnificent . . . The results are revelatory." — Houston Chronicle "As soon as you finish Paul Auster''s Invisible, you want to read it again . . . It is the finest novel Paul Auster has ever written." —Clancy Martin, The New York Times Book Review "Auster has never been better." — The Seattle Times

A Washington Post Best Book of the Year "Man in the Dark is an undoubted pleasure to read. Auster really does possess the wand of the enchanter."--Michael Dirda, The New York Review of Books From a "literary original" (The Wall Street Journal) comes a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. Seventy-two-year-old August Brill is recovering from a car accident at his daughter''s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget: his wife''s recent death and the horrific murder of his granddaughter''s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill''s story grows increasingly intense, and what he is desperately trying to avoid insists on being told.

Each day an old man awakes with no memory, unsure of whether or not he is locked into the room. A middle-aged woman called Annaenters & talks of pills & treatment, but also of love & promises. Who is this Mr Blank, & what is his fate?

In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. In a selection of interviews, as well as in the essay ''The Red Notebook'' itself, Auster reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. The Red Notebook both illuminates and undermines our accepted notions about literature, and guides us towards a finer understanding of the dangerously high stakes involved in writing. It also includes Paul Auster''s impassioned essay ''A Prayer for Salman Rushdie'', as well as a set of striking and bittersweet reminiscences collected under the apposite title, ''Why Write?''

In this rich and emotionally charged work, a man''s obsession with a silent film star sends him on a journey into a shadowy world of lies, illusions, and unexpected love.

The Story of My Typewriter is the story of a manual Olympia model that is now more than 25 years old. Paul Auster''s discerning prose is combined with Sam Messer''s illustrations to stun fans of both author and illustrator alike.

By turns poignant and comic, Paul Auster''s memoir is essentially an autobiography about money--and what it means not to have any. From the streets of New York and Paris to the rural roads of upstate New York, the author treats readers to a series of remarkable adventures and unforgettable encounters, as he attempts to survive on nothing. 3-color insert.

The insider''s guide and perfect companion to the new film starring Harvey Keitel, Mira Sorvino, and Vanessa Redgrave--the romantic story of two lonely, mismatched strangers, transformed into soul mates by the uncanny power of a phosphorescent stone. 40 photos.

Acclaimed author Paul Aster shows the reader how his short story metamorphosed into a feature film starring William Hurt, Harvey Keitel, Forest Whitaker and Stockard Channing. The book includes the short story, photos, conversations with the actors and Auster, and follows the process of a germ of an idea being brought to fruition.

Now including The Red Notebook--a collection of autobiographical sketches on coincidence--The Art Of Hunger undermines our accepted notions about literature. Auster''s meditations on writing and artists leads us to a better understanding of the toll of writing.

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

Beginning with the short fragments of Spokes and continuing on through the more ample meditations in Facing the Music, this selection of Paul Auster''s poetry reveals a voice that has been consistently faithful to its visionary impulses.

From New York Times bestselling author Paul Auster, a dystopian, post-apocalyptic novel “reminiscent in many ways of Orwell’s 1984” (The Atlanta Journal-Constitution). “Powerful, original, imaginative, and handled with artistry . . . One of the better modern attempts at describing hell.”—The Washington Post Book World In a distant and unsettling future, the masses are homeless, theft is so rampant it is no longer a crime, and death—by arranging either a suicide or an assassination—is the only way out. It is in these circumstances that Anna Blume begins her search for her brother, a one-time journalist who may or may not still be alive, in an unnamed city whose destitute inhabitants dig through garbage and elusive government provides nothing but corruption. In her struggle to survive, Anna becomes a scavenger of objects from the past to sell for food and shelter. But she will also find friendship—and even love—in this devastated world. In the Country of Last Things is a tour de force that reaffirms Paul Auster’s stature as one of the most accomplished and singular talents of his generation.

The second book in the acclaimed New York Trilogy--a detective story that becomes a haunting and eerie exploration of identity and deception. It is a story of hidden violence that culminates in an inevitable but unexpectedly shattering climax.