Best Selling Books by Peter DAVIES

A definitive technical guide to the USAF and foreign variants of the McDonnell–Douglas F4 Phantom.

The ShipCraft series explores the iconic pleasure vessels Titanic, Olympic, and Britannic in fully illustrated detail for building your own model ship. In the first of the ShipCraft series to cover non-naval vessels, this meticulously researched and illustrated volume looks at the legendary cruise ship RMS Titanic and her sisters, Olympic and Britannic. Written for the serious model ship builder, this book not only covers the many model kits available, but a concise history of the ship''s class, including every detail that contributed to the ship''s creation. Accompanied by hundreds of photographs of models in various scales, the text covers paint colors, line drawings, and scale plans, as well as the differences in the ships'' appearance over time. An invaluable resource on available models, their pros and cons, and ways to modify and customize each one, this ShipCraft title concludes with a reference section essential to any modeler.

This study aims to shed light on the relationship of writers with power in East Germany by setting their work in the context of Soviet and SED German policy after 1945. Peter Davies provides an analysis of the politics of German division as it affected visions of German national identity within the East German artistic community, and shows how this can give us a profound insight into contentious questions of artistic `dissidence'' and `conformity''. The second part of the study develops these ideas through a series of case studies of important individuals such as Johannes R. Becher, Peter Huchel, Bertolt Brecht and Hanns Eisler, analysing the complexities of their relationship with the power structures and ideology of the East German state in the institutional context of the Deutsche Akademie der Kunste. The study concludes with an account of the consequences of the June 1953 uprising for these artists'' view of their role in the GDR.

This book arises out of a long series of conversations about one of the most intriguing, but still under-researched, aspects of testimony: how the remembering and telling of an individual Holocaust survivor changes through time, through shifting contexts and with increasing age. It comes at this issue from an interdisciplinary perspective, not with the intention to develop a synthetic method but to explore how different perspectives overlap, conflict with or complement each other. It sets its definition of ''testimony statement'' very broadly, treating published texts, video testimonies, and fragmentary statements and publications as of equal interest, without a hierarchy of value. The book focuses on Olga Lengyel (1908-2001). She wrote a memoir about her imprisonment in Auschwitz, first published in French in 1946, which was translated into English with modifications in 1947, and, half a century later, in 1998, she gave video testimony for the USC Shoah Foundation’s Visual History Archive. Her testimony is well known enough to have gained a public profile and to have attracted some scholarly attention, but is not ''canonical''. Her work is internationally known, having been translated and received in a number of languages, and having been an inspiration for William Styron’s bestseller Sophie’s Choice. This book provides a condensed critical resource on Lengyel’s testimonies, addressing matters of historical veracity, of trauma, of gender, of memory, and of genre in the transmission and reception of Holocaust testimonies over time and across cultures.

General Practice has never been an easy occupation. In the past there were some clear structures and routes for new GPs to take. You could expect to join a practice and progress through the ranks, growing in seniority and confidence. You might have been informally mentored by one of the older colleagues; learning management and business skills gradually. It is no longer like this. The market has changed, the range of options is wider, and the way through the labyrinth is far from clear. You might find yourself confused and overwhelmed by all the new opportunities, possibilities and prospects. This book helps to clarify uncertainties and guide you towards the right path. It offers ways to formulate strategies when planning your career and maps out the landscape of general practice, enabling you to make, confident and informed decisions about your professional future. Supporting the initiative of First5(R), The New GP''s Handbook is highly recommended for newly qualified GPs who will find it answers so many of their questions and helps make the first five years (and beyond) in general practice more understandable, productive and enjoyable. Experienced GPs too, will find the guide invaluable as a current, general overview. General practice is an exciting and rewarding career which provides a host of opportunities for new GPs entering the profession today. Finding the right job, achieving a good work-life balance and developing a culture of lifelong learning are vital not only for the fulfilment of new GPs themselves but for the future of the profession. This book will help you achieve these objectives. Clare J Taylor, in the Foreword

This study explores the prevalence in German culture of myths about ancient matriarchal societies, discussing their presence in left and right wing politics, feminist and antifeminist writing, sociology, psychoanalysis and literary production. By tracing the influence of the works of the Swiss jurist and theorist of matriarchy, Johann Jakob Bachofen (1815–1887), and the controversies about the reception and interpretation of his work, this study shows how debate about the matriarchal origins of culture was inextricably linked with anxieties about modernity and gender identities at the turn of the twentieth century. By moving beyond the discussion of canonical authors and taking seriously the scope of the discussion, it becomes clear that it is not possible to reduce matriarchal theories to any particular political ideology; instead, they function as a mythic counterdiscourse to a modernity conceived as oppressive, rational and masculine. Writers considered include Ludwig Klages, Hofmannsthal, Kafka, Hauptmann, Lou Andreas-Salomé, Sir Galahad, Clara Viebig, Mathilde Vaerting, Thomas Mann, Elisabeth Langgässer, Ilse Langner, Otto Gross, Franz Werfel, and many others.

A growing body of scholarship is making visible the contribution of translators to the creation, preservation, and transmission of knowledge about the Holocaust. The discussion has tended to be theoretical or to concentrate on exposing the "distorted" translations of texts by important witnesses such as Anne Frank or Elie Wiesel. There is therefore a need for a positive, concrete, and contextually aware approach to the translation of Holocaust testimonies that acknowledges the achievements of translators while being sensitive to the consequences of particular translation strategies. Peter Davies''s study proceeds from the assumption that translators are active co-creators whose work does not simply mediate a pre-existing text, but creates a representation of that text for a new readership in a specific context. Translators of Holocaust testimonies, then, provide a form of textual commentary that works through ideas about witnessing, historical truth, and the meaning of the Holocaust. In this way they are important co-creators of knowledge about the Holocaust and its legacy. The study focuses on translations between English and German, and from other languages (principally French, Russian, and Polish) into English and German. It works through a number of case studies, showing how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated. Peter Davies is Professor of German at the University of Edinburgh.

Robert Volk has already built several museum models and here he shares his wealth of experience with all ship model builders. Using the example of a pilot schooner in 1:50 scale, the construction, divided into individual sections, is described in detail: From the hull to the rigging, from the steering wheel to the fresh water barrel, nothing is missing that makes a perfect ship model. The reader is introduced to a wealth of different working techniques, receives useful practical tips and even finds a German-English dictionary of technical terms. Together with the many extraordinarily detailed drawings by Peter Davies-Garner, a compendium has been created which is also valid for other similar ships and which one therefore likes to consult again and again. A self-built model in museum quality? – With this book it becomes possible!

In this book, Peter Davies-Garner describes the construction of a fascinating large-scale model that does justice in its perfection to the legendary model of the RMS Titanic. Built on a scale of 1:48 for an American museum, this excellently researched, and six-metre-long model is probably the measure of all things when it comes to replicas of the most famous ship in history. Not only because of the many original photos and the excellently detailed plans, this book is a treasure trove for all model builders. Above all, the detailed description of the various construction techniques used makes it a must-read for every ambitious model ship builder. From the content: • The sinking of the Titanic • Shipyard models • The model of the Titanic • The hull • The propellers • The rudder • The decks • The superstructure • The funnels • The lifeboats and davits • Masts and rigging • Titanic model kits • Colour scheme • Further reading

First Published in 1989. In November 1987, the second U K Conference on Social Aspects of AIDS took place at the Polytechnic of the South Bank in London. This brought together a wide range of researchers with an interest in examining the social dimensions of HIV infection and AIDS. Amongst those present were educationalists, psychologists, sociologists and anthropologists, as well as representatives from statutory and voluntary sector organizations providing services for those affected by AIDS. This book contains many of the papers given at the conference as well as a number of additional contributions.

The fascinating, troubling legacy of the gold rush. Everyone knows gold made Victoria rich. But did you know gold mining was disastrous for the land, engulfing it in floods of sand, gravel and silt that gushed out of the mines? Or that this environmental devastation still affects our rivers and floodplains? Victorians had a name for this mining waste: ‘sludge’. Sludge submerged Victoria’s best grapevines near Bendigo, filled Laanecoorie Reservoir on the Loddon River and flowed down from Beechworth over thousands of hectares of rich agricultural land. Children and animals drowned in sludge lakes. Mining effluent contaminated three-quarters of Victoria’s creeks and rivers. Sludge is the compelling story of the forgotten filth that plagued nineteenth-century Victoria. It exposes the big dirty secret of Victoria’s mining history – the way it transformed the state’s water and land, and how the battle against sludge helped lay the ground for the modern environmental movement. ‘Sludge is a fascinating, entangled story of human endeavour and environmental destruction. An exciting and timely reminder that history is a dirty business, precisely because it oozes its way into the present.’ —Clare Wright ‘Sludge, slurry, slickens or porridge: call it what you will, mining waste made a mess of Victoria’s environment. In Sludge, Susan Lawrence and Peter Davies carefully investigate this murky history of greed, mismanagement, reform and forgetting. It is a gripping account of an environmental catastrophe, and it vividly conveys the long-term costs of short-term gains.’—Billy Griffiths ‘This is the book about the goldfields I most wanted to read but didn’t think could be written. It’s a remarkable achievement.’—Tom Griffiths ‘If Victorians dreamed of glittering gold, what they got was a tidal wave of sludge that covered the land like a poisonous blanket and made the rivers run thick as gruel. Susan Lawrence and Peter Davies vividly recreate the forgotten landscapes of nineteenth-century Victoria, revealing how people and mining destroyed the country that nurtured them, and how that silent legacy is still with us today. Here is a powerful parable, a work of brilliant rediscovery and a wakeup call for our own times.’ —Grace Karskens

An alphabetical word list with entries defining the words and discussing their present usage, including idioms and prepositions used with them.